In Wright’s story, he depicts Dave as a young boy who seems to be unaware of his social identity as he addresses his own race “them niggers [who] can’t understan’ nothing” (1011). Wright’s technique for his story is the art of regional-confusion, as the reader will not be able to identify Dave’s racial class until a couple of pages ahead; Dave’s name-calling of “them niggers” confuses the reader as typically they would assume the character is white, but if the reader would look in between the lines, they can see that Dave is unlettered. It is clear that Dave comes from an uneducated background and since knowledge is power, Dave is powerless because of his racial class as schooling was only for the white kids. Wright uses this technique not only confuses the reader, but to also g...
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...used to pay Nancy for her service; the powerful characters in the story are white men that control the economy. Faulkner’s dialogue of Nancy and Mr. Stovall suggest that Faulkner’s perspective of African-Americans in the modern century, is that the Negro race is economically un-established. Nancy, Jesus, and Dave are not only powerless because of their identities, but also because they do not have any financial endowment from their race; thus, the Negro race is powerless socially and economically as it results in fearing the white man.
In conclusion, Richard Wright’s story, “Almos a Man”, and William Faulkner’s story, “That Evening Sun”, challenge the fact that the Negro is finally free as their modern stories portray black characters with a powerless-identity that are fearful. The white man has shadowed the Negro race as it is excluded socially and economically.
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