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    Maus by Art Spiegelman

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    all people in their own social environment, and provide more tools than conventional art to truly show artistic intention. Comics exist to expose the ethnic representations that seek to control the development of collective perceptions, memories and emotions and especially fear by investigating the techniques through which this control is maintained. Maus I is a true account of a Holocaust survivor, Vladek Spiegelman, and his experiences as a young Jew during the horrors leading up to the confinement

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    Maus by Art Spiegelman

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    An estimated six million Jewish people were killed during the Holocaust, and many were thought to have survived due to chance. Vladek in Art Spiegelman’s graphic novel, Maus, is one of the few Jewish people to survive the Holocaust. Though Vladek’s luck was an essential factor, his resourcefulness and quick-thinking were the key to his survival. Vladek’s ability to save for the times ahead, to find employment, and to negotiate, all resulted in the Vladek’s remarkable survival of the Holocaust. Therefore

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    Maus by Art Spiegelman

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    Maus by Art Spiegelman The book Maus, by Art Spiegelman, it is the true story of his fathers life, mainly during the Jewish concentration camps. The chronicle is displayed in such a way it grabs the reader’s attention right away and gets them hooked on the story. Art Spiegelman’s dad, Vladek, explains to his son about the duress, and the excruciating pain he went through during the time of the concentration camps. Art retells the story exactly how his father told him, he did not concoct it,

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    When reading a traditional book, it is up to the reader to imagine the faces and landscapes that are described within. A well written story will describe the images clearly so that you can easily picture the details. In Art Spiegelman’s The Complete Maus, the use of the animals in place of the humans offers a rather comical view in its simplistic relation to the subject and at the same time develops a cryptic mood within the story. His drawings of living conditions in Auschwitz; expressions on the

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    Blood runs thicker than water. Art Spiegelman portrays a story through a non-traditional form of literature. Humans are not drawn; however, animals are used to represent a different group of individuals. The mice are the Jews, the Cats are the Germans, and the pigs are the Poles. Albeit the clear-cut framework, Maus is a novel that paints the horrors of the Holocaust and the aftermath. Spiegelman interviews his father, Vladek, for his personal recollection and experience from the tragedy. The novel

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    One - The Sheik Art visits his dad, Vladek, in Rego Park, New York, after being away for about two years. Vladek has married Mala after the suicide of Art's mother. Art persuades Vladek to begin telling him the story of his life, which Art hopes to use for a book. Vladek begins at the time that he is a young man working in the textile business near Czestochowa, Poland. He has an affair with the beautiful Lucia before he is introduced to Anna Zylberberg. Anna (Anja) is from a wealthy family and is

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    was a terrible and tragic time for Jewish people. They were constantly treated bad, harassed, and killed. The Nazi’s maintained many concentration camps, the most infamous of which being Auschwitz, where Vladek Spiegelman was sent to during the war. In the graphic novel, Maus, Art Spiegelman tells the tale of his father, Vladek, and his life during the Holocaust. In order to improve his chances of staying alive, Vladek got involved in helping the guards with certain tasks and jobs. By doing so, Vladek

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    “The world. The world is not interested in us. Today everything is possible, even the crematoria…” - Elie Wiesel The graphic novel “Maus” is one Holocaust survivor’s tale, Vladek Spiegelman. Vladek lived through the Holocaust and along the way lost most if not all of his family. Art arrived at his fathers’ home to capture the story. Within the novel you bare witness to this very awkward father son relationship, you see how one managed to escape death when it is the only option, and the lasting impact

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    Art Spiegelman is the author and artist of Maus. The complete Maus is composed of Maus I and Maus II. Maus I was published in 1986, Maus II was published in 1991. The protagonists for this book are Vladek Spiegelman, a Jewish survivor of the Holocaust and Art Spiegelman, Vladek’s cartoonist son. Volume I for the most part takes place in Poland, with Vladek describing his experience during Hitler’s rule to Art. Volume II is mainly on how the cartoonist Art struggles to make the book he has been working

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    as well. Comic artist Art Spiegelman is known for creating one of the most famous examples of serious anthropomorphism in the history of comics: a Pulitzer prize-winning graphic novel entitled Maus, wherein a firsthand account of the Holocaust is told by Spiegelman’s father, Vladek, and illustrated within a metaphor of Jews as mice, Nazis as cats, Poles as pigs, and Americans as dogs. Art Spiegelman’s use of pictorial symbolism in Maus

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    conflict actually serves as a bonding agent for a group by creating a common, albeit, negative experience. I am going to prove my thesis through the use of The Complete Maus by Art Spiegelman. Specifically, I will examine the visual polarization between Art and his father, Vladek, in graphic elements and how it connects to Arts internal conflict. Following this, I will continue analyzing the graphic element of Maus focusing on the external conflict and how the use of visual symbolism and linkage creates

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    Manzanar by Jeanne Wakatsuki Houston and James D. Houston and the novel Maus by Art Spiegelman the theme of suffering has a damaging effect on the human spirit. Suffering in both these stories come in different forms such as emotional, physical, and mental. No matter the form, it is still suffering. Food depravation is a method that people use to affect the human spirit in a negative way. In the story Maus by Art Spiegelman, food is used to make the prisoners weak. For example, at the concentration camp

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    great toll on millions of lives in one way or another. One person in particular is Vladek Spiegelman, a Holocaust survivor. Maus, by Art Spiegelman, consists of two main narratives. One narrative occurs during World War II in Poland, and the other begins in the late 1970s in New York. In relation to each other these two narratives portray the past and present.Throughout the novel, we often see Art Spiegelman questioning why his father acts the way he does. Although the war is over, the events of the

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    Art Spiegelman's Maus

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    commentary by Jules Feiffer about “Maus”, which is a survivor’s tale created by Art Spiegelman. As you can see from the commentary, this is a wonderful story, not only its the writing but also the art. The author made the story interesting that attracts many readers by changing many things from the first 3 –page version of Maus. To analyse this story, first of all, we need to understand about the writing of this story. Spiegelman focuses on many things in this story and the events in 1940s made them connected

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    Maus I and II by Art Spiegelman follows primarily his father’s and mother’s experiences during the rise of the Nazi power. However, many instances in these novels could be categorized as European History as well. Spiegelman beautifully combines both family memories and history at certain moments in each novel. The reader can get a sense of sentimental memories during one frame, then switch to the broad history everyone knows from textbooks. These books are both family history and Europe’s past

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    Theme of Diversity in Crying of Lot 49, Good-bye, Columbus, and Survivor Diversity is an attribute that is seen among people, situations and cultures.  Everyone has encountered different situations at one time or more during their lives that has either been pleasant or upsetting.  Certain novels written in the 1950's to the present show signs of multiformity very clearly. In regards to culture, people are placed in unusual situations where their diversity is shown. Throughout the

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    reaction. Anja battled postpartum depression ordinarily, but the Holocaust shook her to the core of her being. “Why are you pulling me, Vladek? Let me alone! I don’t want to live!” exclaims Anja after she is informed of the loss of her son, Richieu(Spiegelman 122). In this moment it is Vladek who must reassure Anja of her own life. Placing this heavy burden on the shoulders of someone who is experiencing the same horrors affects the way Vladek reacts to events in the

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    Holocaust survivors, were often projected onto their children. Authors Art Spiegelman and Hans-Ulrich Treichel illustrate the above in their memoirs Maus I and II and Lost. Whether it is the war, losing a sibling, or parent, the guilt of the loss is projected onto Art and Treichel. In both cases, the parents are physically or emotionally unavailable to the children, which affects their psychological well-being. Consequently, Art and Treichel suffer from intergenerational trauma which hinders their

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    as the Holocaust. Undoubtedly, what happened was serious and should be treated as such; with respect and dignity. Works dealing with the Holocaust are subjected to careful inspections; writers that choose to portray this topic must tread carefully. Art Spiegelman’s work Maus is written in comic form and could be criticised about not being serious enough. But is that really the case? The very form in which Maus is written, the form of a graphic novel, could be seen as highly controversial. The

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    Vladek In Maus

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    Maus, a graphic novel by cartoonist Art Spiegelman, is not just another Holocaust story, but a work of art that delves into the physical, emotional, and psychological strains suffered by many of the survivors. The story is told through an ongoing conversation between Art and his father Vladek. Although the novel focuses on Vladek’s story, it also portrays how the Holocaust’s effects stretched across multiple generations. Spiegelman explores the psychological state of some more than others. Throughout

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