The Antithetical Love Story Of Jane Austen's Pride And Prejudice

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Jane Austen’s Pride and Prejudice, “regarded historically as the culmination of eighteenth-century novelistic art” (Jones 1) unpacks the antithetical love story of Elizabeth Bennet and Mr. Darcy. Elizabeth Bennet and Mr. Darcy, the main characters, despise each other upon their first meeting, but by the end of the novel, they are happily married. Elizabeth Bennet and Mr. Darcy are opposites in every way from their mannerisms to their lifestyles which are revealed through conversations, events in the novel, and symbolic motifs. Elizabeth Bennet, protagonist or heroine, is developed through her interactions with antithetical characters: her sisters and mother. Mr. Darcy is developed through events in the novel, his friends, and the Bennet …show more content…

Inspiration for her novels, like Pride and Prejudice, came from everyday life. She wrote in the family sitting room while life happened around her; thus, her novels do not depict fantasy or utopian family but an everyday family. Austen wrote Pride and Prejudice when she was twenty- one, but struggled to find a publisher. Because it was one of the first novels to deal with an entire family (Anderson 233), it was sixteen years before it was published. A major change she made to the book was the title, which was originally First Impressions. First Impressions underwent revisions to become Pride and Prejudice, but there is not any evidence which shows what was changed. Austen’s novels are popular, “due to the superficial impression they give of a secure and confident society, but hers was in fact a period of major social change, of increasing industrialization, and of fears inspired by the French revolution and a lengthy war with France in which two of her brothers were engaged” (Bottoms 1). Austen used what she witnessed and experienced to create a realistic and intriguing love …show more content…

The two roles create irony and continue to show the antithesis. “Elizabeth is either a proto-feminist or a fairy-tale heroine” (Copeland 54). She is a proto-feminist in that she is very modern in her thinking. For example, she is looking to marry for love which is very modern idea in her time. Women of her status were to marry for money, so as to go up in social class. She is also the fairy-tale heroine because she gets both love and money as to go up in social class. She is also a fairy-tale heroine because she gets both love and money in Mr. Darcy. She is the heroine because she is deciding on the right man to marry, but begins with a misconception before her successful marriage (Anderson 233). The two roles are created through her being the narrator but only for part of the novel. Most of the time when she is a narrator, she is seen as a proto-feminist. When she is not a narrator, Elizabeth is mainly seen as the heroine because at this point in the novel Mr. Darcy and she are falling in

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