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Portrayal of women in literature
Representation Of Women In Literature
Portrayal of women in literature
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It is no secret that female characters are not portrayed as being heroic in medieval literature. In Arthurian tales, it is the men who are usually depicted in the heroic role. The male characters go on their journeys and fight the enemies, while the women are less physically active. But in some stories, it is the female roles that are essential to the plot. Sir Gawain and the Green Knight is about the honorable knight Gawain who accepts a challenge from a green knight and goes on a journey to complete it. Although the protagonist is a male, the role of women in the poem should not be overlooked. There are significant female characters that introduce the nature of female power within the poem of Sir Gawain and the Green Knight. The Virgin Mary …show more content…
Bercilak’s wife holds Gawain in her power from the moment he sets his eyes on her, and the poet notes this effect; she is “the softest woman on earth-/ Lovelier than Guenevere, in Gawain’s eyes” (Lines 944-945). In his essay, Lawrence Warner states, “Gawain loses what would otherwise be one of the most stunning revelations in medieval literature: that the hero’s survival at the Green Chapel depends entirely on his behavior in the castle, which he and the poem’s readers assume to be a site of respite from the danger” (Warner). Since Gawain’s fate is determined by what he does when he in his bedchambers, it is actually Bercilak’s wife who has his fate in her hands. When the Green Knight’s wife is alone with Gawain, she intentionally takes control of the situation and manipulates him into kissing her. She tells him that he certainly can’t be the legendary Gawain, “as good as his name,” (Line 1297) if he "stayed so long with a lady / And left her unkissed: courtesy cries out / Against him!" (1299-1301). In these lines, she cleverly threatens his reputation for courtesy, and his good name, while still managing to be polite. Lady Bercilak has the power of being a manipulative woman and puts Gawain in a position where he cannot control himself or the situation. Gawain is known for being strong and honorable, yet Lady Bercilak has the power to strip him of these
All throughout the poem titled Sir Gawain and the Green Knight it simply seems as if it is full of male power and masculinity. Sir Gawain, a knight from King Arthur’s court who steps up and agrees to take the blow from the Green Knight’s axe when he interrupts the holiday feast. The obvious male power of King Arthur, the power and masculinity of the Green Knight to come in and demand that one knight must receive a blow from his axe, and masculinity of Sir Gawain to step up and not only agree to take the blow but to cut off the Green Knight’s head first. The male power and masculinity shining through all three of these male characters mentioned is very prominent. We later meet Lord Bertilak who also shows male power and masculinity through his
Lady Bercilak attempts to exploit Gawain’s reputation as she tries to seduce him. She greets him in the bedroom and coyly asks how “a man so well-meaning, and mannerly disposed…cannot act in company as courtesy bids” (189). Lady Bercilak is not subtle (she points out that the door is locked and the two are alone in the castle) as she offers herself to Gawain, saying, “I am yours to command, to kiss when you please” (189). She tries to make Gawain feel guilty by implying that he is insulting her by not succumbing to her seductions and proclaiming his love to her.
...stops him from sleeping with Bertilak’s wife, only until his finds a way to avoid death does he goes against them. What Gawain learns from the green knight’s challenge is that instinctively he is just a human who is concerned with his own life over anything else. Chivalry does provide a valuable set of rules and ideals toward which one to strive for, but a person must remain aware of their own mortality and weaknesses. Sir Gawain’s flinching at the green knight’s swinging ax, his time in the woods using animal nature requiring him to seek shelter to survive and his finally accepting the wife’s gift of the girdle teaches him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
Gawain stands firm in his faith in the holy Mary, which is inside his shield, but he has weakness like every men. According to Mulburin, the book Isaiah 40.30: " Even the youths shall faint and be weary, and the young men shall utterly fall" ( ) Therefore, Gawain is a handsome young who sought after by another man 's wife. He endured the temptation by lady Bertilak to stay strong his faith, but becomes weary as time was coming near to face the Green Knight. Gawain becomes weaken in his faith when he starter to value his life, which goes against the Knightly Code. He put aside his faith in the Holy Mary when Lady Bertilak handed him green belt, she told him" through went on to beg him not to whisper a word of this gift to her husband, and Gawain agreed" ( Gawain 1862-1863). Gawain 's sins ,when he kept the green belt from Bertilak. He was told whatever I win in the forest it is yours and whatever my wife gives while I 'm gone, it will be returned back to me. (Gawain 1106-1107). Gawain failed to keep his bond as knight should, which goes against his virtues as
Men exemplify heroic qualities in both Beowulf and Sir Gawain and the Green Knight, however, women are depicted differently in the two stories. In Beowulf, women are not necessary to the epic, where as in Green Knight, women not only play a vital role in the plot, but they also directly control the situations that arise. Men are acknowledged for their heroic achievement in both stories, while the women's importance in each story differ. However, women are being equally degraded in both Beowulf and Sir Gawain and the Green Knight.
The Complications of Sexuality in Sir Gawain and the Green Knight Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world. However, Gawain's journey away from Camelot and back is framed by references, in the first and last stanzas, to the journeys into exile of Aeneas and of Brutus, the legendary founder of Britain, that complicate this apparent opposition.
The misogyny towards Bercilak's wife in "Sir Gawain and The Green Knight" is introduced by the speaker's and Gawain's depiction of her appearance. For one, the speaker points out that, "her body and her bearing were beyond praise (ll.944)…her bright throat and bosom fair to behold…"(ll.955), indicating from the beginning that Bercilak's wife is sexually desirable. The speaker then continues describing how fresh and fair the ladies with "the two eyes and the nose, the naked lips" are (ll.962). By using the word "naked" just to illustrate her lips, the speaker is calling unnecessary attention to her sexuality. In addition, Gawain shows that he is aware of Bercilak's wife's sexual qualities admitting that, in comparison to...
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
This all starts with the bargain that Bercilak makes with Sir Gawain. "That whatever I win in the woods be yours, and any achievement you chance on here, you exchange for it" (pg. 62). This is what sets the stage for the coming scenes of Bercilak's hunts in the woods, Gawain's temptations by the Lady of Bercilak, and the three blows exchanged by the Green Knight. Unknown to Gawain is that Bercilak's three hunts and the three temptations of the Lady is what decides the fate of the outcome of his meeting with the Green Knight.
Gawain’s acceptance of Lady Bertilak’s girdle causes him to progressively lose himself internally in order to save his physical life. Gawain appears to be the perfect image of a knight, who exhibits himself as worthy and noble when he accepts the Green Knight’s challenge. Known to be “honored all over the world,” his remarkable valor and devout behavior define his character. He loses his honorable reputation, though, when he disrespects the honor of King Bertilak. Disgracing his knightly code, Gawain fails to exchange all of his gifts with the king and lies, without hesitation, to the king when he claims that “what [he] owed [King Bertilak] [he has] paid [King Bertilak]” (1941). Gawain directly lies to him without hesitation, proving that his conscience does not seem to be effecting his actions. Lying is a common action, but generally, it causes us to feel remorseful and guilty over our wrongs. Gawain breaks the code of chivalry that requires a knight to be loyal and honest, but he is not regretful due to his apparent selfish nature (“Code of Chivalry, 2 and 15”). He makes a deal with the king to “[trade] profit for profit,” yet he dishonestly “[hides] [Lady Bertilak’s] love gift” rather than honoring the king’s wishes (1677, 1874). Gawain makes a promise that he fails to fulfill. The girdle drives him to destruction because it pulls him away from what he knows to be good and
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.