I was inspired by Susan Hill’s ‘The Woman in Black’ to write a short novel extract. The Woman in Black focuses on the protagonist, Arthur Kipps who is the hero of the novel and tries to defeat the ghost who in this novel, is the villain. I decided to explore the uses of characterisation and the hero-villain idea by reversing the roles so in my novel extract, the protagonist is the ghost and will also turn out to be the hero. I set my novel in the same era of which Hill set her novel, presumably the 19th Century however of this we are unsure as there is no fixed evidence in her writing.
As the extract I have written is the opening of a novel, I tried to effectively engage the readers interest and set the scene for the rest of the novel. I used pathetic fallacy to do this by opening with a paragraph setting the scene with pathetic fallacy such as that ‘the wind blew cold and harsh’ and it ‘fiercely pierced through his skin’. This is similar to the beginning of chapter 2, A London Particular in The Woman in Black. Hill uses the fog to build up suspense and let the reader believe that the fog and overall ‘gloomy’ weather is hinting towards the negative things about to happen later on in the novel. This is the effect I have tried to create in my own writing especially when the ‘snowflakes melted as they met the intense heat from inside’ which shows that the snowflakes which are ‘gracefully fluttering’ come to an ‘abrupt end’ which is a warning to the reader that even when things are going smoothly later on in the novel, all is not what it seems and there will be an abrupt, negative end, just like at the end of The Woman in Black. This type of ending is often used in the gothic horror genre and John Maloley will be no different.
I ha...
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...f pathetic fallacy, the hidden secrets and lies and determination to find a solution just peaking out towards the end of the opening. I feel that the scene the novel has been set in is very effective as it hints towards a more negative ending and leaves the reader feeling uneasy and on edge which is what the genre is all about. however I feel that more aspects of the 19th Century could be woven in such as how Hill writes about the ponies and traps as the mode of transport. This could however become more evident later on in the novel. The Woman in Black has inspired me to create a chilling gothic ghost story and to work on the weather and location which is very similar however, by using a ghost protagonist instead, overlooking the whole situation from a different point of view whilst still incorporating the usual ghost story features.
Works Cited
the woman in black
There is a passage in David Malouf's Johnno where the adolescent narrator muses upon the very full address which he, like Stephen Dedalus1 and schoolchildren all over the world, has written on the fly-leaf of his exercise books: ‘Arran Avenue, Hamilton, Brisbane, Queensland, Australia, the World’. Queensland is ‘a joke’ and about Australia he asks,
...racy and leads the reader or viewer to develop an intense emotional involvement with the story line. Both the novel and the film are remarkably vivid with the use of imagery and theme. The snow falling upon the cedars, as the prevalent image in both versions, functions as a beautiful metaphor begging for interpretation. The themes about the complexities of the human heart and the random distribution of both good and bad fortune are reinforced throughout the entirety of each work. The original work of pure genius - the novel, of course - deserves the credit for the incredible story behind Snow Falling on Cedars, but it is clear that the film followed in its antecedent's path with ease.
It is a given that every piece of work that people read will contain all sorts of characters. Those characters can range from villains, victims, or venerables. Two pieces of work that easily portray those types of characters is in F. Scott Fitzgerald’s novel, The Great Gatsby, and in Arthur Miller’s tragedy, The Crucible. It is revealed to the readers that Mr. Wilson in The Great Gatsby takes the role of the victim because of the how he was lied too and deceived throughout the entirety of the novel, and in the end died from it. Also, in The Great Gatsby, Daisy Buchanan is almost an undercover villain. It is not revealed to most, but by speculating on her actions she does some things that prove her to be a villain. Lastly, in The Crucible Giles Corey comes off as a venerable,
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Born in Savannah, Georgia, the colonial capital of the colony, John Milledge was born into one of the first families to travel to the “New World” in 1757. Milledge served numerous different higher level political leadership positions as well as fighting for independence in the Revolutionary War. Throughout acts of bravery, perseverance, and patriotism, John Milledge became one of the most influential men in the history of the state of Georgia.
On Sept. 1, John Milby was appointed Furman University’s chief of police. Milby replaced Tom Saccenti, who is now chief of police at the University of West Georgia.
John Riquelme’s essay For Whom the Snow Taps: Style and Repetition in “The Dead” proposes two possible interpretations of the story. The essay describes the variations of meaning behind the recurring thematic purpose of the story, but even more so, points out the repetition of the symbol of snow. Focusing mainly on the celebrated last passage of the story, Riquelme harps on the transformat...
Firstly, the narrator gives little detail throughout the whole story. The greatest amount of detail is given in the first paragraph where the narrator describes the weather. This description sets the tone and mood of the events that follow. Giving the impression that a cold, wet, miserable evening was in
Nick Jans suggests that McCandless was either mentally ill or suicidal, however, this does not seem to be the case. Jans observations gives very good points, but they are not in the correct perspective. McCandless did not die because he disrespected the very land he purported to love.
The influence of nature theme, seen in Romanticism, prevails in “The First Snowfall” and “The Snow-Storm” through figurative language, but through different types of figurative language: similes and personification. “The First Snowfall” employs similes in lines 13 to 16 and 19 and 20; “The Snow-Storm” uses personification in lines 3 to 5. The simile in lines 13 to 16, “I stood and watched by the window, the noiseless work of the sky, and the sudden flurries of snow birds, like brown leaves whirling by,” describes the birds that the narrator sees as leaves falling, which presents an influence of nature. The simile in lines 19 and 20, “How the flakes were folding it gently, As did robins the babes in the wood,” again mentions birds. Whereas, the personification in lines 3 to 5 of “The Snow-Storm,” “...the whited air, Hides hills and woods, the river, and the heaven, and veils the farm-house at the garden’s end. “ personifies snow, (or “the whited air”), and claims that the snow hides and veils; snow, another element of nature, acts as Emerson’s gateway to bring nature into his work; Lowell’s birds act as his gateway.
Margaret Atwood’s speech ‘Spotty-Handed Villainesses’ is an epideictic text, which explores the significance of having a multi-faceted depiction of female characters within literature as a means of achieving gender equity, centring on the fictional presentation of women as either virtuous or villainess. The title of the speech
The great and disastrous impact of nature against man proves to play a central role as an external conflict in London's short story. The extreme cold and immense amount of snow has a powerful and dangerous hold against the man. The numbing cold proved so chilling that the man could not even spit without the spit freezing. “He knew that at fifty below spittle crackled on the snow, but this spittle had crackled in the air."(604). That deadly force of nature goes on to further challenge the man, preventing him from continuing his goal. "At a place where there were no signs, where the soft unbroken snow seemed to advertise solidity beneath, the man broke through."(608). At this point in the story, nature overtakes the man, a conflict that directly stops him from achieving his goal, establishing nature as an external conflict providing the man with a struggle.
Horror literature has been around since as long as man has been on earth. While usually in the form of ghost stories, many have often told stories orally, or on paper, to play on the horrors and darkest fears that we as humans face. While large populations of people do not like the horror genre, some get a satisfaction or enjoyment at looking at some of their worst fears being played out in front of them via a book or movie. As the stories have advanced through history and been examined and read through many different lenses both by history and literature experts, one aspects remains to be examined, and that is the changing role on of women in the story. While many of the early stories early stories portray them as simple, one-dimensional characters, weak and unable to help themselves, they evolve into more complex and eventually pushing through the damsel in distress mantra into the complex villain or hero.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.