Reasons for Antigone as the Title Essay

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Antigone says of her decision: “I didn't say yes. I can say no to anything I say vile, and I don't have to count the cost. But because you said yes, all that you can do, for all your crown and your trappings, and your guards—all that your can do is to have me killed.” Whenever an object receives a title, some people will disagree with the name. Some people feel that certain songs should consist of different names, some books should possess alternative titles, and some plays would better represent their meaning under different names. For example, take the Harry Potter series J.K Rowling chose to name her fourth book in the series Harry Potter and the Goblet of Fire. Although the Goblet of Fire appears in the story, a compelling argument could be made that a title of Harry Potter and the Triwizard Tournament or Harry Potter and the Return of Lord Voldemort would better suit the book. These themes are present throughout the story, where as the Goblet of Fire only makes a small appearance. Nobody knows a work of art better then the artist, and nobody knows Sophocles plays better then Sophocles himself. Although a plausible argument can be made that Creon would be a better, more fitting title for the third play of Oedipus, the argument to keep the title as Antigone is just as strong. Therefore, it is only fitting that the title originally created by the author should remain in use.
Although Creon may be the king of Thebes, and in control, Antigone fulfills the role of the catalyst in the downfall of Creon. True, Creon made the law that nobody could bury Polynices, yet without Antigone defying the law and going against Creon, the likelihood of Creon experiencing such a dramatic downfall decreases to almost nothing. Antigone directly l...

... middle of paper ... the tragic hero of the play. It is only fitting that her name provides the title of the play.
All forms of art that include titles foster debate over what the ideal title should be. In addition, to books and plays, the same thinking can be applied to musical songs. The song Baba O’Riley by The Who is often referred to as Teenage Wasteland, since that is part of the main chorus, and the name Baba O’Riely never appears in the song itself. Whatever the reasoning, people always think of alternative names for titles of all forms of literature. Whether it be to better explain the events of a book, or to make a song more recognizable, people always think of new names. However, all of the people that wish to call the art a different name lack one key piece of credibility. No matter how long they studied the literature or music, ultimately the author determines a title.

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