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    James Weldon Johnson

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    James Weldon Johnson The author of "Lift Every Voice and Sing" (often called "the Negro National Anthem"), James Weldon Johnson had a long career as a creative writer, black leader, teacher, lawyer, diplomat, and executive secretary of the National Association for the Advancement of Colored People. Through his writing he protested racial injustice, encouraged black achievement, and added immeasurably to the wealth of American literary art. A native of Jacksonville, Florida, Johnson attended

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    James Weldon Johnson

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    Johnson had a older sister died at the age of two. His younger brother , name John Rosamond came along in 1873.In 1884 Johnson spent a summer in Brooklyn, New York. Johnson was sixteen years old. He had met many of the prominent African American leaders of his day , including the legendary Frederick Douglass. He had also mastered Spanish by conversing with his friend. Johnson attended Stanton until entered high school. He attended high school. He attended high school and college at Atlanta University

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    James Weldon Johnson

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    James Weldon Johnson James Weldon Johnson (1871-1938), was a highly talented and celebrated African American writer. He was a poet, songwriter, novelist, literary critic, and essayist. Along with his wide-ranging literary accomplishments, Johnson also served as a school principal, professor of literature at Fisk University, attorney, a diplomatic consul for the United States in Venezuelaand Nicaragua, and secretary for the NAACP from 1920-1930. He is considered one of the founders of the Harlem

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    they do. We are going to dig deep into that reason why soon. Although Mr. Johnson, Mr. McKay, and Ms. Wells had many different experiences,

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    musicians, photographers, poets, and scholars says the History Channel. The Harlem Renaissance began in the year 1917 and extended to the mid-1930s but, in this time frame there were famous writers such as Langston Hughes, Countee Cullen, James Weldon Johnson, Claude McKay, and many others who made this time an unforgettable moment in history says the Poetry Foundation. In the Harlem Renaissance it was more than just a culture, social and poetic movement: what it really was African Americans fighting

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    in accordance with what might be called an economic necessity. So far as racial differences go, the United States puts a greater premium on color, or better, lack of color, than upon anything else in the world." --the protagonist (page 72) James Weldon Johnson's first-person narrator in his fictional account, The Autobiography of an Ex-Colored Man, forwards a cynical, if not Darwinian, point-of-view about skin color. He claims it is "most natural" for black people to procreate with those who

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    surroundings. This essay aims to explore how the urban environment moulds a person’s identity. I will be focusing on the novels, Maggie: A Girl of the Streets by Stephen Crane, Nella Larsen’s novel Passing, The Autobiography of an Ex-Colored Man by James Weldon Johnson and The House of Mirth by Edith Wharton. There are many trial and tribulations associated with being raised in the slums of New York City. Crane’s novel, Maggie: A Girl of the Streets demonstrates this and how the environment can affect a person’s

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    of like everyone else, they fought to make their own identities and neither were told what to do. They were their own individuals. Works Cited Gold, Michael. Jews Without Money. New York: Carroll & Graf Publishers, 1996. Johnson, James Weldon. An Autobiography of an Ex-Colored Man. New York: Penguin Books, 1990.

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    The Harlem Renaissance

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    The Harlem Renaissance Poets consist of: James Weldon Johnson, Countee Cullen, Claude McKay, Jean (Eugene) Toomer, Langston Hughes, Sterling Brown, Robert Hayden, and Gwendolyn Brooks. These eight poets contributed to modern day poetry in three ways. One: they all wrote marvelous poems that inspired our poets of modern times. Two: they contributed to literature to let us know what went on in there times, and how much we now have changed. And last but not least they all have written poems that people

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    Countee Cullen

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    “poster poet” of the 1920 artistic movement called the Harlem Renaissance. The Harlem Renaissance produced the first African American works of literature in the United States. There were many leading figures in the Harlem Renaissance such as James Weldon Johnson, Claude McKay, Langston Hughes, Wallace Thurman and Arna Bontemps. Cullen was simply an amazing young man who won many poetry contests throughout New York, published two notable volumes of poetry (Color and Copper Sun), received a master’s

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    the creation and development of the Harlem Renaissance was James Weldon Johnson. Raised without a sense of limitations among a society focused on segregating African Americans, Johnson had seen the actions of what society was pursuing. After high school, he attended Atlanta University where he graduated and later was hired as a principal in a grammar school and while serving in this position; he founded the Dailey American newspaper. Johnson was an intelligent young man who spoke the truth through

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    Passing by Nella Larsen

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    Another issue that Nella Larsen brings up in her story, Passing, is the aspect of lesbianism. Before the Harlem Renaissance began, people back then were not very open about being a gay or lesbian person. As the years progressed, people became more open about their sexuality if they happened to be different. The Harlem Renaissance was a time period that is known for the blossoming culture of African Americans. The Harlem Renaissance took place in the vicinity of Harlem, New York. This event was a

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    The Life and Poetry of Langston Hughes

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    According to Becky Bradley in American Cultural History, Langston Hughes was born February 1, 1902 in Joplin, Missouri. Growing up, he dealt with some hard times. His parents divorced when he was little and he grew up with neither of his parents. Hughes was raised by his grandmother since his father moved to Mexico after their divorce and his mother moved to Illinois. It was when Hughes was thirteen that he moved out to Lincoln, Illinois to be reunited with his mother. This is where Hughes began

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    “Theme for English B” at surface value is the autobiography of a well-educated, twenty-two year old college student at Columbia University. This autobiography is in response to an assignment given by the student’s professor. The assignment provides a way for the speaker to address his feelings to his classmates about the unjust treatment he receives at school. This young man is African-American and although his references to his race could be taken as basic facts about himself, they mirror his struggles

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    The Imagery of Langston Hughes’s Harlem “What happens when dreams are deferred?” is the first line in Langston Hughes’s “Harlem,” a very interesting social commentary on Harlem in the early 1950’s. It talks about a “dream deferred” Harlem, which was a haven for literature and intellect in the late 20’s and early 30’s, but has become run down and faded to a shadow of its former existence. Langston Hughes’s “Harlem” is filled with extremely vivid imagery. “Harlem,” by Langston Hughes uses various

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    Langston Hughes “I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go. -Langston Hughes” Hughes was an amazing man in his lifetime. He taught us all the true potential of African Americans and the skill that they possess. “What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or does it explode” - Langston Hughes Langston Hughes was born on February 1, 1902 in Joplin, Missouri. His parents got divorced when he was

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    Angelina Weld Grimké was born in Boston, Massachusetts February 27, 1880 to Archibald Henry Grimké and Sarah E. Stanley. As a result, Grimké was born into a rather “unusual and distinguished biracial family” (Zvonkin, para. 1). Her father was the son of a slave and her master, who also happened to be the brother of the two famous abolitionist Grimké sisters: Angelina and Sarah. Grimké’s mother, Sarah, was from a prominent, white middle class family; she left Grimké and her African American husband

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    Soothing Soul Singing “Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that,” stated Martin Luther King, Jr. Langston Hughes, the author of “Trumpet Player,” pioneered a period called the Harlem Renaissance in America (“The Harlem Renaissance”). This movement occurred after World War 1 and celebrated the African-American heritage and culture (“The Harlem Renaissance”). Hughes wrote during a time when the Negro was considered an inferior human

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    The Equivalence of Two Poets: Countee Cullen and Langston Hughes During the Harlem Renaissance, many African Americans expressed their feelings through art, one form of art being the writing of poetry. Poetry allows a writer to be inattentive to what others think. It allows the reader to freely express his beliefs without having to consider opinions about their piece of art. That leads to readers gaining their own opinions. It can also lead to poets having different opinions as well. Two poets, in

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    Gwendolyn Brooks

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    racial dynamics in the city that continues to influence her work. Her profound interest in poetry informed much of her early life. "Eventide," her first poem, was published in American Childhood Magazine in 1930. A few years later she met James Weldon Johnson and Langston Hughes, who urged her to read modern poetry--especially the work of Ezra Pound, T. S. Eliot, and e. c. cummings--and who emphasized the need to write as much and as frequently as she possibly could. By 1934 Brooks had become an

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