The Pursuit of Happiness in O. Henry's A Municipal Report

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Good Vs. Evil –This universal truth, particularly predominant in epic literature, frequently finds a place in the works of many proficient writers. In ‘A Municipal Report’, the author O. Henry makes ample and efficient use of plot elements like foreshadowing, symbolism and characterization to give the reader an insight into the life of Azalea Adair, a middle- aged poor writer who is constantly abused- physically, mentally as well as financially – by her cruel husband, Major Caswell.The short story, published in 1909, is narrated in the first person(limited omniscience) point of view by a visitor in the city of Nashville, Tennessee who observes the drama unfold in front of him, and eventually finds himself to be an accomplice in the murder of Major Caswell. This short story differs from the other works of O. Henry because of the intricacy of the plot and the sense of ambiguity that it creates. O. Henry makes use of a complex plot structure and plenty of foreshadowing to create suspense and arouse curiosity in the mind of the reader. The plot is set in Nashville, Tennesse which is reflected in the short descriptions about the city that frequently hamper the flow of the story. It is evident by the modes of transportation used, the description of the city and buildings, the behaviour and attitude of the characters and the mention of the discrimination and domestic violence that the short story is set in the early 1900s.The author is extremely successful in describing the views of class, culture and education as they were in the twentieth century. Other peculiar characteristic about the story is the element of humanity which is reflected in the story. The author introduces his story by making a comparison between the famous cities ... ... middle of paper ... ... feels towards her. After her fainting spell, the narrator Went in and concluded business negotiations with our contributor. I assumed the responsibility of advancing fifty dollars, putting it as a necessary formality in binding our bargain. (331) At the end, he maintains silence, even though he knew who the murderer is, and destroys the piece of evidence in an effort to protect Azalea and Uncle Caesar. A loop hole, however, that is hard to miss during reading the short story is the high amount of co-incidences that happen in the story. The central plot that the narrator meets three strange people in a city, and all of them turn out to be related seems fictional and ‘made-up’ and hence takes away the reality from the story. Apart from that, O. Henry once again lives up to reader’s expectations and proves his title of being ‘a pioneer of middle-class writings.’

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