The Women’s Gaol is a renovation and extension project that demonstrates a contrast between a historical architectural style and a new contemporary style. The old structure had housed women prisoners during the Apartheid regime and stood as a symbol of brutality and cruelty. The new structures that lies symmetrical across the previous prison exercise yard, houses offices such as the Human Rights Commission and the Commission of Gender Equality. The new building opposes the meaning of the old structure through symbolic design details as well as function. Kate Otten strategically designed the extension pieces to alter the meaning of the Women’s Gaol precinct through different uses of material and geometries. It is these contrasting meanings that will form the basis of this essay.
The Women’s Gaol is situated in Johannesburg between Hillbrow and Braamfontein and forms part of the Constitutional Hill precinct. The Women’s Gaol was originally built in 1909 and illustrates the English Prison architectural style of that era. The prison is constructed with red brick and has surprisingly soft details. As one approaches the building from the street edge, the old structure draws one in with intrigue to a structure that has a sense of beauty and heritage. The entrance is detailed with brickwork that has been carefully placed and moulded to give a sense of being a building of a friendly and gentle nature. The entrance courtyard in filled with carefully groomed vegetation and quaint, black fencing has cordoned off pathways. The main pathway leads into the atrium that extrudes three storeys high and has elegant Doric colonnades that define the space. The floor plan is arranged in an tradition orthogonal shape which is commonly used in prisons a...
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...e new building houses organisations that protect the human rights of people and this is significant with the transparency of the building, which is a contrast to the prison’s confined spaces that were used for brutal acts.
The Women’s Gaol precinct is a project that aims to add historical significance through the use of architectural language. As one experience the spaces that exist between the old and new, the meaning of the site changes. The old structure gives the illusion of a soft nature from the exterior, but the new structures convey its true identity of and unjust and brutal environment. The new structures give a platform for the voices of the oppressed and places emphasis on the advancements of the future. The Women’s Goal is example of how architecture can shape an environment and be a vector to symbolise a renewal while paying homage to our heritage.
This paper is about the book 'Behind a Convict's Eyes' by K.C. Cerceral. This book was written by a young man who enters prison on a life sentence and describes the world around him. Life in prison is a subculture of its own, this subculture has its own society, language and cast system. The book describes incidents that have happen in prison to inmates. With this paper I will attempt to explain the way of life in a prison from an inmate's view.
Relations during this time with the prison and the outside world are discussed, as well as how these relations dominated life inside of a prison and developed new challenges within the prison. After Ragen left, Frank Pate become his successors. Pate faced a problem because he neither sought nor exercised the charismatic authority of Ragen. The Prison remained an imperatively coordinated paramilitary organization, which still required its warden to personify its goals and values. Jacobs goes on to discusses how what Pate did, was not the same direction or ideas that Ragen was doing or had. Jacobs’s counties this discussion with the challenges and issues that prison had during the time of 1961 through 1970. Jacobs blames that the loss of a warden who could command absolute authority, the loss of local autonomy, it heightened race problems among blacks, and the penetration of legal norms exposed severe strains in the authrotitarian system, and says pate cant control
Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.
The Ghetto’s Fighter House Institution is located outside of Akko, Israel. This institution includes Jewish artworks, photographs, and writin...
When the average person thinks of a prison, what is often the thought that comes to mind? Perhaps an environment of reform is envisioned, or maybe a place for punishment. Maybe someone sees them as modern leper colonies, where countries send their undesirables. It could be that prisons are all of these things, or they could be none. With these ambiguities in the general definition of a prison it is easy to say that the everyday person could have no real critical perspective on what they truly are. That being said, if the average person were presented with Angela Davis’s perspective, and the perspective of many scholars, they may be shocked to learn what prisons truly are. This perspective presents prisons as a profitable industrial complex very similar to the military industrial complex. Like the military industrial complex, in the “prison industrial complex,” investors make large amounts of money off the backs of imprisoned inmates. It is interesting to note how similar these two systems are, with closer analysis; it seems to me as though one may have developed from the other. On another note, the prison industrial complex also appears to have a correlation with the globalization of labor; which makes it possible to assume that one contributed to the development of the other here as well. However, where the prison industrial complex’s roots lie is not as big an issue as the simple question of the morality of the practice. A person can know the history of the issue all they want but the important matter is addressing it.
On the other hand there has been seen to be many protests within prisons due to the conditions, the scene of prisoners on the prison roof is an occurrence which has been seen by all. This greater visibility helps prisoners get better treatment within prisons this shows visibility rather than secrecy helps solve the crisis.
Through two metal, cold doors, I was exposed to a whole new world. Inside the Gouverneur Correctional Facility in New York contained the lives of over 900 men who had committed felonies. Just looking down the pathway, the grass was green, and the flowers were beautifully surrounding the sidewalks. There were different brick buildings with their own walkways. You could not tell from the outside that inside each of these different buildings 60 men lived. On each side, sharing four phones, seven showers, and seven toilets. It did not end there, through one more locked metal door contained the lives of 200 more men. This life was not as beautiful and not nearly as big. Although Gouverneur Correctional Facility was a medium security prison, inside this second metal door was a high wired fence, it was a max maximum security prison. For such a clean, beautifully kept place, it contained people who did awful, heart-breaking things.
Erin G., 2010, A Woman Doing Life: Notes from a Prison for Women: The Southwest Journal of Criminal Justice. New York: Oxford University Press, 2010. Pp. vi, 202, Vol. 8(2)175.
The paper tries to identify the techniques applied in postmodern architecture in the similarities to traditionalism that leads to the revision of old knowledge and revival of traditional forms through tangible or intangible activities. The
Art is all around us. The architectural design of buildings to the ornamentation of jewelry and art is in almost everything. To those who have little prior knowledge of certain architecture styles and or influences, a building can appear, as just a building and a piece of jewelry can appear as just that. With the idea that art is everywhere there are two art styles that have heavily influenced the architecture seen in todays communities, those being Art Deco and Bauhaus. These styles represent so much more than architecture, they represent a time period and a cultural and political reform. The purpose of this paper is that one will be able to understand
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
From the beginning of this work, the woman is shown to have gone mad. We are given no insight into the past, and we do not know why she has been driven to the brink of insanity. The “beautiful…English place” that the woman sees in her minds eye is the way men have traditionally wanted women to see their role in society. As the woman says, “It is quite alone standing well back from the road…It makes me think of English places…for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people. There is a delicious garden! I never saw such a garden—large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them.” This lovely English countryside picture that this woman paints to the reader is a shallow view at the real likeness of her prison. The reality of things is that this lovely place is her small living space, and in it she is to function as every other good housewife should. The description of her cell, versus the reality of it, is a very good example of the restriction women had in those days. They were free to see things as they wanted, but there was no real chance at a woman changing her roles and place in society. This is mostly attributed to the small amount of freedom women had, and therefore they could not bring about a drastic change, because men were happy with the position women filled.
The origin of the word prison comes from the Latin word to seize. It is fair to say that the traditionally use of prison correspond well with the origin of the word; as traditionally prison was a place for holding people whilst they were awaiting trail. Now, centuries on and prisons today is used as a very popular, and severe form of punishment offered to those that have been convicted. With the exception however, of the death penalty and corporal punishment that still takes place in some countries. Being that Prison is a very popular form of punishment used in today's society to tackle crime and punish offenders, this essay will then be examining whether prison works, by drawing on relevant sociological factors. Furthermore, it will be looking at whether punishment could be re-imagined, and if so, what would it entail?
To understand the role of place in architecture, the author compares architecture to language. Language has patterns and arrangements, architecture relates directly to what humans do. It changes or evolves as
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.