Alcibiades was a modern hero for the Athenian people. He was wealthy, beautiful, and eloquent in his speaking. As a man of the people, his soul became filled with flattery and pleasures. Alcibiades was not virtuous, however, he was also not vicious. His charm, wealth and good fortune pushed him into the public sphere, which ultimately aided in his demise. Plutarch uses the Life of Alcibiades as a moral and ethical lesson for his readers, demonstrating both the good and bad in his life.
With his outer beauty, character, and grace, Alcibiades became a charmer of the people. His physical beauty directly correlated with his success. Many were drawn to him simply because of his status and beauty only, which led to flattery that imposed his soul,
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Although he never allowed Alcibiades to fall into flattery from Socrates himself, Alcibiades became accustomed to misleading luxury and pride stemming from his popular image with the people that resulted in flattery and pleasures. Plutarch wrote, "Yet sometimes he would abandon himself to flatterers, when they proposed to him varieties of pleasure and would desert Socrates; who, then, would pursue him, as if he had been a fugitive slave" (262). Socrates yearned for Alcibiades to taste true honor and real virtue. Although he was closer to the side of virtue than vice, Alcibiades had not perfected all the virtues. Socrates saw much more in him and transformed the misguided pleasures, making Alcibiades "humble and modest, by showing him in how many things he was deficient, and how very far from perfection in virtue" …show more content…
Everything was calling Alcibiades toward public life, including his good fortune that Socrates tried so hard to counteract. Plutarch wrote, "He had great advantages for entering public life; his noble birth, his riches, the personal courage he had shown in divers battles, and the multitudes of his friends and dependents, threw open, so to say, folding-doors for his admittance. But he did not consent to let his power with the people rest on anything, rather than on his own gift of eloquence" (264). His oratory was truly a gift of eloquence; Alcibiades knew exactly what to say and when to say it. Everything Alcibiades said was always what the people wanted to hear, which aided in the pull of public
Odysseus is an epic hero but at the same time he is also human. For example, he is cunning and heroic but he gives into temptation and is overly curious which gets him into trouble. Odysseus remained emotionally to Penelope so he needs a partner that is also faithful. Odysseus gives into the temptation of revenge when he rids of the suitors that were in his home.
Throughout all the years, he never could find anyone as wise as himself, and all he did was make enemies searching. These enemies are now his accusers, and they accuse him of spreading evil doctrines, corrupting the youth, and not believing in the Gods. Throughout the speech, Socrates continues to shoot down every accuser and it is evident that he has done no wrong. Eventually, one of his accusers states that he must be doing something strange and that he wouldnt be that famous if he were like other men. Socrates did not live a very public life unlike most people at that time. His thoughts of being virteous had more to do with examining yourself and becoming a better person and in that way, you benifit society. He did not believe Athens to be virtuos at all, and that they relied on materail things and reputation rather than finding happiness by searching for it deep within
Plutarch presented history through biographical stories of the people that were important and influential during the time period he wished to address. However, after having read some of his work, one realizes that Plutarch inserts his own personal opinion and views of the people at hand into the factual documentation of their lives. For example, in The Life of Crassus, Plutarch expresses a general dislike and negative view of the man, but in The Life of Caesar he portrays the life through a lens of praise. It also seems that he uses his opinions of the people that he writes about to subtly extend moral lessons to the reader. What follows is a further isolation of Plutarch's opinions and lessons from within The Lives of Crassus and Caesar.
In Symposium, a selection from The Dialogues of Plato, Plato uses historical allusions to demonstrate Alcibiades’ frustration with both social expectations for the phallus and his inability to meet these expectations. Alcibiades’ inability to have a productive sexual relationship effectively castrates him and demonstrates the impotence caused by an overemphasis on eroticism. The tragedy of Alcibiades is that he realizes he is unable to gain virtue through sexual relationships and will therefore be forced to remain mortal, yet he is unable to alter his condition.
Oedipus is a tragic hero being that he was a king who had a high position in his community to a person who wished to be released from the city forever. Oedipus says " Cast me out as quickly as you can, away from Thebes, to a place where no one, no living human being, will cross my path" (Sophocles ll. 1697-1699). Oedipus was once a person who citizens looked to for answers to problems, and a person who had control over a whole city. To a person who wished to be banished from a new king of Thebes. The use of tragic hero in the story shows a slow slope of not only his position as king, but a man who loses his family and gains information about his real identity. Sending him to his
Socrates spent his life wandering the streets of Athens questioning the citizens he encountered about their ideas and ideals. Because he questioned the ideas of the elders, and because some of his acquaintances had warred against Athens he was not liked by city powers, who brought him to trial"
He had already shown in his earlier discourse with Polus that there is a difference between what is pleasing and what is good; a person sees a practitioner of medicine even if doing so offers no pleasure because the outcome is good. Considering that a person can seek pleasure whose outcome could be bad, it makes sense that acting for the sake of pleasure itself is fool hearted, and fools who seek to experience pleasure regardless of outcome, as Socrates explains, are like a sieve because they lack the
To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins the play with high status, which is often lost in the exodus of the play. For example, in another of Sophocles’ plays, “Oedipus Rex”, in which Oedipus is the undisputed tragic hero, Oedipus begins the play as an illustrious king and ends as a blind beggar. His plight encourages sympathy from the audience because of the curse that had been on him since he was a child.
Odysseus, the epic hero blessed with great strength, intellect, and wit demonstrated that he was recognizable through his human error and flaw. Throughout the epic, Odysseus was well aware of his faults and did what was possible to control himself. His journey was a torment of temptations which he needed to overcome and each one of them challenged him to stay true and increased his will. While some of the temptations were just obstacles and others controlled his destiny, each one defined Odysseus. Odysseus evolved from a flawed man into an epic hero, overcoming his submission to temptation and receiving the ultimate glory he deserved.
In the greek tragedy Antigone , the author Sophocles conveys Antigone as the tragic hero because she arouses the most fear, she shows both good and bad which is a tragic hero characteristic and Antigone has the tragic flaw of loyalty to her family and to the gods.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
In his defense, Socrates claims over and again that he is innocent and is not at all wise, “…for I know that I have no wisdom, small or great.” Throughout the rest of his oration he seems to act the opposite as if he is better than every man, and later he even claims that, “At any rate, the world has decided that Socrates is in some way superior to other men.” This seems to be his greatest mistake, claiming to be greater than even the jury.
The quality of being larger than life, or a royal figure, is one main aspect of a tragic hero. Oedipus is the king of Thebes, appointed there after solving the riddle of Sphinx, a supernatural creature that once held the city captive. He is born into a family of the highest social rank: King Laius and Queen Jocasta, and is adopted into the family of King Polybus and Queen Merope. In being royalty, Oedipus is an important figure. Without the aspect of an important man that the viewers could recognize, Oedipus would not be held in such light. Oedipus is the “peerless king” and the “first of men,” as referred to by the priest. Oedipus knows his fame, as well: “Here I am myself— you all know me, the world knows my fame: I am Oedipus.” He declares this in the prologue, showing that he has a high notion of himself, shared by many others. The entirety of the world is aware of Oedipus, according to him, and they shoul...
tragic hero and characterized by its standards. He was an influential man of stature who had a
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.