In 1792, Beethoven went to Vienna again to study with Haydn. Beethoven rapidly devel...
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...rather than the sonata form. The episode begins at bar 16, but at bar 20 it modulates to E flat major, the dominant, before returning to the main theme. The second episode begins in A flat minor and modulates to E major. The main theme of this movement is similar to an episode in the slow movement of Mozart’s piano sonata No.14 K 457. (See figure 3)
Beethoven was always ahead of any other composers of the time. Though he lost his hearing later in his life, but he overproduced and overplayed to prove that he can be better than others. Beethoven’s way of using pedal point, cadences (chord), and modulations were revolutionary elements during the time. Beethoven’s sonata no.8 in c minor, op.13, known as Pathetique, exemplifies his new way of approaching when writing sonatas. Beethoven was a unconventional and historical composer during that time and until now.
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