The time of imperialism realized an extended consciousness of topics and themes from different places in the world, which at a time were not well-known to Europeans. “The European empires of the early modern and modern ages, showed little interest in or appreciation of the cultures and arts of their subject.” This, however, changed amid the nineteenth-twentieth century artists from the Western became interested in the formal arts of the Middle East, Africa, America and Asia, and ultimately changed the visual art surrounding the West (What-when-how.com, 2016). This possibility, like a language makes artwork understood by many more. As It holds the ability to cater an awareness of unfamiliar art, allowing one to become more perceptive of art outside their own community.
Having said that, in the mid 1900s, the style of authentic African sculptor had become popular among European artists (Murrell, 2008). The development of avant-garde was emerging in modern art. Pablo Picasso and ...
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...e of this, it makes sense that art ‘expresses the life of a community’ (Freeland, 2003). Then again, the quest to find refreshing work can then seem aggravating as it comes across that everything has been done. 'Hot Spot ' - a work of Mona Hatoum, cross examines the ideas of "limits" through a stainless steel depiction of the globe. Utilizing sensitive red neon to plot the forms of the landmasses on its surface, the work hums with a serious vitality, washing its surroundings in a luminescent red shine. It is both entrancing and apparently unsafe. From one viewpoint it advises that the entire world is a literal 'hot spot ' area politically made up of war, struggle and competition. It can likewise be seen as a source of perspective to a dangerous atmospheric deviation, and could also imply a reference to global warming, which is an approaching concern (Hatoum, 2009).
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