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Why antigone so determine
Antigone problematics
Why antigone so determine
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Although Antigone has been read and performed for thousands of years, it contains themes that are relevant to today’s world. Antigone, a Greek tragedy written by Sophocles, tells of a family influenced by its past while trying to insure its future. The main characters Antigone, Creon, and Ismene feel they are cursed by the fall of Oedipus and that the family lacks free will because of the tragedy of their predecessors. Creon is trying to establish himself as a respected ruler while Antigone wants to honor her brother’s death. These two goals lead to the main conflict in the play. The theme of determination is relevant to today’s audience and can be seen in the actions of Antigone, Creon, and the world in 2015. In the story Antigone, the two characher Antigone and Creon have a lot of determination in the story. Antigone is very determined to bury he brother polyneices and give him the burial that Creon would give him. In the beginning of the story Antigone and ismene argue about Antigone wanting to bury her brother and …show more content…
Creon later in the story finds out that his son Harmon like Antigone and wants to be with her but Creon does not allow him because he is determined to have Antigone died. Creon finally get what he wants and says to Antigone, “O cease, you vex me with your babblement; I am like to think you dote in your old age. Is it not arrant folly to pretend,That gods would have a thought for this dead man? Did they forsooth award him special grace, And as some benefactor bury him, Who came to fire their hallowed sanctuaries, To sack their shrines, to desolate their land, And scout their ordinances? Or perchance the gods bestow their favors on the bad. No! no! I have long noted malcontents, Who wagged their heads, and kicked against the yoke, Misliking these my orders, and my rule. 'Tis they, I warrant, who suborned my
In Sophocles play, Antigone, the reader explores many aspects of a Greek tragedy. In this play, a complex family follows a series of mishaps after hearing from a “seer.” After the family thinks they have overcome the worst, they then endure two brothers fighting over both of their rightful places on the throne. In the end, both of them die, but one, Eteocles, was buried a king, and the other, Polynices was left to be untouched a “traitor.” Their sister, Antigone, feels it is her rightful to disobey her uncle, Creon, who sets a decree that declares Policies was to be left unburied. She called this “the doom reserved for enemies marches on the ones we love the most” (Fagles 1984, 59).
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
The character Antigone has been in conflict against Creon ever since he became the king of Thebes. Antigone would never let Creon's law about burying the body of Polyneices override her moral beliefs and her beliefs in the gods. “Zeus did not announce those laws to me, And justice
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone, written by Sophocles is a tale of a tragic hero who suffers with the recognition and realization of his tragic flaw. Although this short story is titled after Antigone, Creon is the main character and he provides the moral significance in the play. First, Creon withholds the respect of his citizens but it is clear to them he is not perfect through his pride (tragic flaw). Secondly, his radical reversal of fortune is made clear after he struggles with the recognition of his fatal flaw. Thirdly and lastly, his pity and fear flowers into an understanding of his prideful and destructive nature leading to his redemption. Nevertheless he is left with the burden of the deaths of his family, becoming a shell of misfortune and loneliness. Although Creon's actions cannot be labeled as courageous, his character traits pertain greatly to that of a tragic hero.
Antigone is a play that mainly deals with differences among characters that cause life long drawbacks and threatening resolutions. The drama is portrayed through Antigone and Creon's characters who undoubtedly resemble each other. Although they try to be masters of their own fate and eventually succumb to grieving outcomes, they both seem to have the values of a tragic hero. Although, they have their differences, their battle with one another illustrates them both as moral characters full of pride and arrogance.
Antigone was dejected with Creon’s ruling and decided to bury Polynices herself. She tried to enlist Ismene to help her, but Ismene was to afraid. Antigone furiously continued with the plan on her own. A sentry discovered Antigone and brought her to Creon. Ismene was also brought to Creon and confessed that she had helped Antigone with the burial rites of Polynices. Antigone stopped Ismene and told her not to admit to an act that she had not committed. Antigone took sole responsibility for the burial and claimed that Creon had no right to forbid the burial of Polynices. Ismene pleaded with Creon to spare Antigone’s life for the sake of Haemon, Creon’s son.
Antigone is viewed today for many reasons. Antigone teaches about why it is important to stand up to corrupt authority which is relevant to present day life because of police brutality, which appears in the media very frequently. Antigone is also viewed in present day because standing up to authority can be empowering, especially when used for the greater good. Antigone is perceived as a feminist figure because she is a strong female character that displays bravery.
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
In Sophocles’ classic play Antigone the main character Antigone faces the impactful and controversial choice between god’s laws and man’s laws, fate and free-will, and family versus government. With her heroic and ultimately fatal decisions, Antigone would normally be the character everyone defines as a stereotypical tragic hero, however, not many people take into consideration that her counterpart Creon, is the real tragic hero. Creon is often portrayed as the antagonist within the play, yet he has all the qualities that make an ideal tragic hero.
The dilemma of identifying the true hero, or heroine, of Sophocles’ Antigone has tortured students for years. It is indeed a difficult decision to make. The basis for this decision is what the reader perceives to be Sophocles’ dramatic issue in this play. The dramatic issue of the play is twofold: Antigone is a fanatic who is driven by her religious fever to bury the body of her criminal brother, Polyneices, against the edict of Creon. In the second part, Sophocles shows how the new King Creon’s refusal to change his decision in the face of adversity is admirable, but at the same time his political morals end up destroying his family. His fall from grace is tragic, whereas Antigone's fall is welcome. In this manner, Sophocles sympathizes with Creon, and thus he becomes the hero of the Antigone.
Creon has “no business with the dead, nor do the gods above-this is violence you have forced upon the heavens.” Creon’s error is two-fold as he buried someone alive who was Antigone and he left someone dead unburied. It is important that Polynices does get buried, as his flesh is being ripped apart by animals, which is inhumane. His soul will not reach the Greek afterlife and he is left in a limbo. Creon has just broken the laws of the gods he exerted influence in a godly realm. There are lots of Greek gods in Greek myths that are revengeful and these gods are going to take revenge and take their place back. Antigone’s last speech before she dies demonstrates how she does not fear her death but conveys to the audience and to the people of Thebes “What laws of the mighty gods have I transgressed?...if these men are wrong, let them suffer nothing worse than they mete out to me-these masters of injustice!” As Antigone went against state law and buried her brother she has to suffer the consequences of her actions, which is death. She has left it up to the gods to decide the punishment of Creon. She states, “A husband dead, there might have been another…But mother and father both lost in the halls of Death. No brother could ever spring to light again.” This portrays to the audience a cruel side to Antigone as she says that
Creon is the tragic hero in Antigone for many reasons. His stubbornness by not wanting to be proven wrong because of his pride is one of the many reasons Creon is the tragic character. Creon believes it is okay to give Eteocles a proper burial because he died, as a man should, fight for his country. On the other hand, Creon treats Polyneices’ death in a distasteful, uncaring manner. Creon believed Polyneices’ should not receive a proper burial because Polyneices’ broke his exile to come back with fire and sword against his native city and the shrines of his father’s gods, whose idea was to split his blood and sell his own people into slavery. Creon also said that anyone that touches Polyneices’ or says the least prayer for him would be stoned to death. The Choragus attempted to inform Creon that he made a mistake by saying nobody can bury Polyneices, but it is to no avail. When Creon finds out someone has buried Polyneices, he assumes it is the men, the anarchists, that buried him because they want money, but Antigone is really the one that buries Polyneices. When the people of Thebes tried to tell Creon Antigone did the right thing, he did not want to listen to them. Creon believed that if he made an ex...