Imperialism in The Sun Also Rises is shown through the character of Lady Brett Ashley. She has a way of collecting men like land: the more she can accumulate, the more powerful she becomes. Like a conquering army would move from country to country after each victory, she moves from man to man after they fall to her power. Peter L. Hays writes, “Thus, a spirit of rebellion from domination by exacting masters, a need to be free from the control of others, runs through the novel, as Jake seeks to separate himself from Brett’s hold on him”(238). Throughout the novel, Jake Barnes strives to fall out of love with Brett and free himself from her power. Meanwhile, she continues to instill infatuation for herself in other men, thus creating for herself the resemblance of an imperial power. This is also shown by Hays when he writes, “The imperial force in The Sun Also Rises is Brett, and the first “territory” we see controlled is Robert Cohn. He falls under the sway of Brett’s sexual power, a new fief for her feudal empire” (239), and then ...
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...Imperial Brett in The Sun Also Rises.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews. Fall 2010, Vol. 23, Issue 4, p238-242. Web. 27 March, 2011.
Hemingway, Ernest. The Sun Also Rises. New York: Charles Scribner’s Sons, 1926, 1954. Print.
James, Henry. "Symbolism." in American Writers Classics. Ed. Jay Parini. Vol. 1. New York: Charles Scribner's Sons, 2003. 332-334. Web. 29 Mar. 2011.
McCormick, John (with Mario Sevilla Mascarenas). The Complete Aficionado. Cleveland: World, 1967. Web.
Shams, Ishteyaque. “Symbolism in The Sun Also Rises”. Studies in American Literature. Ed. Mohit K. Ray. Rajouri Garden, New Delhi: Atlantic Publishers and Distributers, 2002. 124-unknown. Web. 2 April 2011.
Stoneback, H. R. “Hemingway and Faulkner on the Road to Roncevaux”. Hemingway: A Revaluation. Ed. Donald R. Noble. Troy, New York: Whitston, 1983, 135-163.
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