Free Shakespearean history Essays and Papers

who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One

Journal of Management Education 20 (1996): 39-48. Weimann, Robert. "Mingling Vice and 'Worthiness' in King John." Shakespeare Studies 27 (1999): 109-33. Zamir, Tzachi. "A Case of Unfair Proportions: Philosophy in Literature." New Literary History 29 (1998): 501-20.

The term History Play is commonly used to denote the plays (whether tragedies or comedies) in which the action and the major themes of the play are primarily political rather than individual or social. Though Shakespeare did not distinguish between the genres of his plays, when the collected works of Shakespeare was published by his own colleagues in the Chamberlain's- King's company as the First Folio in 1623, the plays, the editors divided them into Comedies, Histories and Tragedies. Though

Observing History through Shakespearean Works The histories have traditionally been interpreted against a background of Tudor moral and political philosophy. They have been arranged in chronological order of the reigns of the kings, and by this plan the full significance of the relationship of the plays becomes apparent. Although the precise date of many of Shakespeare's plays is in doubt, his dramatic career is generally divided into four periods. The period up to 1594 is Shakespeare's first

to Henry V," William Shakespeare's Henry V. NY: Chelsea House Publishers, 1988. Siemon, James R. "The 'Image Bound': Icon and Iconoclasm in Henry V," William Shakespeare's Henry V. Shakespeare, William. Henry V. The Norton Shakespeare Histories. Stephen Greenblat, General Editor. NY: W.W. Norton & Company, 1997.

The Relationship Between Richard II and The Myrroure for Magistrates The relationship between Richard II and The Myrroure for Magistrates is considered here predominantly in the context of the differences between the two texts.[1] The function of each text is discussed initially, the didactic purpose of the Myrroure contrasted with the function of Shakespeare’s play as, primarily, theatrical entertainment. The conflicting accounts of certain events from Richard’s reign are looked at subsequently

William Shakespeare's Henry V William Shakespeare is one of the most famous and influential writers of all time. His plays not only portray the past, but also aspects of love and hate, humour and tragedy. Henry V, written by Shakespeare, using Raphael Holinshed's historical chronicles, appealed to many of the citizens of that time, as it presented an insight into their country's past, as well as 'feel-good' nationalism. It would have been performed on stage at a time when Henry VIII had

Rewriting History in Henry IV The master of historiography is, perhaps, Shakespeare as evidenced by his History Plays. Whereas most writers merely borrow from history to fuel their creative fires, Shakespeare goes so far as to rewrite history. The First Part of Henry the Fourth follows history fairly closely, and Shakespeare draws this history primarily from Raphael Holinshed's Chronicle of England, Scotland, and Ireland and from Samuel Daniel's verse epic The Civil Wars (Abrams 823). The

William Shakespeare derived the basis of Macbeth from many different sources. The main resource was Raphael Holinshed’s Chronicles, published in 1577. In Holinshed’s work, he told the real story of Macbeth, a valiant thane who became king in an unnatural way. Macbeth's unfair ruling killed him, which restored the proper Scottish throne. Shakespeare took Holinshed’s original work and enhanced it, adding certain characters that would influence the story and help explain the tale. One character he embellished

Andrea. Henry IV, Part One. London: Baron's Education Series, Inc, 1984. Princiss, G.M. Henry IV Criticism. Shakespeare For Students, Vol.II. Detroit: Gale Publishing, 1999. Prior, Moody E. The Drama of Power: Study in Shakespeare's History Plays. Shakespeare For Students, Vol. II. Detroit: Gale Publishing, 1999. Shakespeare, William. Henry IV, Part One, Penguin Books, Lim, Harmondsworth, Middlesex, England. 1987. Wells, Stanley. Shakespeare: Life in Drama. New York: Norton