Therefore, within her novel, Windward Heights, Conde consciously inserts an allegory examining the progress of the national literary voice of the French Antilles, but more importantly within this, she asserts that said literature is only being produced by women authors. Inspired by the Victorian novel, Withering Heights, Conde inserts Emily Brontë’s plot into the Caribbean but makes some notable changes. One that is most apparent is in the uncertain paternity of the daughter of Cathy (I). Although married to Aymeric de Linnseuil, Cathy had always loved Razye, a boy with whom she was raised. Each character comes to represent drastically different social classes of the Caribbean: Aymeric, a reminder of their French origins; Razye, a prompt …show more content…
Purely due to the color of her skin, Cathy (II) is denied a complete association with her father’s name. Conde writes that: “As tiny as she was, it was plain to see that the new Cathy had nothing in common with the rest of her family. Unlike her brothers, her skin had already darkened, as if she had gone back in time in search of a lost family tree” (96). By first stating her difference and then her color, Conde demands the reader accept the blatant racism at work. This reflects the early French assimilationist policies that declared the Antilles to be an extension of France, but not of equal status. Interestingly, this coloring is credited to her mother’s ancestors and is not yet associated with Razye. Cathy (II)’s lineage has not yet been called into question. Interestingly, as she ages, this distinction from the rest of her family only becomes more pronounced. Her skin darkens, and she “seemed to have expelled all the whiteness of the Linsseuils and her mother in favor of her distant black heritage.” (150). Mirroring the Antilles as they began to develop their own literature, Cathy (II) is denied real connection to her family, including her mixed-race mother and appears to be independent to the influences lineage. Unfortunately, this eventually causes her to question her own
This week’s articles carry a couple related, if not common, themes of imagined, if not artificial, constructs of race and identity. Martha Hodes’ article, “The mercurial Nature and Abiding Power of Race: A Transnational Family Story,” offers a narrative based examination of the malleable terms on which race was defined. To accomplish this she examines the story of Eunice Connolly and her family and social life as a window into understanding the changing dimensions of race in nineteenth-century America and the Caribbean, specifically New England and Grand Cayman. While Hodes’ article examines the construction of race in the Americas, Ali A. Mazrui’s piece, “The Re-Invention of Africa: Edward Sai, V. Y. Mudimbe, and Beyond,” looks at the construction of African identity. Although different in geographic loci, the two articles similarly examine the shaping influences of race and identity and the power held in ‘the Other’ to those ends.
The novel deals with the pain and pleasure of the past and present and how that effects the identity construction of an individual. The ethnic/racial identity of an individual can be influences by the complexities of a post-colonial society filled with social clashes, inferiority, and the othering of individuals. The novel focuses on the Haitians who have migrated to the Dominican Republic to escape poverty but are still alienated and devalued because of their poor economical conditions. By migrating to the Dominican Republic and crossing the boundary between the two countries they are symbolically being marked as ‘other’ and seen as ‘inferior’ by
The character of Helga Crane from the novel Quicksand by Nella Larsen is a very complex character, struggling with racial identity, social class and sexism. Helga Crane is a twenty-three year old schoolteacher that comes from a mixed racial background. Her birth mother was a Danish woman, while her birth father was of West African descent. In the novel, she is depicted as a very exotic, beautiful and intelligent looking woman. Her racial dilemma however has left her lonely, alienated and psychologically uncertain to her belonging in the world. While growing up, due to her significant dark-skin and European features she was ostracized by both the Caucasian and African American community. In order to find herself a place in the world, and feel at home she traveled from the South, to cities such as Chicago, Harlem and even the European city of Copenhagen in Denmark. When it came to her travels, everywhere she would go she stated a strong opinion on her belonging. With that being said, I would like to focus this paper on three passages regarding her life at Naxos, in Harlem, and in Copenhagen.
Literary Analysis Anthem and Station Eleven are both dystopian novels. Both books relate to the citizen having little to no freedom with the government that is controlling them. Anthem was written by Ayn Rand, she wrote about how the government in this area controls what each person is destined to be whether you like it or not. Whereas in Station Eleven the world has practically ended due to a deadly flu virus and, somehow, ended up with a man as many know as the Prophet attempting to rule the word. Both dystopian novels have a very unfair dictatorship type government.
Truly, it is impossible for her to write in any language, but “Maryse Conde” for her expression of herself is not just an expression of generalized Creole or French culture.... ... middle of paper ... ... It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity.
Imagine finding out that your entire life was a lie, and that every single thing you knew about your identity and your family was completely false! Armand Aubigny, one of the main characters in Desiree’s Baby by Kate Chopin, experiences this exact dilemma throughout this short story. Desiree’s Baby is a story about a young man and woman, who fall in love, but Desiree, who does not know her birth parents, is considered nameless. When she and Armand have a child, they are both very surprised because the child’s skin color is not white as expected. It is obvious that the child is biracial, and immediately, Desiree is blamed for the color of the child’s skin because of her uncertain background. The truth, however, is that it is Armand who has lived his entire life as a biracial person without even knowing his true heritage! This problem frames the rest of the events in the story, and the ultimate demise of both of these characters.
Can moral obligations be blinded by religious views? For some, the sense of religious pride reigns stronger than the moral belief. In the beginning, citizens of Hillsboro from the novel Inherit The Wind by Jerome Lawrence and Robert E. Lee, acknowledged religion as something far more valuable than the moral truth. As the novel continues the prosecuting attorney, Matthew Harrison Brady, enters the scene which reveals the prejudice of the courtroom regarding the case of Bertram Cates. When Brady takes on the challenge, the exposure of excessive pride and boasting of recent cases won can be seen as a certain Dramatic Personality Disorder from a medical standpoint. Throughout the novel, more symptoms of the disorder are revealed through Brady, who continuously proves to have a Narcissistic Personality Disorder or otherwise known as NPD.
When relating the history of her grandmother, Meema, for example, the author first depicts Meema’s sisters as “yellow” and Meema’s grandfather and his family as “white.” When the two families meet, the author has few words for their interactions, stating that their only form of recognition was “nodding at [them] as they met.” The lack of acknowledgment the narrator depicts in this scene, particularly between those of differing skin pigmentations, would indicate a racial divide permeating the society in which
...e of joy and pain in Catherine’s life, as their love was so powerful that it can only be embraced by the extent of death. With many other important messages in the novel, the most important is the changes that occur in and between the characters. The numerous characteristic aspects, the characters in the story are enthralling. Although, Cathy Linton may be recognized as a duplicate of Catherine Earnshaw due to the parallelism of generations, their traits and personalities are entirely individual. Cathy is an innocent and fine young lady, and Catherine is a selfish evil monster. Throughout the progress of the story the reader can clearly appreciate the mismatched traist of the mother and daughter. And like, psychologists have said, “Often children avoid the ways their parents have gone”. Although Cathy doesn’t experience her mother ways, she lives the opposite way.
The ocean is what connects the people of the Caribbean to their African descendants in and out of time. Through the water they made it to their respective islands, and they, personally, crafted it to be temporal and made it a point of reference. The ocean is without time, and a speaker of many languages, with respect to Natasha Omise’eke Tinsley’s Black Atlantic, Queer Atlantic. The multilingualism of the ocean is reminiscent that there is no one Caribbean experience. The importance of it indicates that the Afro-Caribbean identity is most salient through spirituality. It should come to no surprise that Erzulie, a Haitian loa, is a significant part of the migration of bodies in Ana Maurine Lara’s Erzulie’s Skirt. Ana Maurine Lara’s depiction
...e French influence that it has received, and is still getting through its departmentalization. In certain ways, Martinique looks a lot like the Westernized world and Europe; this can be seen in it’s economy, race relations, social welfare programs, and cultural norms. However, while colonization played a huge role in making Martinique what it is today, it’s native roots are still visible in much of the demographics of the country and the Creole presence within the department. Martinique is a unique Caribbean island in the sense that it never fought with its colonizers for independence, but it still has managed to blend the French, with the African, with the native, with the West Indian and has used different aspects of each of these cultures to ensure that no other place would be able to replicate Martinique in demographics, economy, culture, geography, or society.
The way in which Benítez-Rojo and Mintz tackle the question of Caribbean identity in their articles, is a removed, objective ideal, in contrast to Michelle Cliff’s portrayal of Jamaican identity. Cliff’s portrayal touches the heart and soul of Caribbean identity. While Mintz and Benítez-Rojo are investigating trends in the Caribbean as a whole, from an outside perspective, Cliff offers the personal, tactile imagery of what it is to live in the Caribbean, utilizing the objective account of history as a background. Furthermore, Cliff deals with Jamaica, one island in the Caribbean, while Mintz and Benítez-Rojo are dealing with the Caribbean on a grand scaled overview. The fact is neither article can be taken as complete truth. In fact, although Cliff uses history in her novel, I believe the account of history from someone who has completely accessed the interior of a place, is always going to be biased. Likewise, Mintz and Benítez-Rojo in making their hypotheses, are lacking an insider’s view. It is the difference between a Caribbean person and Caribbeanist, respectively. Therefore, while on a logical level, an analytical level, Benítez-Rojo and Mintz’s, conclusions as to Caribbean identity could rightly be accepted, these two authors do not possess the experience and intensity to make me as a reader, convinced of their conclusions.
Throughout history an even today, Caribbean scholars contend that Caribbean relations are characterized by an interplay of race, class and gender. Clarke agree with this statement and said that, “The social structure of the Caribbean region is based on differences associated with class, race or colour, ethnicity and culture (Clarke, 2013). These three (3) components of race, class and gender affect each other in one way or the other. In other word, one’s class position may be dependent on his or her race or gender or one’s gender may determine his or her class position in society. It is important to note that the interplay of race, class and gender in the Caribbean differs from island to island. This essay will discuss the extent to which
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
In Jhumpa Lahiri’s novel, The Namesake, the protagonist, Gogol, struggles with his cultural identity. He is an American-born Bengali struggling to define himself. He wants to fit into the typical American-lifestyle, a lifestyle his parents do not understand. This causes him tension through his adolescence and adult life, he has trouble finding a balance between America and Bengali culture. This is exemplified with his romantic relationships. These relationships directly reflect where he is in his life, what he is going through and his relationship with his parents. Each woman indicates a particular moment in time where he is trying to figure out his cultural identity. Ruth represents an initial break away from Bengali culture; Maxine represents