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    Eavan Boland

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    Research Paper on Eavan Boland Born in Dublin in 1944, Eavan Boland is perhaps one of Ireland‘s greatest contemporary poets. She is a well educated woman who knew at a very young age that she was destined to find her path in life through literature. Being removed from her homeland at age five to live in London, she found herself next living in New York at the age of fourteen because of her diplomatic father. In the early stages of her teenage years, Boland met the Irish poet Padraic Colum at

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    Eavan Boland’s In a Time of Violence was an attempt to cast a light on violence while giving the victims an identity. As an Irish writer, Boland dealt with the idea of nationalistic politics, and her personal plight of being a mother in the suburbs. Her poem “Inscriptions” and “Child Of Our Time” were both written to give names and faces to the innocent deaths of children by political violence. In her essay “Subject Matters”, and interviews, Boland remarks on how she viewed the political poem and

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    Identity in the Works of Eavan Boland and Seamus Heaney Many times poetry is reflective of the author’s past as well as their personal struggles. One struggle that poets write about is of identity and the creation, as well as loss, of individual identities. Using a passage from the essay Lava Cameo by Eavan Boland, I will show how two poets use their craft to describe their struggle with identity. Eavan Boland and Seamus Heaney both write poems which express an internal struggle with roles of

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    Pomegranate Eavan Boland

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    emphasize his individuality and autonomy. “Pomegranate,” a poem by Eavan Boland, draws on the Greek myth “Demeter and Persephone” to illustrates the influence of inevitable changes in human development on relationship between mother and daughter, and periodicity of human existence. To express her feelings, Bolan draws on the motifs of the myth “Demeter ( Ceres) and Persephone’, which refers to the emotion of all mothers. Boland compares her concerns and feelings to struggles of the

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    Eavan Boland’s poem “Amber” was published in the Atlantic Monthly in December of 2005. This poem starts off sad, talking about a death of a friend and how grieving seemed to last forever. Boland shows us this through lines one through five. It then goes on saying that if you think of all the good memories that the grieving process will pass and you can be happy when thinking about the lost friend. Boland’s poem “Amber” is showing us that grieving shouldn’t last forever and that memories can take

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    Eavan Boland’s poem “Love” comes from her collection entitled In a Time of Violence. In the piece Boland both reflects on the history of her and her husband’s love and ties it in with the story of a hero who travels to hell. The poem’s form is stanzaic, broken into 7 stanzas with 38 lines. “Love” is rich with metaphor, simile, personification and imagery. The poem makes constant allusion to Greek Mythology, and the author’s story runs parallel to that of Odysseus from Homer’s “The Odyssey” . Boland

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    In comparing two poems on Anorexia such as late poets Eavan Boland and Louise Glück, we look into the lives of two individuals who struggled with eating disorders. While eating disorders are still a problem in the world today we don’t often see the emotional and mental taxes up close and personal. With these two poems on Anorexia, we get to see perspectives of the way women view their bodies that aren’t easily accessible. In reading the two works, there are striking differences and they merit thorough

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    In "Atlantis - A Lost Sonnet" written by Eavan Boland, discusses how maybe Atlantis isn 't really necessarily a place, but more a description for things people have lost throughout their lives and are gone forever. In the poem, the author is the person talking, but she seems to be more thinking to herself rather than talking aloud. She 's thinking about the lost city of Atlantis at the beginning, or so it seems, but then after the end-stopped line saying "I miss our old city-" the subject of the

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    A Formalist Approach to Eavan Boland’s The River Over the years many different ways of analyzing poetry have been developed. One such approach is the “New Critical,” or the “Formalist,” which is based on the writings of Coleridge. The formalist approach is useful because it takes the poem’s form, which may be overlooked, and analyzes it to see what its effect is on the meaning of the poem. There are other aspects taken into consideration, like who the speaker is and how the author incorporates

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    Storytelling in Eavan Boland's In a Time of Violence In her 1994 collection of poems, In a Time of Violence, Eavan Boland presents her readers with a very focused set of controlling ideas. These ideas, centered around the concepts of family, history, legends, and storytelling, fluidly intermingle and build upon one another as the work progresses until one notion, above all others, is clear: that the telling and retelling of stories and legends is not only a great power, but a great responsibility

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    Empowerment of Women in Sylvia Plath's Lady Lazarus and Eavan Boland's Anorexic Although the title foreshadows an extrinsic approach, this essay mostly features intrinsic analysis. Eavan Boland's "Anorexic" seems descendent from Sylvia Plath's "Lady Lazarus": the two share common elements, yet have significant differences. An examination of the poems' themes reveals that self-destructiveness can serve as empowerment for women. Plath explores Lady Lazarus' nontraditional view of suicide in

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    Comparing Seamus Heaney’s Digging and Eavan Borland’s In Search of a Nation Seamus Heaney’s “Digging” and Eavan Borland’s “In Search of a Nation” focus on issues involving identity.  Boland’s essay reveals an individual uncertain in her personality, sexuality, and nationality while Heaney’s poem depicts a man who recognizes his family’s lineage of field laborers yet chooses the pen over the shovel. The benefit of reading the two works vis-a-vis reveals how Ireland has influenced their lives

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    when he literally flees from his father by "walking rapidly lest his father's shrill whistle might call him back." Stephen's separation from his clique is demonstrated by his adoration of the poet Byron, who his schoolmates (Boland & Heron) deem as a "heretic and immoral." Boland and Heron then proceed to attack Stephen with "a fury of plunges" that leaves Stephen "half blinded with tears." Other violent disagreements with his peers can be found when while attending Clongowes Wood College he is pushed

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    Before Iran-Contra

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    and the US began to think that their only choice was military intervention. But support for military intervention was not very popular in the US among the public and legislature. The first Boland Amendment of 1982 capped the US monetary support for the contra rebels, and in successive years, amendments to the Boland Amendment dropped that number dangerously low. Congress remembered the lessons of the Vietnam War, and wanted to avoid the slow, steady build up to all-out war. Also, many of Reagan’s most

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    influence and had a lot of “support for anti- Communist revolutions” , the CIA was ordered to assist the contras with military activities. However, excesses made by CIA resulted in Congress ending the aid as funding money started running out. The Boland Amendment, which was signed earlier in 1984, “denied requests of assistance to Contras and prohibited any help from any nation or group.” However, the Reagan administration decided to continue arming and traini... ... middle of paper ... ...rule

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    Oliver North

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    	In October and November 1986, two secret illegal U.S. Government operations were publicly exposed. In addition to naming other people as illegal operatives, the scapegoat of it all was Lieutenant Colonel Oliver L. North. Only months before he was being heraled in the New York Times as "President Reagan's Man of Action", and now North was being handed the blame of all guilty of illegally negotiating deals with Iran and Nicaragua. As the Iran-Contra Scandal was led into the national spotlight,

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    It's a Woman's World

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    evening air, fire-eaters. while this one here -- It's our alibi her mouth (25) for all time a burning plume -- that as far as history goes she's no fire-eater, we were never (55) just my frosty neighbour on the scene of the crime. coming home. - Eavan Boland (1982) Since the beginning of time, women have faced an uphill battle for equality with the patriarchal societies. However, during the nineteenth century, many reforms have occurred to raise women to equality with men. More women attend college

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    By the Sound, by John Hollander

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    John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development

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    In the poem, “It’s a Woman’s World,” Eavan Boland offers a bitterly ironic interpretation of women’s role in society. Despite the passing of thousands of years, she believes that women remain the inferior sex. She supports this idea through simple, short words that convey a sort of self-mocking irony and outrage at the role women are forced into by men. The poem is broken down into fourteen stanzas each containing four lines. There is no structured ryme, rather lines and stanzas flow into each

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    The Irish Potato Famine and The Holocaust in Literature Writers often use literature as a means of communicating traumatic events that occur in history, and such events are recorded by first-hand accounts as well as remembered by people far removed from the situation. Two traumatic events in history that are readily found in literature are The Irish Potato Famine and The Holocaust. A literary medium that has been used quite poignantly to convey trauma is poetry and the poetry from these two

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