Women and Christianity: Lysistrata by Aristophanes

1762 Words4 Pages
bulb-icon

Recommended: Women in ancient civilization

Traditionally in ancient studies of various civilizations, women assume a submissive role as caretaker of the house and family. Generally, this trend continues throughout early organized society until around the time of sixty four A.D. with the rapid spread and judgment of the new religious dynamic of Christianity. The novel faith becomes notorious for the strong ties and companionship between members of the community as well as the appealing views of a compassionate deity and rewarding afterlife. These characteristics attracted women and impoverished peoples of Rome in particular. As the belief system caught on in the Empire many pagans and Emperors such as Nero rejected the faith and began to persecute these people for their beliefs. The cruel sufferings and deaths that Christians endured granted power to not only men of the religion, but also women for their dedication and bravery in declaring their religious beliefs. When analyzing the character of Lysistrata in Aristophanes’ play and Perpetua in the account of her martyrdom, significant differences can be seen in the two women’s leadership roles. While Lysistrata’s derived her authority from lust and manipulation, Perpetua’s authority stemmed from the Christian belief system. Furthermore, with the popularity of Christianity in ancient Rome, society viewed women as equal to men, spiritual leaders, modest and virtuous, and intelligent enough to make their own choices in life.
Aristophanes, the author of this play, creates this satiric comedy to make the point that women, though foolish, can prove to be manipulative as mothers and wives. Lysistrata, believing that women have a voice in politics, enters the play as the leader of Greek women, urging them to maintain peace in mai...

... middle of paper ...

...sts severely with the view of Christian women in the Roman Empire. The Greek play carries a very satirical connotation as a comedy that plays off of the weakness and pettiness of women of the era. The account of Perpetua’s death maintains a very somber and respectful tone that remains constant throughout all eight pages of the text. Perpetua’s masculine characteristics stand out as she models her dedication to religion, stubbornness, and physical endurance. The differences between the two texts highlight how Christianity influences the views of society to the benefit of women in such a short period of time.

Works Cited
Aristophanes. "Protesting War, Performing Satire." The Making of the West: Peoples and Cultures. By Katharine J. Lualdi. 4th ed. Vol. 1. Boston: Bedford/St. Martins, n.d. 75-82. Print.
"The Passion of Saints Perpetua and Felicitas." N.d. PDF file.

Show More
Related

  • The Passion Of Perpetua And Felicitas Analysis

    1856 Words  | 4 Pages

    For the author, the fact that Perpetua is a woman strengthens her sacrifice for her faith. This is due to the societal norms and customs she disobeys and overcomes to become a martyr. In ancient Rome, they lived in a patriarchal society. This will make her disobedience of her father more noteworthy as it violates the cultural custom. In her writing, Perpetua talks of her father coming to her in the prison. She says “He came up to me to cast down my faith saying: Have pity, daughter, on my grey hairs; have pity on your father, if I am worthy to be called father by you” (The Passion of Perpetua and Felicitas 5). Multiple times, her father comes to her in prison, begging that she say she is not a Christian so she may live. Through this interaction with her father, we can see his fatherly love as he tries to prevent her death. We also see a sort of disgrace that comes from a daughter’s disobedience, she writes that her father says “give me not over to the reproach of men” (The Passion of Perpetua and Felicitas 5). This show of direct disobedience of her father portrays Perpetua as a stronger martyr. She is not only giving her life for her faith, but going against society and customs, saying her beliefs are more important than both. This is a strong example to encourage conversion to Christianity. When Perpetua is in prison, her father tells her to “look upon your son, who will not endure to live after you” (The Passion of Perpetua and Felicitas 5). This leads to another point concerning Perpetua as a woman. If she dies for her faith, she will abandon her child and give up being a mother. In ancient times, much of a women’s identity was in her ability to be a good mother. With her martyrdom, Perpetua will choose faith over this key part of her life and legacy. This, yet again, shows why, by being a woman, Perpetua is a strong example in the author’s purpose to convert

    Read More

  • Analysis Of The Essay 'Athenian Women' By Sarah Ruden

    1086 Words  | 3 Pages

    In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,

    Read More

  • The Role of Women in Greek Mythology

    429 Words  | 1 Pages

    The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.

    Read More

  • Important Role of Women in Homer's Odyssey

    1720 Words  | 4 Pages

    Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).

    Read More

  • Women's Roles in Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales

    1479 Words  | 3 Pages

    Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.

    Read More

  • Goddesses, Whores, Wives, And Slaves: Women In Classical Antiquity

    1877 Words  | 4 Pages

    This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.

    Read More

  • Women And The Role Of Women In Classical Mythology

    1197 Words  | 3 Pages

    The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.

    Read More

  • Characterization of "Lysistrata"

    620 Words  | 2 Pages

    Lysistrata, first produced in 411 B.C. is a play that represents the frustrations that Athenian women faced due to the Peloponnesian War. Lysistrata, an Athenian woman is the play's heroine; her name is significant in itself, as it means "she who disbands the armies" (Page 467, footnote 2). With the aide of other Athenian women, Lysistrata organizes a "sex strike" in an effort to cease further violence and bring peace between Athens and Sparta. Eventually, her campaign is adopted by the women of Greece, and the efforts of the Athenian women are successful. Lysistrata is not only a leader for Athenian women; she is also bold and does not represent the stereotype of traditional, domestic Athenian women.

    Read More

  • Lysistrata Analysis

    1291 Words  | 3 Pages

    “Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.

    Read More

  • Women’s Role in Ancient Greek Religion

    2005 Words  | 5 Pages

    This also meant the environment that these women grew up would also support this career choice and path that the aspiring priestess choose. Studying and examining both the roles and environment that Ancient Greek priestess were a path of would lead to one better understand women’s roles in Ancient Greek religi...

    Read More

  • Gender Roles in Medea by Euripides

    1283 Words  | 3 Pages

    In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.

    Read More

  • Medea and Lysistrata

    536 Words  | 2 Pages

    Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.

    Read More

  • Treatment of Women in Ancient Literature

    2408 Words  | 5 Pages

    Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.

    Read More

  • Representation of Womens Roles in Society- Medea

    1102 Words  | 3 Pages

    Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.

    Read More

  • Essay on Satire in Lysistrata

    766 Words  | 2 Pages

    ... convey deeper themes of life and death, the struggles between power and class structure and also the societal differences between men and women.  Aristophanes uses humor to hook his audience into his play, and then undermines the surface humor with much bigger thematic issues.  If this play had simply been about women withholding sex for other reasons such as wanting more money for shopping or other frivolous ideas it would not then be considered a satiric comedy.  Satire requires more than physical humor.  An issue must be raised such as the life and death theme that is seen in the war in Lysistrata, and a solution must then be made.  Aristophanes created the women in the beginning to be bickering, unintelligent, and self-centered people.  But in the end it was their idea and compromise that ended the war.

    Read More

More about Women and Christianity: Lysistrata by Aristophanes

Open Document