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Zombie movies analysis
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The film by Kiah and Tristan Roache-Turner titled “Wrymwood: Road of the Dead” is a low budget zombie genre horror movie that was filmed in Australia and was released in 2014. Wrymwood is an extension of the zombie genre that draws on typical zombie cannon while exploring concepts that are atypical of most modern zombie movies. The film expertly combines a post-apocalyptic zombie story with the ideas of another Australian classic in the “Mad Max” series (Dee, 2015). While the movie clearly does not possess the high budget effects of many of today’s zombie films, it is an entertaining escape from many of the formulaic films of today that draw from the well of Romero’s original work in “Night of the Living Dead”
The tile of the film, Wyrmwood, draws parallels with an excerpt from the book of Revelation in the Bible. This passage states “and a great star, blazing like a torch, fell from heaven. It fell on a third of the rivers and springs of water. The name of the star is Wormwood” Rev 6:15 (Holman Christian Standard Bible). The film begins with a chaotic scene where a group of heavily armed and armored survivors battle against a pack of gas spewing zombies in order to retrieve a truck outside of a garage. This scene of chaos cuts to character Benny telling a story of the beginning of the zombie apocalypse. In his story he explains that during a trip
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In that film the villains armor their vehicles and themselves in much the same way that Wyrmwood’s protagonist do (Kennedy & Miller, 1981). Had the protagonists had the foresight to prepare for the zombie apocalypse, they might have read Max Brooks work on preparing for and surviving a zombie outbreak. If they had, they might have avoided the pitfall of wearing armor. That being a dangerous overconfidence in the ability of the armor to protect an individual from a zombie bite (Brooks,
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
The state of the world under the portrayal by Romero is that which is not best suited for living persons to live as such the film makes it as a dystopian horror movie. The movie has implored on some themes which helps its overall portrayal of a horror film which rationally depicts a world in chaos. An example of some of the issues addressed in the movie is racial segregation which is brought about by the protagonist death by the red-neck people of the town at the end of the film. The main thematic concept developed by the film is that of pessimism and despair which one great characterized gesture of most horror films is. The pessimism and despair are brought to the fore when the heroic main characters at the end of the films such as Ben who is shot dead when he is confused to be one of the zombies, and subsequently his body burned with the other zombies. Further, at the beginning of the film, the audience is treated to a flattering American flag on foreground which has successively demonstrated that America is a dying nation as a result of the
“Grrrraaaahhh” someone behind me yelled. I yelped loudly as I jumped and turned sharply around. There stood another zombie with a bright red mask who was also wearing a dark black cloak. But this zombie had a bloody axe in one hand causing me to scream very loudly. As I bolted in the opposite direction back out the entrance. I ran in between 2 of the arcade booths, then looked over my shoulder and sighed in relief as I realized this zombie hadn’t followed me.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
Romero and Brooks both have a passion for the undead. As they further their careers with zombies our society is becoming more fascinated with the idea of the undead. In the beginning Romero did not call his creature’s zombies but as his fans started to he went along with the idea. These brilliant authors both modernize their work to appeal to our society. The idea of a slow gut eating zombie transformed into a fast eating zombie after the living. Both authors do a good job showing their own personal ideas but at the same time some of their characteristics of zombies are similar. Romero and Brooks are talented authors who show what they believe in through their works for everyone else to read.
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
The film Sunset Boulevard, presented in 1950 is a black and white film. The film is about Norma Desmond an old actress, who has issues accepting that she is becoming old. The main actor in the film is Gloria Swanson, who plays Norma Desmond, an older woman who believes she is still young. Desmond is not content with the fact that Hollywood has replaced her with younger actresses. The next actor Nancy Olson, plays Betty Schaffer who falls in love with Gillis despite being engaged to his friend. The third actor is William Holden who plays as Joe Gillis, who has financial problems and decides to turn himself into a gigolo to earn money. The dilemma with Joe is he does not want Betty to know about his job because he knows he might lose Betty as
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
This emphasises the feeling that something terrible has happened. The zombies in each film resemble each other in the way that they are always covered in blood, and (although different in the two films) there is an emphasis on their eyes. In ’28 days later’, their eyes are blood red and this is shown right from the beginning sequence and used throughout the whole film. Another generic convention that both of the films use is the idea that places usually safe can become dangerous.... ...
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.