To think of pulling the plug on a loved one’s life can be without a doubt unthinkable. To be denied the right to end one’s own life or be granted to live longer creates a dilemma. By just reading the title “The Promise” you’d believe this poem would be about an ordinary promise made, yet this promise shares a scary depth to it. This poem is an intriguing poem for the words, ideas, and images that are not usually talked about by people can be appreciated by many. Its meanings layered upon each other to depict deep emotions people are discussing in today’s world. The hard choice to make of ending life when it has no meaning left would be daunting. In the poem “The Promise” by Sharon Olds, this is what is asked of her, and not only of her but …show more content…
She pens “With the second drink, at the restaurant/ holding hands on a bare table” (Olds 1-2), they have either finished the meal or are waiting on the meal to arrive. Holding hands, sharing an intimate image of the two. In line three Olds writes “we are at it again/ renewing our promise to kill each other” (3-4), meaning this is not their first time talking about this subject. The couple being “at it again” (3) has a connotative twist meaning a yearly sacramental vowel between the two …show more content…
Thus is the reason for their grim recommencing of their promise to one another. Olds states to her lover “You’re a little afraid I’ll chicken out” (15-16) for she knows him well and loves him very much. The purpose of this statement is to show that she knows he has doubts in her making that hard final choice. The poet’s use of ‘I’, ‘you’ and ‘we’ guides the reader to know the poem is in first person. “What you do not want is to lie in a hospital bed for a year after a stroke,” (16-18) articulates fears her lover has made known. Olds has a way of bringing images to life, for instance, she pens “without being able to think or die” (18-19). The structure of the pathos appeals to the emotions of most people. These stanzas are literal in context, meaning exactly what’s
The piece “The Old Man Isn 't There Anymore” by Kellie Schmitt is a passage showing that nobody really knows any other culture. In the passage Schmitt response to not seeing the old man anymore is to call the cleaning-lady to see what has happened to him and why all the neighbors were sobbing. “The old man isn 't there anymore” she replied, which I guessed it was her baby Chinese way of telling me he died” (Schmitt 107). Ceremonies can be very informational about the family member and their traditions, people should get more information about who the ceremony is for. The piece uses description, style, and support through out.
Lauren Alleyne uses the rigid form of the sonnet to navigate through the healing process after being sexually assaulted. Ten years after that night, she writes the sonnet sequence Eighteen, which deviates from the typical sonnet form in the aspects of the speaker, subject, and format. Playing off of the standard sonnet form, Alleyne is able to recount the emotions of that night during the first sonnet in the sequence. The typical sonnet tends to objectify the female body or one’s lover; in this sequence, the sonnets address what happens when an individual acts on these objectifications and assaults Alleyne. Alleyne deviates from the standard subject and speaker of the typical sonnet form to begin the healing process; the process begins
This book is a study of the personal tales of many single mothers, with intentions to understand why single mothers from poor urban neighborhoods are increasingly having children out of wedlock at a young age and without promise of marrying their fathers. The authors chose to research their study in Philadelphia’s eight most devastated neighborhoods, where oppression and danger are high and substantial job opportunities are rare. They provide an excellent education against the myth that poor young urban women are having children due to a lack of education on birth control or because they intend to work the welfare system. Instead, having children is their best and perhaps only means of obtaining the purpose, validation and companionship that is otherwise difficult to find in the areas in which they live. For many of them, their child is the biggest promise they have to a better future. They also believe that though their life may not have been what they want, they want their child to have more and better opportunities and make it their life’s work to provide that.
Joseph Porter’s, “A River of Promise” provides a detailed report of the first explorers of the North American West. The piece engages in a well written secondary source to argue that the expedition of Lewis and Clark, the two famously known for exploring the American Western frontier, were credited for significant findings that were not completely their own. Joseph C. Porter utilizes text from diaries and journals to highlight the help and guidance from the natives and prior European explorers which ultimately allowed the Lewis and Clark expedition to occur. The document by Porter also reveals that Lewis and Clark at the time were establishing crucial government documents which were the structure for scientific, technological and social understanding
to the powerful imagery she weaves throughout the first half of the poem. In addition, Olds
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
In our lives, we go through stages of mindset and maturity that naturally coincide with aging. One thing that remains the same, though, through all of these stages, is that eventually, we die; we are completely aware of that as humans. Whether because it’s due to the painful reality that is mortality, our ever-diminishing ability to be wistful and imaginative, or merely the impending coming of the Grim Reaper, our entire lives are, ironic as it is, surrounded by and flooded with death. However, as we grow older, our perception of death changes. It goes from taboo in our young ages to something that begins to surround and eventually consume us as we grow older. Between the poems “For the Anniversary of my Death” by
Sandy Wilson, the author of Daddy’s Apprentice: incest, corruption, and betrayal: a survivor’s story, was the victim of not only sexual abuse but physical and emotional abuse as well, in addition to being a product of incest. Sandy Wilson’s story began when she was about six years old when her birth father returns home from incarceration, and spans into her late teens. Her father returning home from prison was her first time meeting him, as she was wondered what he looked like after hearing that he would be released (Wilson, 2000, p. 8). Not only was her relationship with her father non-existent, her relationship with her birth mother was as well since she was for most of her young life, cared for by her grandmother and grandfather. When she was told that her birth mother coming to visit she says, “…I wish my mother wouldn’t visit. I never know what to call her so I don’t all her anything. Not her name, Kristen. Not mother. Not anything (Wilson, 2000, p. 4).” This quote essentially demonstrated the relationship between Sandy and her mother as one that is nonexistent even though Sandy recognizes Kristen as her birth mother.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
In the month of March 2016, Women of the World Poetry Slam had Rachel Wiley, a poet and body-positive activist, present her now viral poem called “The Dozens” (Vagianos 2016). This poem was about slams white feminism as a clear indication of whiteness self-defense mechanism. In this poem Wiley included various kinds social events that have occurred in the past years and just to name two: Raven Symone on blackness and Miley Cyrus and Nicki Manji at the VMAs. White feminism continues to become more problematic as the media continues to allow it to be because whiteness makes money; however, intersectionality about race, public imagery, and actual feminism also continues to go viral as the diversity of American become more and more productive.
In the free verse poem "When death comes" by Mary Oliver, the speaker contemplates what the inevitability of what death means to humans. Structurally, the poem bears no rhyme scheme as it depicts the free thought of the speaker. The voice of the speaker in this poem resonates with curiosity and the idea of life after death. Through the utilization of rhetorical devices such as repetition, alliteration, symbolism, and personification, the reader will come to understand that underlying tone that death is imminent regardless of how one 's life is spent. Within the poem, the source of tension resides in the constant internal struggle to oust the cycle of life and death. In some instances, Oliver’s curiosity and acceptance of death allows her to
Immigrants traveled hundreds of miles from their homes, only with what possessions they could carry, in order to obtain the rights and chase the promise that America had to offer. Mary Antin illustrates in The Promised Land how if given the chance, immigrants will represent the promises and virtues of American society. Antin shows that public education, freedom from religious persecution, and freedom of expression as a citizen are aspects of life Americans may take for granted but immigrants certainly do not.
Many, including I, have heard this statement a thousand times, “I have so much to do and so little time.” This statement explains what two poets were trying to say through their poems. In the poems, Death Be Not Proud by John Donne, and Because I Could Not Stop for Death by Emily Dickinson, the power that death has over one’s life and the power that one has over death becomes a race for time. Both poems explained death in two different perspectives but both still showed the underlying current that death cannot be stopped. With the use of symbolizations and metaphors, both authors show the power of death.