Hard Rock Returns to Prison from the Hospital for the Criminal Insane is a poem by Knight, Etheridge. The poem is centered on a heroic character named Hard Rock. Knight’s poem is an allegory of oral tradition. The author depicts Hard Rock as a legend to all inmates, as his exploits are well known among the inmates. Because of his defiance, Hard Rock is sent to a Hospital for the Criminal Insane. When he comes back, Hard Rock has been lobotomized and changed into a different man. He is not the strong prisoner the other inmates have heard of, he is a shell of what he used to be with no sight. The poem is just about a hero falling after a lobotomy procedure. The authorities used lobotomy to tame Hard Rock’s rebellion and this was not right.
The main themes of the poem are rebellion, oppression, and imprisonment. The theme of imprisonment is evident in Hard Rock Returns to Prison from the Hospital for the Criminal Insane poem. Hard Rock was a tough inmate, silenced by lobotomy. Hard Rock was a hero to the other prisoners, and this made the authority to take actions against him in order to tend his defiance. The punishment given to him was unjust because, it altered his body and movements, in addition to shortening his life. Authorities are used to oppressing the people who voice out what they believe is not right.
The theory of Panopticon by Foucault can be applied in this poem. According to Foucault, there is a cultural shift from the old traditional discipline of inmates to a European disciplinary system (314). In this new disciplinary model, the prisoners always assume that they are under constant watch by the guards and they start policing themselves. Panopticon is the process of inducing inmates to a state of conscious and ...
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...he Hospital for the Criminal Insane.” Poets.org. Academy of American Poets, 1997-2003. Web. 11 Mar. 2014.
Foucault, Michel. “Panopticism.” Ways of Reading. Fifth ed. Ed. David Barholomae and Anthony Petrosky. Boston: Bedford/St. Martin’s, 1999, 312-342. Print.
Knight, Etheridge. The Essential Etheridge Knight. Pittsburgh: University of Pittsburgh Press, 1986. Print
Szasz, Thomas. Coercion as Cure: A Critical History of Psychiatry. New Brunswick, New Jersey: Transaction, 2007. Print. Braslow, Joel T. Mental Ills and Bodily Cures: Psychiatric Treatment in the First Half of the Twentieth Century. California: University of California, 1997. Print.
Knight, Etheridge . (1933-1991), U.S. poet. Hard Rock Returns to Prison from the Hospital for the Criminal Insane (l. 7-10). Norton Introduction to Poetry, The. J. Paul Hunter, ed. (3d ed., 1986) W. W. Norton & Company.Print.
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
As medical advances are being made, it makes the treating of diseases easier and easier. Mental hospitals have changed the way the treat a patient’s illness considerably compared to the hospital described in One Flew Over the Cuckoo’s Nest.
However, there are other critiques that take a different approach on the oppression that exists in the novel. In "Urban Panopticism And Heterotopic Space In Kafka 's Der Process And Orwell 's Nineteen Eighty-Four,” Raj Shah argues that the way in which society in novel is oppressed is not an obvious oppression but one that focuses on constant surveillance. He uses Foucault’s arguments on panopticism to describe this. Shah states, “Foucault neologizes panopticism to describe a form of power relying not on overt repression, but rather upon the continuous surveillance of a population and the consequent strict regulation of the body” (703). He explains it is the constant surveillance that strips individuals of their rights and places them under oppression. He goes on to
Dylan Thomas wrote the poem “Do Not Go Gentle Into That Good Night.” It is about a son’s plea to his father who is approaching death. Two lines are repeated in the poem and addressed directly to the father. These lines structure the first stanza and collaborate as a couplet in the last. They are repeated a lot but each time, they have different meanings: statements, pleas, commands, or petitions. Repetition and rhyme scheme are parts of prosody in poetry. The rhyme scheme is built on two rhymes and forms of a pattern. The two rhymes are night and day and the pattern is aba, and in the last stanza, abaa. Even though the poem seems to have too much repetition, the fascinating imagery is more important and readers pay more attention to that instead.
One of the effects of the legacy of the residential school system is isolation and it plays a big role in both Creative Escape 2013 and Kiss of the Fur Queen. The incarcerated people face isolation from all families, communities and friends while in jail. In Creative Escape one poem discusses...
As science has evolved, so have treatments for mental illnesses have over time. The medical model is described as the view that psychological disorders are medical diseases with a biological origin (King, 2010, pg. 413). Abnormal behavior that categorizes some disorders can be impacted by biological factors such as genes, psychological factors such as childhood experiences, and even sociocultural factors such as gender and race (King, 2010). Treatments such as psychosurgery (lobotomy) , drug therapy (pharmaceuticals), electroconclusive therapy, and psychoanalysis are used to treat a wide range of psychological disorders. Back then, the public’s negative views on mental illnesses also went as far to associate with the people who treated it; psychiatrists. “Nunnally (1961) found that the public evaluated professionals who treated mental disorders significantly more negatively than those who treat physical disorders,” (Phelan, Link, Stueve, & Pescosolido, 2000, pg. 189). People back then didn’t see the point in “paying to be told that they were crazy”. However, in today’s society, it is now acceptable to seek help from psychiatric professionals; we are seeing more and more people seek mental health treatment. “In terms of facility-based records of utilization (Manderscheid and Henderson 1998), the data suggest that the rate of utilization of professional mental health services has at least doubled and maybe tripled, between the 1950’s and today,” (Phelan, Link, Stueve, & Pescosolido, 2000, pg. 189). In the 1950’s, neuroleptic drugs like Thorazine were introduced to treat the symptoms of schizophrenia. These drugs block a neurotransmitter called dopamine from getting to the brain, which in turn reduce schizophrenic symptoms, however there are some side effects such as substantial twitching of the neck, arms, and legs, and even dysphoria or lack of pleasure. (King, 2010, pg.
In the final stanza, the poet claims that young men whom are of the same mind will look to the criminal for guidance. These young minds will relate to the social-stance of the criminal, and maybe follow in the same footsteps, treating the criminal as their role model.
The Poet begins with the Rocky Mountain Newspaper reporter Jack McEvoy being informed of his twin brother’s suicide. As two of the detectives from the Denver police department who also worked with Sean McEvoy in the Crimes Against Persons unit inform McEvoy of the incident, he immediately has doubts about his twin’s alleged suicide. Seeking to better understand what his brother did and what the Denver PD says his brother did, Jack McEvoy decides to write a story for the paper about his brother. From this point on McEvoy began to learn about evil in a new way.
“Mr. Rager” has a very important symbol in the song lyric and that is Mr. Rager. Scott writes, “I’m off on an adventure, Mr. Rager/ Tell me some of your stories, tell us of your travels.” (Cudi line 18, 19). Mr. Rager symbolizes as the adventurer on his way to heaven. It was easy to tell who was the adventurer in the song lyrics but harder in the poem. Allen states his symbolism in his poem,”Oh! That my young life were a lasting dream!/ My spirit not awakening, till the beam/ Of an Eternity should bring the morrow.” (Poe line 1, 2, 3). The symbolism in the poem is the man’s spirit. The man’s spirit has kept him believing that one day he will be in heaven.The most symbolized man, woman or object in either poem or song lyric is Mr. Rager in the song lyric.
Scull, Andrew. “The Social History of Psychiatry in the Victorian Era.” In Madhouses, Mad-doctors and Madmen, edited by Andrew Scull, 5-35. Philadelphia: University of Pennsylvania Press, 1981.
What comes to mind when you hear the words “insane asylum”? Do such terms as lunatic, crazy, scary, or even haunted come to mind? More than likely these are the terminology that most of us would use to describe our perception of insane asylums. However, those in history that had a heart’s desire to treat the mentally ill compassionately and humanely had a different viewpoint. Insane asylums were known for their horrendous treatment of the mentally ill, but the ultimate purpose in the reformation of insane asylums in the nineteenth century was to improve the treatment for the mentally ill by providing a humane and caring environment for them to reside.
The prisoners see Hard Rock as their “Destroyer”. He will do things nobody else in the prison will do. He will stand up to the other prisoners and even the other guards. I chose this poem because I felt I had a very good understanding of the writing. While reading the poem, I never felt puzzled or confused. I enjoyed the emotion and story behind the poem as well. Hard Rock is sent to a Hospital for the Criminal Insane because of his disobedience, yet when he returns he is not the same man he used to be.
More of Knight’s notable use of diction and tone is found in this stanza, where he writes, “A hillbilly called him a black son of a bitch/ And didn’t lose his teeth, a screw who knew Hard Rock/ From before shook him down and barked in his face./ And Hard Rock did nothing” (lines 24-27). It can be felt from Knight’s use of tone that this type of action is uncharacteristic of Hard Rock. The second stanza details Hard Rock’s lobotomy, with Knight writing, “...the doctors had bored a hole in his head,/ Cut out part of his brain, and shot electricity/ Through the rest” (lines 8-10). This leaves the inmate with an intruding presence of hopelessness. The imagery and diction is the last stanza of the poem drives home the motif of disheartenment that the black prison inmates felt after realizing that Hard Rock is forever changed. Similar to the movie One Flew Over The Cuckoo’s Nest, the central, nonconformist character Randle McMurphy, who gave the inmates a sense of hope, is lobotomized, leaving the prisoners afraid and unable to challenge authority in the way they could have if McMurphy was still his full, original self. This is the same way that Etheridge Knight and his fellow prisoners felt after Hard Rock’s return. The one person who was brave enough to stand back was now made into a martyr for the prisoners as well as an example made for the prisoners on what would happen if
In doing so, Foucault famously compares contemporary society to a prison- “prison is not so unlike what happens every day.” Ultimately, Foucault attempts to exemplify
The concept of panopticon in the penal system, which showed immediate success in reform and discipline, eventually leads to it being linked to every component of the modern society. Jeremy Bentham’s panopticon and Foucault concept of Panopticism is seen in many places today in our society. Wherever you look you will certainly find places like, schools, hospital, factories, asylums, and even universities, represent Panopticism because all of this places have some kind of surveillance s...