White Abolitionism

877 Words2 Pages

White and black abolitionists wrote texts to encourage the abolishment of slavery and tell the stories of enslaved individuals. The works vary from memoirs, to songs, poetry and performances. The texts challenge scientific racism and attempt to influence the reader and society into opposing slavery and believing everyone is the same. There are numerous well- known white and black abolitionist writers that use different approaches to send their message to the readers. Many white abolitionist writers use the trope of the “tragic mulatt@”. While the intention may be to evoke sympathy from the reader, the “tragic mulatt@” figure often participates in themes of colourism, rather than fight against it. This reinforces certain beliefs behind scientific …show more content…

Abolitionist stories written by white individuals tend to focus on a character that they believe the white reader can relate to or sympathize with, whereas this is not a priority in the auto-ethnographic work of Frederick Douglass. The Quadroon uses lyrical and hyperbole language to attract the reader to the story and gain an emotional response. Lydia Maria Child takes liberty with how realistic she writes her story because she cannot share with her characters the experiences she writes about. Child attempts to challenge biological determinism with her characters Rosalie and Xarifa, but ends up sexualizing them and including an anti-blackness mentality. An example of this is when the narrator describes Xarifa and includes, “[s]he belonged to a proscribed race” (Child 8). The fact that Xarifa plays the harp and recites poetry (Child 8) is another example of Child attempting to challenge hypo-descent. Douglass writes about colourism in his text and attempts to challenge scientific racism, but does not worry about gaining sympathy through a connection to whiteness with his …show more content…

“Chapter One” of his novel recounts his childhood and his struggles with his identity and family relations. Douglass challenges scientific racism in his text, but uses different techniques than Child. While Child uses the “tragic mulatt@” trope in discussing shadism and theories of scientific racism, Douglass uses his own authentic voice to tell his story of gaining freedom and an identity. From the beginning of his story, Douglass uses a formal style of writing. He uses first person narration, and shares elaborate personal reflections on his childhood. His juxtaposition between himself and the white children create a stark contrast for the reader without being melodramatic. The entire chapter follows this writing pattern, and while graphic at times, refrains from sexualizing characters or perpetuating colourism. Douglass acknowledges shadism on the first page of his novel with “[m]y mother was of a darker complexion than either my grandmother or grandfather” (2). He shows awareness at a young age of the importance of the colour of one’s skin, and acknowledges he is biracial (2). Douglass challenges hypo-descent theories by writing and publishing his own life

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