Marlon Wayans Essays

  • Youth Rebelliion In The 1950s

    1042 Words  | 3 Pages

    of the black people. Young people were breaking away from the ways of life and conservative attitudes, habits and past times of their parents and defining themselves through music. Marlon Brando and James Dean came to be cult idols. Marlon Brando starred in “The Wild One”, made in 1954 about a rebel bikie gang. Marlon Brando plays Johnny, the leader of the bikie gang. In essence he expresses the values and the life style the youth aspired to. The things that aroused outrage among parents in these

  • A Streetcar Named Desire Analysis Essay

    1686 Words  | 4 Pages

    A Streetcar Named Desire During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings

  • Misrepresentation Of Indians In Hollywood Movies

    790 Words  | 2 Pages

    giving the wrong notion of what could be a mythical princess, so the Indians have to act about this absurd stereotype , the help came surprisingly from Hollywood, it helped to spread their objection in what happen in wounded knee and other movies. Marlon Brandon asked Sacheen littlefeather to represent him and explain to people about the wrong stereotype in south Dakota and wounded knee It a smart move because the academy theater , of course, will be filled with filmmakers and producers who will take

  • Animal Farm vs. The Godfather

    1343 Words  | 3 Pages

    Animal Farm vs. The Godfather George Orwell and Mario Puzo wrote Animal Farm and “The Godfather” (from the book The Godfather), respectively, to express their disillusionment with society and human nature. Animal Farm, written in 1944, is a book that tells the animal fable of a farm in which the farm animals revolt against their human masters. It is an example of social criticism in literature in which Orwell satirized the events in Russia after the Bolshevik Revolution. He anthropomorphizes the

  • Film Contributions of the Sixties

    1654 Words  | 4 Pages

    Film Contributions of the Sixties Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors

  • Events Of The Year 1954

    1750 Words  | 4 Pages

    lined with plaid flanel and dungarees were worn to the most casual occasions. The sandals of the fifties were not much different than the sandals of today. In the entertainment world, On the Waterfront won the Oscar for the best film while its star Marlon Brando won the Oscar for best actor. Grace Kelly won best actress for her role in The Country Girl. James Dean and Humphrey Bogart were also creating memorable movies. Almost thirty million people owned televisions by this time so it was no surprise

  • Women in Tennessee Williams' A Streetcar Named Desire and Arthur Miller's Death of a Salesman

    953 Words  | 2 Pages

    Women in Tennessee Williams' A Streetcar Named Desire and Arthur Miller's Death of a Salesman The part of Stella and Linda are both archetypal female figures in that they follow the typical fictional role of the submissive wife and mother. In A Streetcar Named Desire, Stella DuBois (renamed Mrs. Stanley Kowalski) supports and forgives her husband, defending him against any criticism. Likewise, in Death of a Salesman, Linda - the only female character with any import - is a meek, timid figure

  • South Park as Parody of Society

    1391 Words  | 3 Pages

    leaves the children wondering just what the heck he is trying to say. There are references to his having sex with every available (and even unavailable) female in the town. There is a take-off of The Island of Dr. Moreau with a geneticist--mimicking Marlon Bran... ... middle of paper ... ...in most of the episodes these negative actions and beliefs are dealt with in a manner that seeks to alleviate them. Unfortunately, this manner of alleviation is found in the subtext, and most people are not willing

  • Francis Ford Coppola

    593 Words  | 2 Pages

    Following careful thought on which director to study, I chose Francis Ford Coppola. Although he has directed more films than I have had the opportunity to experience, I have viewed enough to understand his progression and style of his work. Over almost forty years of work, Coppola has directed about twenty-five films, produced near forty-five, composed two, and acted in eight. He is known predominantly for Apocalypse Now (1979) and The Godfather I (1972), II (1974), and III (1990). However, he has

  • Marlon Brando

    695 Words  | 2 Pages

    Many people believe Marlon Brando was the greatest actor of the 20th century. His life was filled with wonderful, interesting, but also encountered troubling times. Marlon Brando was a rebellious boy who later grew up to be known as the “world’s greatest actor.” Marlon Brando was born on April 3rd 1924 in Omaha Nebraska. Marlon Brando had a pretty tough childhood. Brando was the youngest out of three children. Brando had two sisters, Jocelyn and Frances. His parents are Marlon Brando Sr. and Dorothy

  • The Godfather Movie Analysis

    2057 Words  | 5 Pages

    also part of a big move (master Francis Ford Coppola, director), changing the protagonist of the first film: Marlon Brando stars as protagonist, being so famous Don Vito Corleone, while Al Pacino was just (not so just so) the son of Vito and protected in the course of the plot there is a change in the roles. When Michael Corleone finally becomes the Don Corleone and the Godfather, Marlon Brando, has its modified role, becoming the protégé of his beloved son, and the best - without reducing some of

  • Apocalypse Now

    581 Words  | 2 Pages

    Apocalypse Now This film, from 1979 was directed by Francis Ford Coppula and starred Martin Sheen (Capt. Willard) and Marlon Brando (Col. Kurtz). The film takes place during the 1970's in the middle of the Vietnam War. Coppula was rewarded for his hard work by winning the Academy Award for cinematography. The story is based on the novel "Hearts of Darkness", by Joseph Conrad. The book and film depicts Capt. Willard in the middle of the Vietnam searching for Col. Kurtz, who has gone mad and

  • Symbolism in A Streetcar Named Desire by Tennessee Williams

    3836 Words  | 8 Pages

    During the late nineteen-forties, it was common for playwrights such as Tennessee Williams to use symbolism as an approach to convey personal thoughts, through the attitudes of the characters and the setting. Williams' actors have used symbolism to disguise the actuality of their thoughts and to accommodate the needs of their conservative audience. A Streetcar Named 'Desire' has a few complicated character traits and themes. Therefore, they have to be symbolised using figures or images

  • James Dean

    1089 Words  | 3 Pages

    to convey. You never take your eyes off him and, in true rebellious style; he is always at odds with the world around him. That world was the post World War Two generation. It was the same one that spawned the iconic, misunderstood, rebellious Marlon Brando, the fiery sullen method actor who was and perhaps still is a legend.

  • Marilyn Monroe

    2427 Words  | 5 Pages

    Marilyn Monroe Many people said that Marilyn Monroe was a great inspiration in their lives, but through my research, I found out that she was everything but an inspiration. Throughout my report, I will give you many facts about Marilyn’s rough life and what she did to handle them. Marilyn Monroe, AKA Norma Jean Mortenson/Baker, was born at Los Angeles General Hospital at 9:39 am on June 1st, 1926. The hospital in which she was born is now the County University of Southern California

  • Marlon Brando

    547 Words  | 2 Pages

    Marlon Brando was born on April 3rd 1924, in Omaha, Nebraska, the third and last child of Dorothy Pennebaker Brando and Marlon Brando, Senior. He had two sisters Jocelyn and Frances and was descended from Irish immigrants. In 1935, his parents separated, and his mother moved with her three children to Santa Ana in Orange County, California. Two years later, in 1937, his parents were reconciled again, and the family moved to Libertyville, Illinois, north of Chicago near Lake Michigan. (Bosworth, 2004)

  • Analysis Of The Use Of Lighting In The Godfather

    961 Words  | 2 Pages

    I am writing about the use of lighting in the opening scene of The Godfather, (1). The photography of The Godfather as an entire film is very planned and used specifically to generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and

  • Comparsion of Tennessee Williams´ A Streetcar Named Desire the Play or Movie

    1012 Words  | 3 Pages

    Tennessee Williams wrote a play named A Streetcar Named Desire which eventually became Pulitzer Prize winner for drama in 1948. This play was first staged on December 3rd 1947 in New York. A Streetcar Named Desire which was second play produced by Williams went on to become a huge success just like his first play named The Glass Menagerie. Streetcar helped Williams in cementing his position as one of the most proficient and respected playwrights existing in contemporary theater (Kolin 1993). For

  • Comparing Return Of The Secaucus Seven And The Big Chill

    1094 Words  | 3 Pages

    It is impossible to deny the similarities of characters, setting, cinematography and more, between The Return of the Secaucus Seven by John Sayles and The Big Chill by Lawrence Kasden. This paper will focus on the similarities and differences in the themes between the two movies. Specifically, focusing on relationships, aging, and death. The two films differ in many aspects but parallel in other ways. Impacts of these themes within the two movies are important to recognize because they are relevant

  • Sympathy for Stanley in A Streetcar Named Desire

    1627 Words  | 4 Pages

    Sympathy for Stanley in A Streetcar Named Desire Can we view Stanley sympathetically in scene 3? However to be able to view Stanley sympathetically we need to understand his emotion and mentality, before we make a full judgment on him. I personally feel Stanley is a harsh character but I also believe he is pushed into doing such actions and I cannot help feel that if Blanche had not visited none of this would have happened. In this particular scene I do sympathise with Stanley and I will