Although commissioned and industrialized by Archbishop Hughes, Saint Patrick’s Cathedral’s architect staff consisted of James Renwick, Jr and Charles T. Mathews. The reason for this is that the original church had become too small for New York City’s growing Catholic population. During the construction of the church, Archbishop Hughes “persisted in his daring vision of building the supreme Gothic Cathedral in the New World in what he believed would one day be ‘the heart of the city.’ Neither the bloodshed of the Civil War, nor the resultant lack of manpower or funds would derail the ultimate fulfillme...
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Discussing this building is similar to discussing a work of art. The architecture and the stained glass windows have been examined by many scholars. Florence N. Levy describes Saint Patrick’s Cathedral as “a superb example of Gothic architecture, and its interior is a ‘thing of beauty’ owing the good proportions of its nave, crossing, and choir” (Levy 43). Yet Levy is not the only scholar to have been awestruck by the cathedral’s beauty. The stained glass windows have been an object of adoration for many years. The works of art have come from all over the world, owing a majority of the creation to Charles Connick—a 20th century genius in stained window design (St. Patrick’s Cathedral 2). When entering the church through the massive front doors, immediately a person is confronted with staggering hallways branching straight ahead, to the left, and to the right.
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