Ashley Thiel 4/22/15 ARH 321 Paul Ivey Rough Draft Analysis of Process and Materials & the Influences of Mass Media on Pop Art Throughout centuries of different movements, art has always been defined as a progressive concept. This is a necessary attribute for anything that aims to develop into higher or more conscious state. In the past, art has been viewed as a tool of prosperity and intellect, only being offered to those who posses the highest standards of the social class. The succession of art movements is a metaphorical timeline in which human society has developed. Artistic works have the ability to convey complex areas of thought, emotions, and above all personal theories of life. Each movement has specifically broadened the possibilities A relatively forced answer from Lichtenstein about his explanation of pop art is ”I don’t know- the use of commercial art as subject matter in painting. I suppose” (Lichtenstein, 102). Pop art is an unbiased analysis of the world and it is accepting of the present cultural norms. Lichtenstein’s work places heavy focus on how art is a wide-ranging process that depends on visual unification and organized consciousness. Lichtenstein’s image “Drowning Girl” manifests considerable attention to form that therefore unifies the image and dispenses a fresh overview on mass culture objects. The entire image was derived from the application of repeated dots, or stippling, in order to attain the intended perspective and visual aspect that this image offers. Lichtenstein also describes art being all about “organized perception” (Lichtenstein, 104). This statement directly implies that he used intricate methods in order to attain a certain artistic accomplishment from image. For example, in “Drowning Girl”, there are various hues of blue incorporated throughout the image. The darker hues are framing the woman’s face and bringing attention from the sides of the painting into the face, which is the main focus of the image. This tactic also adds a gloomy effect to the image, heightening the emotional despair being displayed and contributing an element of realism. Lichtenstein was a His piece “Saturday Disaster”, displayed the shocking fallback of motor vehicles by recreating a car crash. The image works as a series because it was often repeated in a large-scale recreation. Warhol believes this piece to incorporate fears of society becoming ran by machines and even machine-like in it’s own personal sense as well. Even though Warhol attempted to demonstrate this fear, he still contributed to the movement itself. Warhol states, “The process of doing commercial art was machine-like, but the attitude had feeling to it” (Warhol, 107). Warhol thinks the majority of people in the world are obsessed with repetition, and repetition is similar to the function of machines. The multiple recreations of the “Saturday Disaster” image allow the viewer to see an altered perspective on the concept of death in society. The initial fright upon first seeing it is diminished after multiple viewings of the recreated works. This triggers the viewer into an understanding that death is just an event that occurs consecutively and to all people, decreasing the traumatism of such catastrophes. This image is also in black and white, which is interesting to consider the emotionless feel that is emitted from a lack of bright pigments, which are usually used to evoke
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Known for being the father of Pop Art, and a giant in pop culture, Warhol dominated the art scene from the late fifties up until his untimely death in 1987. However Warhol’s influence spread further then the art world, he also was a major player in the LGBT, avant-garde and experimental cinema movements. Born in 1928 in Pittsburgh, Pennsylvania to Slovakian immigrant parents, Warhol came from humble beginnings. Becoming widely known for debuting the concept of ‘pop art’ in 1962. Warhol’s reach grew further when he started experimenting with film, becoming a major player in the LGBT, avant-garde and experimental cinema movements. Warhol’s artist studio, known famously as ‘The Factory’ became a hub for experimentation, and a go-to point for celebrities, musicians and trans folk. During this time, Warhol came out as an openly gay man, challenging the status quo of the day, a time when being homosexual was illegal. While also producing highly experiential films such as ‘Blow Job’ (1964) and ‘Sleep’ (1964) which were highly political and provocative, at the time. As art critic Dave Hickey asserts, “Art has political consequences, which is to say, it reorganized society and creates constituencies of people around it” (Hickey, 2007), Andy Warhol’s art and lived experience created a political constituency which can be best recognised in the function of the “Silver Factory” on
Visually, both Wassily Kandinsky’s Composition VII and Jackson Pollock’s No. 2 constitute a chaotic arrangement of colors and images with no apparent relation to one another. The randomly scattered paint, large canvas, and over-clamped figures all build a similar visual chaos in both paintings. Despite the mayhem, the two paintings differ in the inner emotions each artist wanted to express and the nature of the “chaos.” While for Kandinsky the chaos represents the smooth and melodic sentiments raised by music, for Pollock the chaos depicts the more spontaneous and impulsive emotions. The authors’ differing goals lead Kandinsky to ponder and refine his painting to capture a more universal theme and Pollock to develop his “drip” painting method
Often artists can express complex emotions in a form of a single subject matter. For example, the movement of abstract expressionism originating in the middle of the twentieth century was an approach to modernism/ post-modernism accentuating the uninhibited expression of emotions. The products of this genre are characteristically free and loosely structured, stylistically. They tend to focus the emotions that could be derived from the artworks rather than clear representational imitation of reality. In this artwork, ‘Red, Brown and Black’ (1958) by Mark Rothko, all consist of soft, rectangular bands of color stretching horizontally across his canvas. The artist views color as the most powerful communication tool. Through his blocks of color, which are representative of the simple components in the artwork, are meant to provide a contemplative, meditative space in which to visually investigate one's own moods and affiliations with the chosen palette. ‘He sought to distill an essence, or true nature, out of codified hues’
Although Andy Warhol was never never one of my true favorites, I respect him both for his talent and what he did to change our culture and the way we view art today. Andy Warhol’s Campbell’s Soup series was a string of important pieces that I believe caused these positive changes within our society.
The photographs were taken by Warhol himself, as well as his friends and cohorts. He was an accomplished photographer, and had a large collection of photographs of “The Factory” visitors and his friends. He preferred a particular camera, and the Polaroid SX-70 model was kept in production just for him. Artistic photography has been greatly influenced by the artist’s photographic approach to painting combined with his snapshot method of taking pictures. Warhol once asked, “Isn’t life a series of images that change as they repeat themselves?” The question appropriately reflected his ideology of screen printing and his often-used style of
The number of American troops killed in Afghanistan and Iraq between 2001 and 2012 was 6,488. The number of American women murdered by a current or past partner during that time was 11,766 almost twice the amount of people we lost to war. However, this does not just affect women. 1 in 4 women will be victims of severe violence in their lifetime, but 1in 7 men will be, too. In this paper, I propose that popular culture contributes to the high rate of domestic abuse in the United States. I will prove this by analyzing popular music, movies, and even looking at the news in today’s culture. I will make connections with today’s culture and the high rate of domestic violence in the United States. Then I will talk about how popular culture can change
of aesthetic towards life like other artwork does. It accomplished this by tearing the conventional
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
The first reason, it is remaining me about a photograph Dorothea Lange’s Migrant Mother. They both have a mother sit with her three children and on their face are desperate and struggling to feed their children. The second reason, the artwork gave me a feeling that she is hopeless, depression in her face. She is an impoverished worker woman, exploited by others, and trying her best to support and sustain herself and her children. Section I Description
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
The modern artist, Andy Warhol, is one of the most well known pop artists of the 1960’s. Warhol purposely strayed away from the very emotional painting style of the Abstract Expressionists. He was influenced heavily by American Pop culture, borrowing several images as well as ordinary consumer products for his pieces. Ultimately he approached his art in a way to have commercial or advertisement look. Warhol’s goal was to strip down art of its magical qualities, and wanted it to look like anybody could do it. Warhol’s work explores a vast number of ideas in American Pop culture.
One of the visual elements of this painting is the color he really uses the color to get people's attention because he uses watercolors to blend them together to make such a wonderful painting. He blends many different colors together to make new ones there is not a spot in this painting that there isn’t color. The second visual element is the people in the painting they are naked and dancing around like nobody's looking. The people in the painting are relaxing and enjoying one another and various ways. Some are even having sexual contact in the painting it’s expressing themselves from one to
One of the most prominent Post-Impressionist artists was Vincent Van Gogh. His work is best known for its rough ascetic and bold colors. Van Gogh favored fauvism, which was a movement that implemented vivid expressionistic and non-naturalistic color. Van Gogh’s color was typically saturated and arbitrary. Most of Van Gogh’s paintings show gestural brushwork and examples include: Starry Night and Wheatfield with Cypresses. Also, he often experimented with different perspectives.
Pop culture is everything, it is the culture of people. It defines and dictates the desires and fears of the mainstream members of society. It is so ingrained into our lives that we collectively overlook how integral it is to our development as a society. Adults, especially teens, never even bat an eyelash at all the pop culture and advertising that surrounds them, it has become just another part of everyday life. Pop culture has and is somewhat still seen as entertainment that is enjoyed by the lower class members of society; but what is considered pop culture frequently changes over time. A notable example of this is the sixteenth century author, William Shakespeare, since his works were once considered pop culture, entertainment that could be enjoyed by everyone, but mostly the lower class. Now, he is one of the most renowned authors of the 21st century, with his works frequently adorning our English readings and receiving acclaim for his timeless classics such as Romeo and Juliet, and Hamlet. Pop culture influences