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The theme of social class in blood brothers
What key social class references are in the play blood brothers
The theme of social class in blood brothers
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Willy Russell’s Intention by the End of the Play
‘Blood Brothers’
The stage production of ‘Blood Brothers’ helps to emphasise the social
difference between Mickey and Edward. There are two main sets used,
one for Mrs. Johnstone’s house and street and one which is the inside
of Mrs. Lyons house. Mrs. Johnstone’s house is a poorer set; there are
smashed windows and graffiti written on the walls. The houses are
small close together terrace houses built out of red brick. There is
lack of colour in this set Willy Russell is trying to show the
gloominess, coldness and poverty of their area with this set. Whereas,
Mrs. Lyons house is colourful and bright. There is a bookshelf which
shows that they are privileged enough to have books and that this
family is refined and educated. There is a carpet that is rolled out
every time that the Lyons house is on stage. This shows comfort,
softness and warmth as does the fireplace in the Lyons house. This is
a contrast between the Johnstons house where they have broken windows
which shows coolness and discomfort. This shows the difference between
two classes in a Thatcherite Britain at the time to the audience.
At the Johnstone’s house the lighting is always dim, not well lit, to
show the gloominess and poverty in their lives. However the lighting
in the Lyon’s house is always very bright. This is to show to the
audience that the life of the Lyons is brighter than the Johnstones.
In parts of the play (especially I found when the narrator was
speaking) the lighting was red and black I think Willy Russell’s
intention here is to show that there is death in the play and
symbolises the bloodshed. Sometimes one person would have the
spotlight on just them so the background is black. This picks out this
one person so all our attention is focused on this person and the
darkness in the background is very gloomy like a dark hole to
symbolise the emptiness that will be in some of their lives because of
the deaths at the end.
There is a musical theme to suggest the same idea or place theme. Like
the music that is played at the Johnstones house. When this song comes
on it is to show the poverty of the Johnstons. The song that I
remember the most is the game when Mickey, Sammy and their friends are
all children and they are shooting each other. The words of the song
are very childish and it’s just a game. However when they become older
this game becomes reality and a lot more serious and it’s not so
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
In the play Blood Brothers Willy Russell explores the differences between a working class family and a middle class family during the downturn of industry in Liverpool in the 1960 and 70’s, resulting in The Recession in the early 1980’s. There is a twist on the fact that they are just two opposite class families – Mickey and Edward. They are two genetically identical twins; however Mickey was brought up in a working class family and Eddie in a middle class family. By using these two complete extremes, Russell has explored the history of the British class system in a very extreme way. Seeing the different class upbringings teaches us about Nature vs. Nurture in society.
The Addams Family’s set, costumes, and lighting all collaborate to create an amazing play that boasts both comedy and drama. There were many decorations and props that stood out to me, but immediately upon entering the lobby of the theater; I was able to view a scene that included a mounted buck and many other eerie decorations. Following the opening of the curtains and the beginning of the play I was able to see a large tree covered in neon green and purple paint on stage right and a cemetery scene with various tombstones in the middle of the stage. In addition to these props there was a large gray moon strategically placed directly above the cemetery. In the corner of stage left there was a large doorframe with a padlock holding it closed. After multiple scenes using this scenery the curtain was closed a for a short minute and when they were opened the backdrop was flipped and showed a mansion scene that included a small painted mantle with round hung portraits above it. The costumes that the characters wore during the play played a huge role in making The Addams Family great. For example, Morticia’s black long witch like dress along with Wednesday’s black dress with white rounded collars added to the gloomy nature of the play. Furthermore Gomez’s black pant suit, Fester’s black
The scenery was simply impressive. Sister Aloysius’ office was plain and aged, you could tell the room was more antique due to the furniture and the way it was painted. The garden area was quite exquisite, possessing many details such as the stone columns, leaves that were clustered across the garden area of the stage, and even the sound effects. When Father Flynn met Sister James in the garden the sound of a crow was heard in the background, this gave a genuine feel to this scene. Almost as if we were all outside along with them. I think the designer was trying to give off the idea of a more intimate and comfortable setting for the audience while still going with the concept of the play. The designer actually does a great job at giving off the fragile look due to the play taking place in 1964. The characters costumes tied in perfectly with the theme and mood of the production. The characters Sister Aloysius and Sister James both wore the same costumes because they are nuns. Their costumes make them look peaceful and sanctified. Sister James’ costumes, even though it was the same as Sister Aloysius, made her come off as timid due to her personality. Sister Aloysius’ costume, due to her personality, made her come off as stern and bitter. Mrs. Muller that was played by Tamera Burden and her costume really depicts the time period the play takes place in. When meeting with Sister
The lighting for the show added yet another layer to this show and its production. The lighting was used in many different ways from the stardust to the lighting of a lantern. Not only did the lighting bring color to the stage but it brought color to the audience as well. A part in the play that I remember well is when the trunk is brought out and it is carrying the stardust, and when the stardust is activated and the lights are blinking within the trunk. This moment in the play captured my attention because the subtle use of the lights was just enough to grab the attention of the audience. The use of the lights in this moment brought the audience members to become engaged with the story on an even deeper level. Peter and the Starcatcher was able to use lighting in a subtle way to bring out the nuances of the characters and scenery of the play. Now, the lighting did bring out many colors within the backdrop. This backdrop, which I helped to paint, brought another color to the stage. Upon working with the backdrop I had a hard time thinking of how it would look to the audience. Although I had my doubts about the effectiveness of the netted backdrop they were washed away as the play opened and they blended in perfectly. The dark green paint covered just enough of the netting to give it a seaweed feel for the audience to
Mark Thompson’s set is a mechanical marvel with scrupulous attention to detail. The front of the set displays the stage for “Nothing On”, a delightful country house converted from 16th century posset mill, replete with paintings, doyleys and Persian carpets. Combined with the gentle almost glowing yellow lighting (Nigel Levings), reminiscent of candles and oil lanterns, the opening scenes look comically anachronistic, a caricature of a traditional 20th century British living room. The set is then taken a step further when it is spun 180 degrees for act two, showing the backstage of “Nothing on”, completely bare of frivolities it is the antithesis of the original set, de...
Staging and costuming a show for the stage requires a lot of time and hard work. When staging Angels in America: A Gay Fantasia on National Themes one would have to consider how to dress each individual character and how to split the scenes to have them flow with the different characters. For example, the scene where Joe leaves Harper at the same time as Louis leaves Prior has to be staged carefully so that the audience understands what is happening. The playwright Tony Kushner allows for overlapping in conversations, but the director of the play has to figure out how to make the scene have an impact on the audience. The play examines significant themes of the time period such as religion and sexuality as well as AIDS. The play has to be presented cautiously to have a significant impact on the audience.
Since watching Harrison Bergeron recently, it really made me look at the world we live in totally different. Thinking of all the people everywhere that have so many opportunities and luxuries that the average person can not experience because of barriers they have. There can be simple ways to make the society an equal standard throughout, and get rid of some of the main issues. Those such as Wealth, athleticism, and most importantly
Throughout the play, stockings play an important symbol. It serves as a reminder to Willy of his betrayal and infidelity to not only his wife Linda, but his children. He gave a pair of new and expensive stockings to the woman, who remains nameless. It haunts his conscience because the stockings were an intimate gift, one that he could never afford to buy for his loving and devoted wife thus he angrily takes them from her and says “I won’t have you mending stockings in this house! Now throw them out!” The sight of him seeing Linda fix her stockings makes him uncomfortab...
WINGMAN is a sci-fi, romantic drama with some humor entwined. The concept is strong and has merit. The premise reminds one of the well-received film “HER.” The idea of the computer program “Rex” being physically manifested through a hologram is smart. In addition, it’s the computer, who appears to be the protagonist vs. the human.
The play by “See What I Wanna See” by Michael John LaChiusa was seen at theater B at The City College of New York. This production was directed by Dimo Hyun Jun Kim as “musical” approach to the play. Kim’s set provided a minimalist approach to scenes that took place within a historical and modern environment. Kim’s objective was to show the initial opening of the play in medieval Japan, which then transitioned to the modern interpretation of these events through various individual that apparently witnessed Moriko’s murder in Central park. Throughout all of these events, it is apparent that the black stage, black background curtains, minimal props, and traditional lighting present a focus on acting and text versus that of a accurate account of historical presentation of these locations taking place in the play. Kim’s minimalist approach utilized these aspects of simplicity of presentation to garner more attention to the actors in this minimalist set design.
Two things about this show immediately piqued my interest. First: Christopher Walken played the lead during the Broadway run of the play. I love Christopher Walken and, although UGA’s production of A Behanding in Spokane will obviously not star him, the fact that he was involved with it initially has endeared the play to me. Second: the show seems to be, from the brief descriptions I’ve read, delightfully twisted. According to Broadway.com, the play is about a man who is missing his left had, two con-artists who promise to sell him what they claim is that hand, and a racy, provocative hotel clerk. That extremely vague description only strengthened my interest in this show; I thoroughly enjoy darker, non “cookie-cutter” stories and can’t wait to learn how the man lost his hand and how all the characters fit together.
The colors are reminiscent of the ones associated with armies and war, which contrasts strangely with the standard bright setting lighting up behind it. The bus full of war-torn boys looks incredibly out-of-place in the city
Wicked- a wondrous spin on the Wizard of Oz- has been on Broadway for over a decade now. This exciting new revival cast is directed by Joe Mantello. The book is by Winnie Holzman with lyrics and music by Stephan Schwartz. This musical comedy is presented with an all new cast. Some of the new actresses include Jenni Barber as the bubbly Glinda and Christine Dwyer as the seclusive Elphaba.
I chose to do my second critique on the production Lost in the Stars. Lost in the Stars was written by Maxwell Anderson. The music was by Kurt Weill, and the film was directed by Daniel Mann. The original play was performed on Broadway from October 1949 to July 1950. Then in 1974 a film was made. This musical drama was based on Alan Paton's novel, Cry, The Beloved Country. Taking place in South Africa in the year of 1949, the musical drama begins with the black preacher, Stephen Kumalo, pining for his son Absalom, who has long since left home to earn money for his future education. Reverend Kumalo has had no word from Absalom in a year. Reverend Kumalo soon finds out that his son has been arrested and condemned for killing a white man. Before Absalom is hung for his