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Importance of individualism to romantics
Importance of individualism to romantics
Romanticism vs realism essay
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Liberty, the Ordinary and the Extraordinary
Individualism is the expression of one self, putting emphasis on each person as an existent being, not as a whole group. It is about having pride in your own self while respecting the ideas of those around you. Both Romanticism and Realism focused on individualism; however, they focused on this concept in two very different ways. During the early 19th century, romantic artists were inspired by passion, nature, eroticism and sensuality, often incorporating mystical and supernatural creatures into their artwork. Eugene Delacroix (1798-1863), a famous romantic artist, expressed individualism through his moving paintings, such as Liberty Leading the People. His use of expressive brushstrokes, and exotic colors help to accurately depict the context of the paintings and allow his viewers to experience a strong aesthetically pleasing experience. Realist artists, in the second half of the 19th century, were inspired by what was in front of them, the beauty of the objective world. Gustave Courbet (1819-1877), the legendary realist artist conveyed individualism through many of his paintings. Courbet was an individualist himself. His paintings focused on the harshness in life, and by doing this he challenged the ideas of existing academic art. The ideas of individualism transitioned through romanticism and became even more prominent during the realism art period.
“The key to Romanticism according to Baudelaire, was not the subject matter or even truth itself, but feeling that you should listen to that inner voice, and that alone would give art it’s merit” (Educational Broadcasting Corporation [DVD], 1989, 49:07). The inner voice that Baudelaire mentions is one of the main themes of romanticism;...
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...vidual means that you are free, and it means that you have liberty, it also means that the ordinary is extraordinary.
Works Cited
Educational Broadcasting Corporation. (Producer). (1989). An Age of Reason, An Age of Passion [DVD]. Available from https://wgu.collegeanywhere.org.
Eugene Delacroix. (2002-2012). http://www.eugenedelacroix.org/
Gustave Courbet. (2002-2012). http://www.gustavecourbet.org/
Lawall, S., Patterson, L., Spacks, P. M., Thalmann, W. G., & James, H. (2006). The Norton Anthology of Western Literature (8th ed.). New York: W.W. Norton & Company.
MindEdge. (2012). http://wgu.mindedgeonline.com/content.php?cid=19780
Sublime (philosophy). (n.d.). In Wikipedia. Retrieved February 13, 2012, from http://en.wikipedia.org/wiki/Sublime_%28philosophy%29
The Metropolitan Museum of Art. (2000-2012). http://www.metmuseum.org/toah/hd/rlsm/hd_rlsm.htm
Wilkie, Brian, and James, Hurt. Literature of the Western World. Upper Saddle River, NJ: Pren tice Hall, 2001. Print.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Lawall, Sarah N. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. Print.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
The Romanticism period started in 1789 and lasted till 1830. This time period was a major international movement, shaping modern views of art, literature, music, and other aspects in life. Romanticism was the “reaction against artistic styles of classical antiquity, which was neoclassicism.” Neoclassicists focused on the power of reasoning to discover the truth while Romantics focused on the hope to transform the world through the power of imagination. They had a deep love for nature (Furst 302). The aspects of romanticism are important; they are the beliefs of this period. The first aspect includes nature, which allows them to be free from the artificial aspects of civilization; they were with man’s true setting. Nature was there to reveal and heal individuals. An example of the love for nature in Samuel Taylor Coleridge’s poetry ‘Frost at Midnight’ is he is describing how happy he is that his baby will be able to see nature instead of living in the city like he did, “But thou, my babe! shalt wander like ...
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
By analyzing the structure, the reader encounters the imagination and individuality prized by the Romantics. In addition, an examination of the literary devices presents the reader with the personal connection Romantic writers longed to have with nature. Lastly, the content of these pieces proved to be intertwined and demonstrated the desire to spread creativity and inspiration to others. As said by Michelle Williams “Everything’s connected, and everything has meaning if you look for it”
Baym, Franklin, Gottesman, Holland, et al., eds. The Norton Anthology of American Literature. 4th ed. New York: Norton, 1994.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 460. Print.
By the mid-nineteenth century,much of Europe had become industrialized, and the generation of artists who had inaugurated the Romantic movement were dead. But much of the romantic spirit lived on. In their emphasis on individual genius and subjective experience, arts of the Romantic era handed future generations the basis for their own developement and provided a point of view that coloured their understanding of the past.