Wilfred Owen's Four Drafts Of Dulce Et Decorum Est

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Wilfred Owen ‘is the most famous and most praised’ (Caesar 1993: 115) First World War poet, and was able to communicate this seldom communicated experience. During his time on the front line, Owen suffered from shellshock, and was taken to hospital to recover. The matter of suffering will be further explored in the essay. Whilst recuperating, Owen’s doctor wanted to help him deal with the horrific scenes he had seen, and so he decided that getting Owen to write down his thoughts and dreams into poetry would offer a release. In total, Owen wrote four drafts of Dulce et Decorum Est, and each one shows a progression of his efforts to present an account of the war. He suffered horror and fear whilst in combat and in the trenches, and so is shown …show more content…

Contrasting to Owen, she begins her poem in the present tense, inviting the audience into the hospital, where they can see what Dobell is describing. We are introduced straight away to the male protagonist of the poem; a young soldier who is only seventeen and whose life has changed forever ‘with both legs smashed’. Dobell changes the tense here from present to past, speaking with a retrospective view on the boy’s choice to cheat his way into the war. She empathises with his situation, feeling that if she was in his position, she would rather have died in ‘that grim trench’ than suffer ‘maimed’ for years to come. She is also very sympathetic towards him with knowing that there is only suffering for him now. She continues into the second stanza using the past tense, explaining how the soldier ‘told a lie’ so that he could ‘march, a man with men, and fight’. ‘While other boys are still at play’ transforms the poem into the present tense. It highlights his situation, as the reader realises that he should be with these boys as he is only a boy himself. But the soldier’s future is now set, and Dobell comments on this as she writes ‘a gallant lie your heart will say’. This suggests that the reader can only be respectful of his decision to cheat his way into the army. Dobell further displays her sympathy for the boy, taking us back into the present day where his innocence and return to childhood are emphasised. He ‘shrinks with dread / To see the ‘dresser’ drawing near’, and he turns into a child as he ‘winds the clothes about his head’, hiding his face away in fear. Similar to finishing off a story or a tale, the poem’s final stanza is set in the future tense. Despite all of his suffering and pain, ‘He’ll face us all, a soldier yet, … / (Though tell-tale lashes are still wet)’. He tries his best to be brave, but he

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