“Raisin in the Sun”, by Lorraine Hansberry, gives insight into the lives of an African American family living in Chicago post World War II. They play revolves around the struggles of the family as a whole, as well as, of the struggles of the individual family members. The major villain at work in the drama is the society in which the family lives in. The society in which the Younger’s live brings them down before they even have the chance of following their dreams or becoming successful. The dreams of the family have been “deferred” and are now “drying up like a raisin[s] in the sun”.
In this piece, the Younger family is beaten down before they even have the chance for success. Throughout the duration of the play, the family lives in a small two-bedroom apartment that is “tired” and infested with cockroaches, on the Southside of Chicago. The apartment was originally meant to be temporary as Mama and Big Walter moved in immediately after their marriage. Like many other they had the “American dream”, the dream of owning ones house; however, this dream never came to be and the family is still living in the same apartment decades later. Walter and Ruth, the next generation, also shared this very same dream in the beginning of their marriage, but like Mama and Big Walter, they were never able to make anything of it. The inability to pursue their dream and utter lack of fulfillment influence the two main characters, Ruth and Walter, differently.
In Ruth, the impact is subtle. Unlike the her husband she is does not loudly voice her opinions and thoughts. Ruth often serves as a mediating presence and has a quieter air about her. Nonetheless, Ruth too feels the hopelessness of her situation. The fact that her son sleeps on the coach i...
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...this event, Walter is “dead inside”.
Ultimately, villainy of the novel is overcome, to illustrate the greater meaning of the working. The two events that signify this accomplishment are Ruth decision to finally keep the baby and the final scene of the play when Walter decides to tell Mr. Lindner that the family is going to be moving into the house. These events are significant because they represent a new sense of optimism for the family’s situation. A baby is a symbol of life, hope and a new beginning. The decision to move into the house is also symbolic. The house is a manifestation of the dream that both Momma and Big Walter had, as well as, Ruth and Walter. It symbolizes a new beginning, and an opportunity for a better life. This completes the works. The great meaning of the work is the challenged posed by achieving one’s dream in the face of great adversity.
Ruth was being prevented from having a baby because of money problems, Walter was bringing him self down by trying to make the liquor store idea work. Once Mama decided to buy the house with the money she had received, Walter figured that he should further go on with the liquor store idea. Then, when Walter lost the money, he lost his dignity and tried to get some money from the “welcome party” of Cylborne Park. Mama forced him to realize how far he went by making him show himself to his son how low he would go. But he showed that he wasn’t susceptible to the ways the racism created.
America experienced an explosive period of suburbanization after World War II. The suburban “home represented a source of meaning and security” (May 24) to those seeking refuge and comfort after a tumultuous time of war. Among those migrating from the cities to the suburbs were middle-class African Americans, who sought a suburban life that both “express[ed] and reinforce[d] their newly won social position.” (Wiese 101) However, this middle-class migration from urban areas left behind working class African Americans such as the Younger family of Lorraine Hansberry’s 1959 play “A Raisin in the Sun.” While the Younger family of “A Raisin in the Sun” finally realize the suburban dream of a home with “three bedrooms… and a nice big basement” (Hansberry 92), the decision to move from urban Southside Chicago is not encouraged by the other African Americans of the play; rather, the Younger family is met with disrespect and derision. Hansberry uses the characters of George Murchison and Mrs. Johnson to illustrate class stratification amongst African Americans during the post-war period. The scenes with these particular characters highlight the class conflict that occurred within the African American community throughout this period of suburbanization.
Walter plans to invest in his own liquor store, which he will run alongside his good friend Willy, and plans to do so with his portion of his mother’s insurance check; did I mention that the check was for $10,000! Mama puts down money for a house—a house, in an all-white neighborhood, with a lawn, that her grandson will be able to play on. This has always been a dream of her and her husband, and now that he is gone, she only wants it more. I noticed a few major symbols throughout the scenes in this play. For example, Mama’s plant; this plant never fails to be watered and taken care of by Mama, and this represents not only her caring and compassionate attitude towards a plant but her attitude towards her family as well.
She’s considering having an abortion. On the other hand the daughter wants to get merry to her African boyfriend he wants her to move with him to Africa. Momma is very excited to own her first home and they also refuse to take the money from Mr. Linden, they are tired of living in the apartment, momma thinks a house is the best investment. The son is going through some extremely hard times after losing all that money trying to open a liquor store. In the story the son faces more problems the son has the most problems for example he’s in charged of the house after his father die he took over all the responsibility he’s father had. During the 1950s after the father die the son usually took over the family and all its
A Raisin in the Sun, by Lorraine Hansberry, has often been dubbed a “black” play by critics since its debut on Broadway in 1959. This label has been reasonably assigned considering the play has a cast that consists primarily of African American actors; however, when looking beyond the surface of this play and the color of the author and characters, one can see that A Raisin in the Sun actually transcends the boundaries of racial labels through the universal personalities assigned to each character and the realistic family situations that continue to evolve throughout the storyline. As seen when comparing A Raisin in the Sun to “The Rich Brother,” a story for which the characters receive no label of race, many commonalities can be found between the characters’ personalities and their beliefs. Such similarities prove that A Raisin in the Sun is not merely a play intended to appeal only to the black community, nor should it be construed as a story about the plights of the black race alone, but instead should be recognized as a play about the struggles that all families, regardless of race, must endure in regard to their diversity and financial disparity. A succinct introduction and excellent writing!
In America, every citizen is guaranteed life, liberty, and the pursuit of happiness. Although each person is given these rights, it is how each person uses them that defines how successful they will be in America. There are several obstacles that some Americans face on their pursuit of happiness. In this country’s past, Americans lived by a very specific set of beliefs that valued the importance of hard work, faith, and family. As time progressed and America began to evolve as a nation, this capitalistic society no longer devoted itself to family and faith but rather success, and the pursuit of prosperity. The shift from dependence on tradition towards a society that values success and how people struggle to b successful when society makes it difficult marks a common theme in Lorraine Hansberry’s play, A Raisin in the Sun. Two of the main characters in this story Lena Younger (Mama) and her son Walter Lee directly reflect the shift from tradition to a focus on success and capital and the struggles they face in regards to racism. Mama and Walter Lee’s contrasting values about the American dream and the way in which they pursue their own dreams while facing racism exemplifies the shift from valuing tradition like in previous generations in America, to valuing success and prosperity like in more current generations.
The first problem Ruth faces is how to support her family. Accused of not paying enough attention to her son, Ruth snaps at Mama shouting, “I feed my son, Lena!” (1880). This encounter with Mama displays an uptight, stressed side of Ruth, who balances a job, a son, her husband, and keeping the expected baby a secret. With so much preoccupying her mind, Ruth still tries to make money while feeling ill telling Mama, “I have to go. We need the money,” (1881). Money becomes a topic of great interest in the Younger family causing everyone to worry entirely too much about it. Ruth puts her family before herself caring about their conditions and the money they make over her own health. The next struggle Ruth encounters is deciding what option is best for her family and possible new baby. After finding out about the pregnancy, Ruth assures her family “she”, the doctor, confirmed everything is fine (1888). The slip up reveals that Ruth is considering getting an abortion. Furthermore, pushing her own conflict aside, Ruth still supports her family’s dreams, encouraging Mama to “open it”, meaning the check, for Mama’s own benefit and use toward a better lifestyle (1893). Ruth solves her own conflict by deciding to keep the baby and motivate her family in whatever way possible in the new challenges to
Every time the family comes to a confrontation someone retreats to the past and reflects on life as it was back then, not dealing with life as it is for them today. Tom, assuming the macho role of the man of the house, babies and shelters Laura from the outside world. His mother reminds him that he is to feel a responsibility for his sister. He carries this burden throughout the play. His mother knows if it were not for his sisters needs he would have been long gone. Laura must pickup on some of this, she is so sensitive she must sense Toms feeling of being trapped. Tom dreams of going away to learn of the world, Laura is aware of this and she is frightened of what may become of them if he were to leave.
The play has an example of the technique of foreshadowing when Ruth faints. This foreshadows her later announcement of her pregnancy. The unchangeable setting is considered as a motif. Although the actions that affect the family happen outside. Yet the audience never goes out of the Youngers house. Mama goes out to buy a house, Walter goes to drink and Bennie goes for dates. All these actions are not shown, but the characters go out and come back to tell what they did. By keeping the actions in their apartment only, this reinforces the idea that the family is trapped in their small house and their life is not changing. Hansberry also uses the look of the apartment to convey the situation of the family that they are worn out of this life. Especially when Hansberry says that the furniture is placed to cover worn spots in the rug (loos40).
Even though south side chicago had a low amount of hope, the characters of Lorraine Hansberry’s A Raisin in the Sun, Walter, Beneatha, and Mama found a way to dream big. It led them to doing what they thought was right, eventually molding Walter into a greedy man during most of the play, Beneatha into an aspiring woman that demands respect, and Mama into an improvising woman who loves her
Ruth is Walter's wife. Her dream is to have a happy family but she also wants to be wealthy.
The dominant theme in A Raisin in the Sun is the quest for home ownership. The play is about a black family living in the Southside of Chicago-a poverty-stricken, African Ame...
His position in life can be regarded as symbolic of every black male struggling to provide for his family by any means necessary. Although Walter has a job, it seems inadequate for his survival. As a result, he has become frustrated and lacks good judgement. Throughout this play, Walter searches for the key ingredient that will make his life blissful. His frustrations stem from him not being able to act as a man and provide for his family and grasp hold of his ideals to watch them manifest into a positive situation.
... love and happiness of one’s family. Walter changes from being self-centered to self-less. He gives up his dream of having a liquor store when Willy Harris runs away with the money. Walter does that so the Younger family can fill their lives with joy and do not have to struggle anymore. This is the biggest sacrifice that Walter makes for the family. This theme also applies to everyday life. Many people sacrifice their wishes and dreams that they have, so they could help their family through tough times and always keep a smile on their faces. Love, sacrifice, and happiness is a part of everyday life.
The late 1950s was filled with racial discriminations. There was still sections living as well as public signs of Colored and Whites. Blacks and Whites were not for any change or at least not yet. A Raisin in the Sun, by Lorraine Vivian Hansberry, tells a story of a black family that is struggling to gain a middle class acceptance in Chicago. The family of five, one child and four adults live in a tiny apartment that is located in a very poor area. Dreams of owning a business and having money to accomplish goals is two key parts played out throughout the whole play. Walter Younger is determined to have his own business and he will go to ends met to see that dream come true. Financial bridges are crossed and obstacles arise when Walter makes a bad decision regarding money that could have help the family and not only himself, if he would have thought smarter. His pride and dignity are tested throughout the story and he is forced to setup for his family. The Raisin in the Sun helps readers to understand history of racial discrimination and how racial discrimination has an effect on the people in the late 1950s and early 1960s as well as how that has an effect on the characters within the play.