Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
London william blake expresses his
William Blake as a social critic
Discuss the poem London by Blake
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: London william blake expresses his
5. William Blake: London From Within
If we want to discover the particularity of eighteenth century London’s appearance or the details of its growth, there are both scholarly and temporary guides to consult. Through the historical background exposed in the previous chapters, in fact, we came across only to the objective point of view of the city, but if we want to discover the feel of London life, its people, its sounds and smells there is a more direct source: literature. Through poems we can understand the way the authors, like many other people, lived this specific experience.
One of the first writers that comes in our mind when we think about 18th century London and its society is William Blake, with his famous work London, which describes how a Londoner, as Blake was (he was born in London in 1757), could have seen this great city from the inside with its positive but especially negative sides. With this poem we see the “real” London, or what was usually hidden in the picture of this metropolis. Blake has always been very critic of London and this aspect became more evident after he and his wife moved out to Felpham in Surrey in September 1800, where the criticism became more explicit, especially in his correspondence:
“Felpham is a sweet place for Study” he wrote to John Flaxman on September 21 “because it is more spiritual than London. Heaven opens here on all sides her golden Gates; her windows are not obstructed by vapours; voices of Celestial inhabitants are more distinctly heard, and their forms more distinctly seen; and my Cottage is also a Shadow of their houses”.
He was convinced that London was a city of perdition, an earthly Hell, but at the same time possible to be saved1.
But now it is time...
... middle of paper ...
...riting London: The Trace of Urban Text from Blake to Dickens – Vol. 1, Basingstoke: Palgrave Macmillan, 2001.
Roy Porter, London: A Social History, Cambridge, Mass: Harvard University Press, 1998.
Hugh Sykes Davies, The Poets and Their Critics: Blake to Browning - Vol.2, London: Hutchinson Educational, 1943.
Boris Ford, Volume 5 of The Pelican Guide to English Literature: From Blake to Byron, London: Penguin Books, 1957.
Hirsch E.D, Innocence and Experience: An Introduction to Blake, New Haven and London: Yale University Press, 1964.
E.P. Thomson, Witness Against the Beast – W. Blake and the Moral Law, Cambridge: Cambridge University press, 1993.
Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Durham: Duke University Press, 1993.
Harold Bloom, William Wordsworth, New York: Chelsea House Publications, 2009.
Probst, Robert, et al. "Elements of Literature sixth course literature of Britain." Austin: Holt, Rinehart, and Winston, 1997. 640-644.
Scott- Kilvert, Ian. “George Gordon, Lord Byron.” British Writers. Vol. IV. New York: Charles Scribner’s Sons, 1981. Print.
Close your eyes and sit back in your recliner. Let the cool breeze refresh you as you relax in your hardwood floored den and sip your English tea. Now picture London. What kind of an image comes to mind? Perhaps the sophisticated languages of its inhabitants or just the aura of properness that encompasses typical visions of the great city of London. I am not writing to deny the eloquence of London, I am instead writing to challenge the notion of sophistication that many of us hold true to London. Could a city of such brilliance and royalty ever fester with the day to day problems that we witness daily in our own country? I argue, yes.
The poem "London" by William Blake paints a frightening, dark picture of the eighteenth century London, a picture of war, poverty and pain. Written in the historical context of the English crusade against France in 1793, William Blake cries out with vivid analogies and images against the repressive and hypocritical English society. He accuses the government, the clergy and the crown of failing their mandate to serve people. Blake confronts the reader in an apocalyptic picture with the devastating consequences of diseasing the creative capabilities of a society.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Price, Martin. "Martin Price on Terror and Symmetry In "The Tyger"." William Blake (Bloom's Major Poets). Ed. Harold Bloom. New York, NY: Chelsea House 2003. 38-40.
William Blake wrote many poems during his lifetime. He had a set of poems called The Songs of Innocence and also a set called The songs of Experience. This paper is focusing on five poems from the Songs of Innocence, which are: “The Shepherd,” “The Echoing Green,” The Little Black Boy,” “The Blossom,” and “Laughing Song.”
?London? is a poem of serious social satire directed against social institutions. According to Blake author Michael Phillips ?it is a poem whose moral realism is so severe that it is raised to the intensity of apocalyptic vision.? Blake becomes more specific in his descriptions of the prevalent evil and moral decay of society as the poem progresses. Blake?s informative nature is clearly evident in ?London? as he ?points the finger? and exposes powerful institutions.
The poems ‘lines composed on Westminster Bridge’ and ‘London’ are created by William Wordsworth and William Blake respectively. Wordsworth’s work originated in the eighteenth century and he himself lived in the countryside, and rarely visited large cities such as London. This is reflected on his poem, making it personal to his experience in London, however William Blake on the other hand had a vast knowledge of London and was actually a London poet, which allowed him to express his views of London from a Londoner’s point of view. I therefore will be examining comparisons in both poems, as well as their contrasting views of London and the poetic devices used to express their opinions.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
Abrams, M. & Greenblatt, S. 2000. The Norton Anthology of English Literature 7th ed. Vol. 2. London: Norton.
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a