William Shakespeare's Macbeth Lady Macbeth's role in the events of Shakespeare's play 'Macbeth' is
an important one. Without her, it is doubtful that Macbeth would have
gone through with the slaying of Duncan, especially in such a
cowardly, murderous way that he does. This is shown with Macbeth's
continued change of mind about committing the murder. When he speaks
with his wife in Act 1, Scene 5, he states. 'We will speak further'.
And subsequently in Act 1, Scene 7, 'We will proceed no further in
this business….'. At the beginning of the play the Macbeth's
relationship is depicted as being one of a loving, caring and
understanding marriage. They appear to compliment each other within
this, but yet, each brings something different into their marriage.
Dame Judi Dench's depiction of Lady Macbeth in Trevor Nunn's 1978
production was one of a more mature, plainer woman, than that of the
Polanski adaptation. With little or no makeup, plain hairstyling and
dark bland costumes, Trevor Nunn's production further complimented
this style with a dimly lit sparse setting, similar in lay out to that
of how Shakespeare would have originally portrayed the play on stage .
With this format, the audience is drawn more into how and what is
being spoken and the facial expressions of the characters, than by
being distracted by any 'period' surrounding scenery. This in turn
makes Trevor Nunn's, Lady Macbeth as portrayed by Dame Judi Dench a
more convincing character, unlike the young, fresh faced, virgin like
Lady Macbeth in Polanski's adaptation which included many additional
scene's, ...
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...f guilt of the murder of Duncan and
is furthered by her husbands reluctance to return her affections and
include her in his evil scheming. The Macbeth's, as a loving husband
and wife partnership, drift apart and their relationship with one
another becomes null and void. One of the causes of Lady Macbeth's
eventual breakdown appears early within the play, as shown with her
soliloquy in Act 2, scene 2, '….Had he not resembled my father as he
slept, I had done't….'. Why was she unable to dispatch Duncan herself?
Was it because the 'direst cruelty', which she had called up from the
spirits, in order to fill her, in Act 1, Scene 5, are now slowly
draining from her person. This in turn causing the evil veil she
wears, to slip briefly, revealing a glimpse of the 'real woman' that
is held deeply hidden within Lady Macbeth.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
William Shakespeare's Macbeth In the tragic play "Macbeth", by William Shakespeare, both Macbeth and Lady Macbeth decide, to kill King Duncan. In the play, we see the characters of Macbeth and Lady Macbeth transform in their personality after murdering the King. Macbeth begins the play as a noble soldier, gradually changing into an ambitious murdering man. Similarly, Lady Macbeth is ambitious but she begins as a rebellious woman who dominates her husband, gradually changing into a guilt ridden, and weak woman.
However, she may be old as she is determined to get her last chance of
symbol is used in Act I, Scene III when Macbeth mentions Ross in line 108: “The
account I think the witches did play a big part in the murder of king
After the death of King Duncan, Macbeth becomes the more controlling one, and Lady Macbeth’s guilt eventually becomes too much for her to handle which leads to her death. Lady Macbeth is in fact the one that performs the preparations for the murder of King Duncan, but still shows some signs of humanity by not committing the murder herself because he resembles "My father as he slept". After the murder has been committed, she also shows signs of being a strong person because she calms Macbeth down in order to keep him from going insane.
Lady Macbeth continues to be a frightening and vicious figure as she becomes full of evil thoughts. This is evident by the context in which she states that she would sacrifice the life of her own infant, if it were her wish or order to do so: "…Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn As you have done this…" [I.vii.57-59]. So enraged and overpowered by evil, that her purity and innocence (which is part of a woman) had all but depleted, and consequently she also lost her will to control herself and her sanity (sanity-later on in the deterioration of Lady Macbeth's character). She came to a point where evil pushed her to certain lengths such as committing the heinous act of regicide; killing her loyal and innocent king, king Duncan.
After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others. It is this selfishness that makes it hard for the reader to be empathetic towards her later in the play, as it is evident in this scene that her hardships were brought on by herself. If she hadn’t insisted on the murder, she would not be driven in...
We are first introduced to Lady Macbeth at the beginning of Act 1, scene 5, through the letter that Macbeth sends her. This shows her to be his, ‘dearest partner of greatness’ and that he has no secrets from her. The witches’ prophecies intensify her ambitions for her husband, to be the King of Scotland. Lady Macbeth is the one who encourages him to kill the king and she not only encourages him, she makes all the plans herself. We see how clever she is and how she understands her husband well, she knows he has great ambitions, but she also knows that he is honourable and mentally weak:
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
We start to see Lady Macbeth’s actions have a huge impact on Macbeth’s character as he transforms from a decent being to an overly bitter creature. The cause of his alteration is due to the fact that Lady Macbeth is constantly excreting heartless information into his mind. "Art thou afeard to be the same in thine own act and valour as thou art in desire?" (I;vii;39-41) "And, to be more than what you were, you would be so much more the man." (I;vii;50-51) Lady Macbeth uses these quotes to push her husband beyond limits and is therefore responsible for his dramatic change in attitude. She is constantly feeding his thoughts with negative comments and later on Macbeth realizes that he has another side to him. As he moves along to discover the concealed side of him, Macbeth falls in love with himself and begins to be drawn towards his evil desires. Because Lady Macbeth was the main cause of his new hidden discovery, she is fully responsible for opening up the door and letting the darkness in. This results in Macbeth committing both murders.
Lady Macbeth was “choked with ambition”. Her infatuation to be queen is the single feature that Shakespeare developed far beyond that of her counterpart in the historical story he used as his source. Lady Macbeth persistently taunts her husband for his lack of courage, even though we know of his bloody deeds on the battlefield. At this point in time, with all her will converging towards seizing the throne, she has shown no signs of remorse or hesitance in her actions and hence preventing the events in the narrative from digressing away from imperative themes and climaxes of the play.
“Everyone is a moon, and has a dark side which he never shows to anybody.” Once said by Marc Twain, this is an excellent example of the human nature that is represented in the play: Macbeth. Shakespeare demonstrates that all humans have the ability to do good or evil. This is strongly affected by the choices that we make and by our actions. These decisions will have a huge impact on our lives and the lives of others. Throughout the play, Macbeth experienced a huge decent into evil and violent action that lead him to his death. With his thirst for power and constant paranoia, he killed his way to seize the crown. By killing Duncan at the beginning of the play, Macbeth soon realizes that nothing can be undone and his blood stained hands can never be cleaned. “A little water clears us of this deed” (2.3 70) said by Lady Macbeth after Duncan’s murder. But what they don’t know is that this is the start of the bloody massacre that will change who they are and how they think forever. Macbeth has multiple hallucinations and his paranoia leads him to hire murderers to kill Macduff’s family out of anger and spite. Lady Macbeth sleepwalks and gets to the point of madness when she kills herself at the end of the play. This demonstrates that our actions can be affected by human nature and our thoughts can be easily corrupted by temptation.
While not the only contributing factor, Lady Macbeth does play a substantial role in the downfall of her husband. She is a like a catalyst for Macbeth and essentially pushes him to do what he would not have been able to do on his own. Macbeth himself highly ambitious and determined, but his wife is even more so. At first he refuses to kill Duncan but she persists and eventually gets him to do it. It is important to note here that Lady Macbeth pushes Macbeth forward by manipulating him. In this sense, she can be related to Cathy Ames from East of Eden by John Steinbeck. Also, being a woman, she is confined by the conventions of society which prevent her from doing much. At what point she even wishes that she were 'unsexed' so she could commit the murder herself. Because of this, she pours her ambition and desire for power into Macbeth. Again she accomplishes this through manipulation. For example, at one point when Macbeth is disagreeing with her idea of killing Duncan, she questions his manhood:
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass