Segregation – prejudice – persecution: slavery had ended, but African-Americans were still forced to carve out a grim existence beneath the dispassionate stare of narrow-minded bigots. Soon, the Civil Rights Movement would gain momentum and drastically alter such social exclusion, but James Baldwin writes his story “Sonny’s Blues” before this transformation has occurred. In the style of other Post-Modernist writers of his day, Baldwin invents two brothers, Sonny and the narrator, who seem to have given up on finding meaning in their lives: escape, not purpose, is the solution for suffering. Although marginalized by white society, these men are still influenced by external standards – most noticeably our narrator. Using these two brothers as voices for a broader purpose, Baldwin develops conflicts within the story to depict a battle between the expectations of society (our unnamed narrator) and a free, African-American spirit (Sonny) as they each try to understand how to live in a changing world. Baldwin forces them to grapple with such difficult concepts as escape and suffering in an attempt to guide his own race toward the soothing balm of reconciliation.
The first conflict that Baldwin introduces is the clash between the narrator’s expectations and Sonny’s desires. As the more responsible and settled of the two brothers, the narrator is of course tasked with taking care of Sonny after his parent’s death. His mother pleads with him, “You got to hold on to your brother…and don’t let him fall, no matter what is looks like is happening to him…” (Baldwin 30). Seven years older than Sonny and working as an Algebra teacher, he seems to have escaped the dark depravity of Harlem and found a small measure of peace and happiness with his ...
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...t and even embrace their suffering so that their lives can continue. His reference to the cup of trembling is not merely a symbol of suffering, but also a reference to the sorrow that Jesus Christ willingly embraced – a sorrow with which Baldwin’s intended audience would have been very familiar. Although Sonny’s life is indeed about non-conformity and individualism, it is also about reconciliation: not just the reconciliation of two brothers, but also peace between the African community and the injuries (both mental and physical) that they had endured. The past will never vanish, no matter how stubbornly we try to escape it; Baldwin’s question to his readers is how we will allow it to shape our present and future.
Works Cited
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Reilly, John M. " 'Sonny's Blues': James Baldwin's Image of Black Community." James Baldwin: A Critical Evaluation. Ed.Therman B. O'Daniel. Howard University Press. Washington, D.C. 1977. 163-169.
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
Baldwin, James. "Sonny's Blues." Miller, Quentin and Julie Nash. Connections: Literature for Composition. Boston, New York: Houghton Mifflin Company, 2008. 984-1006.
More specifically speaking, Baldwin is assessing through the fictional story the difficulties in understanding and accepting those who do not comply with social norms. Throughout the entirety of the story it is clear that Sonny’s brother cannot understand his brother or his brother’s choices. This inability to identify with and comprehend his brother drives a wedge between the two, until finally, the narrator shows up to a performance put on by Sonny, opens his mind and his prejudices, and begins to finally understand his
In James Baldwin’s “Sonny’s Blues,” the unspoken brotherly bond between the narrator and his younger brother Sonny is illustrated through the narrator’s point of view. The two brothers have not spoken in years until the narrator receives a letter from Sonny after his daughter dies. He takes this moment as an important sign from Sonny and feels the need to respond. While both Sonny and the narrator live in separate worlds, all Sonny needs is a brother to care for him while the narrator finds himself in the past eventually learning his role as an older brother.
James Baldwin, author of Sonny’s Blues, was born in Harlem, NY in 1924. During his career as an essayist, he published many novels and short stories. Growing up as an African American, and being “the grandson of a slave” (82) was difficult. On a day to day basis, it was a constant battle with racial discrimination, drugs, and family relationships. One of Baldwin’s literature pieces was Sonny’s Blues in which he describes a specific event that had a great impact on his relationship with his brother, Sonny. Having to deal with the life-style of poverty, his relationship with his brother becomes affected and rivalry develops. Conclusively, brotherly love is the theme of the story. Despite the narrator’s and his brother’s differences, this theme is revealed throughout the characters’ thoughts, feelings, actions, and dialogue. Therefore, the change in the narrator throughout the text is significant in understanding the theme of the story. It is prevalent to withhold the single most important aspect of the narrator’s life: protecting his brother.
From the first lines of the story the reader gets the impression that Sonny’s brother tries to block out, ignore the truth about his brother and his troubles. The reaction the character has to the newspaper article about Sonny was: “It was not to be believed and I kept telling myself that” (Baldwin 292). At this stage his relations with the younger brother remind of the way a teacher walks across the playground full of potentially troubled kids “though he or she couldn’t wait to get out of that courtyard, to get those boys out of their sight and off their minds” (Baldwin 293). Having some suspicions concerning Sonny’s ...
James Baldwin’s short story, “Sonny’s Blues,” is the authors most studied and critically analyzed piece of literature. The majority of these analyses focus on the obvious themes of the book such as jazz music, the unnamed narrator, or the rift that divides Sonny and his brother. Little critique has ever gone into the biblical and religious themes that run throughout the story of “Sonny’s Blues.” Furthermore, it is even more astonishing that there is little critique given Baldwin has such a strong history with the world of Christianity.
Several passages found throughout "Sonny's Blues" indicate that as a whole, the neighborhood of Harlem is in the turmoil of a battle between good and evil. The narrator describes Sonny's close encounters with the evil manifested in drugs and crime, as well as his assertive attempts at distancing himself from the darker side. The streets and communities of Harlem are described as being a harsh environment which claims the lives of many who have struggled against the constant enticement of emotional escape through drugs, and financial escape through crime. Sonny's parents, just like the others in Harlem, have attempted to distance their children from the dark sides of their community, but inevitably, they are all aware that one day each child will face a decisionb for the first time. Each child will eventually join the ranks of all the other members of society fighting a war against evil at the personal level so cleanly brought to life by James Baldwin. Amongst all the chaos, the reader is introduced to Sonny's special secret weapon against the pressures of life: Jazz. Baldwin presents jazz as being a two-edged sword capable of expressing emotions like no other method, but also a presenting grave danger to each individual who bears it. Throughout the the story, the reader follows Sonny's past and present skirmishes with evil, his triumphs, and his defeats. By using metaphorical factors such as drugs and jazz in a war-symbolizing setting, Baldwin has put the focus of good and evil to work at the heart of "Sonny's Blues."
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
Baldwin, James. “Sonny's blues.” Baldwin, James. Going to meet the man. New York: Dial Press, 1965.
I feel having Sonny's brother narrate the story in the first person is Baldwin's way of telling us that Sonny's brother is also suffering but inside, unlike Sonny who takes drugs and sings the blues. Sonny's ...
The short story Sonny’s Blues by James Baldwin is written in first person through the narrator. This story focuses on the narrator’s brother sonny and their relationship throughout the years. This story is taken place in Harlem, New York in the 1950s. The narrator is a high school algebra teacher and just discovered his brother in the newspaper. This story includes the traditional elements to every story, which consist of the exposition, conflict, rising action, climax, falling action, and the resolution.