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Hamlet and theme of acting
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Hamlet and theme of acting
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“To be or not to be, that is the question: Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles..” - Hamlet Act III, Scene I. William Shakespeare’s Hamlet, written somewhere between 1599 and 1602, is regarded as one of the most power tragedies in English literature. The story is of Hamlet is told in five acts, but this paper will focus on three important events throughout the play -- when Hamlet meets his father’s ghost, when Hamlet’s uncle’s guilt starts to get the best of him and he plots to banish Hamlet, and finally, the tragic dismal climax, resulting in the death of everyone involved. When reading Hamlet, the reader quickly finds out that Hamlet’s father has …show more content…
Titled The Mousetrap, Hamlet uses the performance of this play to build suspense to see if the ghost is really telling the truth about whether Claudius really killed him or not. The Mousetrap tells the tale of a real murder that was carried out in Vienna. While it was simple entertainment for the audience, Claudius cut the play short, letting Hamlet know what he needed to know: his uncle was guilty of his father’s murder. Hamlet was immediately ready to avenge his father’s death. In the next scene, Claudius is praying for forgiveness of his sins. “Oh, my offence is rank. It smells to heaven. It hath the primal eldest curse upon 't, A brother’s murder … My fault is past. But oh, what form of prayer Can serve my turn, ‘Forgive me my foul murder?’” Hamlet sees his uncle praying and is ready to kill him then and there but after thinking for a moment, he realizes that if he kills Claudius as he’s praying, he’ll be considered a martyr and go straight to heaven. He wants his uncle to suffer the same fate in purgatory just as his father. He decides that he’ll kill Claudius another …show more content…
Claudius plots to have Hamlet killed. He calls for a duel between Hamlet and Laertes (brother of Hamlet’s love interest, Ophelia, who died before this point in the play). The sword Laertes will be using is dipped in poison and once Hamlet is stabbed with it, that’s how he will die. For the death to appear accidental though, Hamlet accepts the duel from Laertes in good faith. Claudius prepares a poisoned goblet of wine for Hamlet and offers it to him after he gained the first few points in the duel. Hamlet refuses the wine and his mother drinks instead … Oops. Laertes battles with himself whether or not he can actually stab Hamlet with the poison tipped sword and still keep a good conscience. He ends up striking him with the sword, and somehow in a scuffle, the two get their swords switched up and Laertes ends up being struck by his own poisoned sword. He deems that dying in this way is fitting to the treachery he just committed towards Hamlet. Queen Gertrude starts to experience the effects of the poisoned wine and cries out. Claudius tries to pass this off as how she acts upon seeing a duel and she cries that the wine she drank was poisoned. Hamlet realizes what is happening and Laertes tells that it’s all Claudius’s doing and that they both will die from the poison on the sword. Hamlet stabs Claudius with the same sword and to make sure that he dies, he forces him to drink the remainder of the poisoned wine. Just
There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
It is too late though, the poisonous sword had cut Hamlet. In anger, Hamlet steals the poisoned sword and runs it into Laertes. He then charges Claudius and runs into him. He also takes the wine and forces Claudius to drink from it. Both Claudius and Laertes died before Hamlet.
In the last scene of the play Claudius sends for Hamlet asking if he will duel with Laertes for a wager the king has made. Horatio, the prince’s closest and dearest companion , advises against the jester notifying the prince, “You will lose this wager, my lord”(5.2.196). Horatio is aware that the king is attempting to mischief Hamlet, but the prince rejects horatio's notion and attends the duel anyway. Little to prince Hamlet's knowledge, the sword Laertes uses in the fight along with a cup of wine that is poured for the prince has been poisoned. Hamlet’s swordsmanship dominates Laertes's and the Queen mistakenly drinks Hamlet’s tainted cup wine. In the midst of the battle, Hamlet and Laertes are both cut with the poisonous sword. The Queen dies from the poison wine then Laertes, realizing he to will die, confesses and blames Claudius for
William Shakespeare is widely known for his ability to take a sad story, illustrate it with words, and make it a tragedy. Usually human beings include certain discrepancies in their personalities that can at times find them in undesirable or difficult situations. However, those that are exemplified in Shakespeare’s tragedies include “character flaws” which are so destructive that they eventually cause their downfall. For example, Prince Hamlet, of Shakespeare’s tragedy play “Hamlet,” is seemingly horrified by what the ghost of his father clarifies concerning his death. Yet the actions executed by Hamlet following this revelation do not appear to coincide with the disgust he expresses immediately after the ghost alerts him of the true cause of his death. Thus, it is apparent that the instilled self doubt of Prince Hamlet is as the wand that Shakespeare uses to transform an otherwise sad story to an unfortunate tragedy.
"Hamlet's Mourning and Revenge Tragedy ." Hamlet In His Modern Guises. Princeton, NJ: Princeton University Press, 2001. 25-26. Print.
Claudius quickly takes advantage of this by manipulating Laertes to duel Hamlet. Laertes, under the influence of Claudius takes his fury one step further and poisons his sword, a poison so lethal that one cut will end Hamlet. During their duel, Laertes wounds Hamlet then "In scuffing", they exchange swords. Hamlet wounds Laertes and they are both poisoned.
The simplest and superficially the most appealing way to understand Shakespeare’s Hamlet is to see it as a revenge tragedy. This genre was well established and quite popular in Shakespeare’s time, but it was precisely part of his genius that he could take old forms and renew them by a creative violation of their standards. As this essay will explore, Hamlet stands the conventional revenge tragedy on its head, and uses the tensions created by this reversal of type to add depth to its characters and story.
Following the performance of “The Mousetrap”, Hamlet is summoned to his mother's chamber. Upon arguing with Gertrude over the intentions of his play, and his reasons for wanting to distress the king so openly, Hamlet kills Polonius. “How now? A rat? Dead for a ducat, dead (III.iv.27-28)! Perhaps Hamlet did not know whom he was killing. “Thou wretched, rash, intruding fool, farewell! / I took thee for thy better”(III.iv.38-39)! Perhaps Hamlet thought he was killing the king.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
When encountering King Hamlet’s ghost, Hamlet is told that his Uncle Claudius poured poison into the king’s ear while he was sleeping. King Hamlet’s spirit asks for retaliation. Agreeing with Domínguez-Rué and Mrotzek “Hamlet’s main problem is that he must avenge his father’s death (674). Instead of getting revenge on Claudius immediately, Hamlet procrastinates by putting on “The Mousetrap”, a reenactment of his father’s murder. Hamlet hopes the play’s title will trigger a response in Claudius. Once he sees Claudius’s shocking reaction to the murder scene, Hamlet confirms his suspicions toward the new King. He follows the King, prepared to avenge his father’s death and sees Claudius confessing his sins to God. However, Claudius is not truly confessing, therefore the situation is dramatic irony. Robert W. Flint confirms by stating “Hamlet feels, with the King, that heaven keeps an audit of human deeds, and he is unwilling to kill the praying King for fear he might go to heaven—and herein is a double irony since the audience knows that prayer is useless, the King having forgotten the true meaning of it” (23). Another possible reasoning for not killing the king is “because at that time the sudden death of the King might cause panic to the people and danger to the state” (Junqing 2077). It is possible Hamlet; Prince of Denmark was indeed looking
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.