Temple of Music
In the annals of World's Fairs, the 1901 Buffalo fair is listed, as a matter of record. However, it is one of the lesser-remembered fairs. This is not due to a lack of planning or physical appeal, but rather to the fact that on September 6, 1901, President William McKinley was shot and killed at the Temple of Music. This was the kind of event that is so infamous and carries such bad press that it condemns everything it touches, from the setting, the surrounding events, and the people involved, to the same black blanket of notoriety. Due to the President's assassination, the popularity of the Fair spiraled downward. Despite the deploring of the Fair, however, it was home to some remarkable buildings.
The displayed colored rendering of the Temple of Music is from the pages of Pan American Exposition: Buffalo 1901, a guidebook to the Buffalo Fair. With bright colors, the picture accurately captures the image of the Temple and its surrounding buildings. The Temple, designed by August C. Esenwein, could hold 2,200 people. On the main stage, a gigantic pipe organ was installed for concerts. On the outside the Temple was painted in a mixture of colors, mostly pastels, ranging from blue-green to scarlet. Along with the main "Pan-American" architectural mode of the Fair, it was built in the Spanish Revival style, and sported a central, brightly colored, octagonal dome that rested on a square base. Facades had intricate moldings that covered the outside of the Temple, from angels playing instruments to the large "MVSIC" sign in Roman characters over the main entrance. The Temple of Music fulfilled several practical and symbolic functions. It acted as a general reception hall and place to commemorate special occasions....
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...nt the most advanced aspect of the Fair, was the lightest of all, painted near white. This method of "metaphorical planning" inspired several later cities to utilize similar techniques in their fairs, such the "Mediterranean" architecture scheme of the 1915 San Diego Exposition and the utilitarian coloring of the 1933 Chicago Fair.
Bibliography
Findling, John E. Historical Dictionary of World's Fairs and Expositions 1851-1988. New York: Greenwood Press, 1990.
Arnold, C.D. The Pan-American Exposition. Buffalo, New York: 1901.
Eck, Susan. "The Color Scheme by C. Y. Turner, Director of Color." Pan American Exposition: Buffalo 1901. (http://panam1901.bfn.org/documents/turnerarticle.html).
Eck, Susan. "The Sculpture Plan by Karl Bitter, Director of Sculpture." Pan American Exposition: Buffalo 1901. (http://panam1901.bfn.org/documents/sculptureplan.html).
In the book, “The Devil in the White City,” Erik Larson tells the story of two formidable men and their activities during Chicago’s World Fair of 1893. Daniel Burnham is an architect and the fair’s brilliant director. The book takes the reader through the tremendous obstacles and tragedies that Burnham faces in an attempt to create a fair that will give America its fame. However, H.H Holmes is a young doctor, who uses the attraction of the great fair and his charms to lure dozens of young women to their inevitable and tragic deaths. Not only did Chicago’s World Fair of 1893 showcase Daniel Burnham’s success as an able director and H.H. Holmes cunning nature, it changed America as a whole, introduced some lasting inventions, and influenced many historical figures of both that time and our current time period.
J.D. Beazley, 1984, Attic Red Figure Vase Painters, Vol. 2 (New York: Hacker Art Books), 124-127
From first impression, Burnham found that Chicago had a murky factorial image lined with a “fantastic stink that lingered in the vicinity of Union Stock yards” (41). The dreadful surface that Chicago was maintaining allowed Burnham to be determined to collaborate and recreate its image. His efforts would also make a reputational comeback for America’s poor representation in the Exposition Universelle (15). One major feature that transformed public opinion of the state was to illuminate the entire fair with clean white buildings that outlined the goodness of the area (252). Eye-catching whiteness contradicted the presumed dirtiness of the town. Making a contradiction from what was assumed of the city would allow the fair to generate a much bigger transformation. The lights also gave the fair a unique, whimsical edge. “The lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted”, incorporating new technology in a grand-scale way merely to keep the theme of brightness ongoing throughout each day and night (254). Most importantly, it displayed the town’s potential to become a thriving and respected city. The theme of whiteness interlaced with the neoclassical outline in The World Fair’s de...
Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?
This 11 by 14 inch photogravure of the great Administration Building at the Chicago World's Columbian Exposition of 1893 was taken from a set of 25 drawings of the exposition buildings. It was the main focus of the fair, and one of the masterpieces of its architect, Richard Morris Hunt (1827-1895). With its fine classical detailing and sweeping scale, this large building was integral to the "White City" concept of the fair. To this day it remains one of the most recognizable landmarks associated with the Columbian Exposition
Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has seemed to undermine the world fair and the things that are going on within it with his murders and treachery that does grip Chicago once his evil deeds have been found out. Finally, the events that happened in the world fair that relate to the issues that occur in the late ninetieth century within the United States. The city of Chicago was in a desolate condition before it hosted the World Fair.
This plan of the Vienna fair of 1873 forms one plate of a pamphlet entitled "Weltausstellung 1873 Wien" which measures about eight by ten inches, and was probably sold at the fair as a souvenir and guide.
The “White City” was a vast collection of architecture and arts that were put on display in the year 1893. The Chicago World Fair, also called the “White City”, was a major event in American history that impacted America’s culture, economic, and industry. The Chicago World Fair was held to honor Columbus’ discovery of the New World. The real reason why it was made was to proudly have back their wealth and power. Larson said, “the tower not only assured the eternal fame of its designer, Alexandre Gustave Eiffel but also offered graphic proof that France had edged out the United States for dominance in the realm of iron and steel…”(15). To accomplish this, architects led by Daniel Burnham and John Root made numerous buildings and beautiful scenery
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Cothren, M. & Marilyn Stokstad. (2011). Art History, Volume 2, 4th Edition. Upper Saddle River, NJ: Pearson Learning Solutions.
Dorne, Albert. "Is Illustration Art?" Ed. Walt Reed and Roger Reed. The Illustrator in America, 1880-
Imagine what it would be like if America wasn’t what it is today. What if there was no technology, no security and people could do whatever they wanted to. That might sound like a lot of fun but in reality, it would be chaos. With the help of the 1893 World’s Fair in Chicago, the world is not like that. How did the 1893 World’s Fair affect and shape America today? It shaped America today by listening to the message of the fair and also changing security. In addition, the fair helped shape American culture, commerce, and technology.
world at the fair, and remained on the grounds until 1895. It wasn’t all dark
One story describes the planning of the 1893 Chicago World’s Fair that had been proposed to celebrate the four hundred years since Columbus landed in America. The idea didn’t get much attention until a year earlier, when Paris held a world fair and unveiled the Eiffel Tower. Not to be outdone, America decided now it was a matter of who would hold a fair that would put France’s fair to shame. There was a dilemma of where the fair would be built New York or Chicago, but votes were tallied up and the majority of the vote was Chicago. Among the many architects in Chicago, the main job of the designing the fair was given to Daniel H. Burnham. He needed a companion to help him with the design and other features of the fair, so he chose John Root, a very close friend of his and former associate. Because of the amount of time it took to decide where to build the fair, The White City was believed to be impossible to construct because of time con...
Richards, C.B. Reports of the United States Commissioners to the Universal Exposition. Google eBook: U.S. Government Printing Office: 1891.