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E.e. cummings poetry analysis
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A poet whose works I thoroughly enjoy is E.E Cummings. When I read poetry, a large amount of my enjoyment is deciphering the meaning or themes behind a poem. Poetry by Cummings takes this a step further from other poets by having almost a lack of a distinct style. Cummings takes many steps away from the traditional form of poetry with his obscure and bold experimentation in his poems. This drift from orthodox methods is evident with his unique spelling, grammar, use of punctuation, and his form and structure of his poetry. The works of Cummings takes one on a journey trying to interpret his poems. One feels almost lost upon first reading, but after careful examination, you feel a surge of satisfaction after finally “cracking the code” of his …show more content…
Cummings makes the reader take many twists and contortions using an assortment of rearrangements of the word grasshopper. When reading this poem, you begin to see that the structure of the poem is of the same nature of a grasshopper. Along with a grasshopper, the poem leaps and hops from place to place.“r-p-o-p-h-e-s-s-a-g-r” illustrates simply the movements of a grasshopper, which Cummings describes as ungathering, rearranging, and leaping. The syllables of the word grasshopper also enhances this effect of the actions of a grasshopper by being arranged in the manner of an acrostic, using scattered punctuation, and the spacing of words. The reader feels as if they just saw a grasshopper leap after reading. The way Cummings writes this is to put a certain emphasis on every letter of the poem. He and the reader cherish every single letter and punctuation mark because it slows down the pace of the reader and makes them take in the entire …show more content…
This includes nature of the world and the nature of people, specifically children. The title means “in just spring” and only spring we can see radical changes in the environment. One of the connotations of spring is the change in season from winter. The snow melts away, leaving the ground wet and “mud-luscious”. Puddles are everywhere and children are outside playing. As this all is happening, a balloonman calls to the children and they quickly come running. This emphasis on the quickness of the children to abandon their games is seen when Cummings combines the children’s names into one to signify haste. “and eddieandbill come running from marbles.” However as the poem progresses it morphs into something more sinister. The balloonman is now seen as “goat-footed”, which has a more sinister tone to it. This is an allusion to Pan, a Greek god that introduces sexuality to people. Also, Cummings capitalizes the M in balloonman, which emphasizes the “man”. This is pointing toward the second aspect of the meaning of the poem; the change in nature of children. The balloonman is seen as a symbol of upcoming adulthood. There is a duality to this change, it can been scary becoming an adult and the changes can be overwhelming and it is also not a negative transformation. Earlier in the poem children are seen embracing the nature of spring and the balloonman, despite him being “goat-footed” which represents the fear of growing
When I read poetry, I often tend to look first at its meaning and second at how it is written, or its form. The mistake I make when I do this is in assuming that the two are separate, when, in fact, often the meaning of poetry is supported or even defined by its form. I will discuss two poems that embody this close connection between meaning and form in their central use of imagery and repetition. One is a tribute to Janis Joplin, written in 1983 by Alice Fulton, entitled “You Can’t Rhumboogie in a Ball and Chain.” The second is a section from Walt Whitman’s 1,336-line masterpiece, “Song of Myself,” first published in 1855. The imagery in each poem differs in purpose and effect, and the rhythms, though created through repetition in both poems, are quite different as well. As I reach the end of each poem, however, I am left with a powerful human presence lingering in the words. In Fulton’s poem, that presence is the live-hard-and-die-young Janis Joplin; in Whitman’s poem, the presence created is an aspect of the poet himself.
Poetry is something that is to be read delicately and cautiously if one wanted to find meaning through the words. Readers have to be gentle and patiently ponder about what they are reading in order to find any significance in the poem. If someone is not patient with reading, they will not feel impacted by poetry and will not want to read it. In Billy Collins’, “Introduction to Poetry,” he uses figurative language to help readers see that the way to enjoy and understand poetry is by reading between the lines and being patient with how each individual relates to the readings.
Good poetry provides meaningful commentary. One indication of a poem’s success in this is the depth of thought the reader has as a result of the poem. The poems I anthologized may take different
Humor and Irony are a unique combinations Collins displays in many of his poems, challenging the readers to interpret his work in different perspectives. In “Introduction to Poetry,” Collins offers a witty comparison between the definition of poetry and various other experiments. He asks the reader to “hold [the poem] up to the light/ like a color slide” (1-3), “press an ear against its hive” (4), “drop a mouse into a poem” (5), “walk inside the poem's room” (7), and “waterski across the surface of a poem” (9-10). Rather than stiffly explaining the definition of a poem, he finds creative and humorous approaches to explain his methods of enjoying the poems, and promote the readers’ interest towards discovering the true meaning of poetry. Just as the surrounding would seem different through color slides, he asks the readers to see the world in diverse viewpoints while reading and writing poems. Moreover, by listening to poem’s hive, dropping a mouse, and walking inside its room, Collins encourages readers to discover the concealed depth of poetry. He comments ...
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
Edgar Allan Poe once said, “I would define, in brief, the poetry of words as the rhythmical creation of Beauty”("BrainyQuote"). Poe has been known for his fantastic and eerie short stories, but he also wrote poetry. In fact, it was poetry that started his career. Throughout Poe’s life, poetry was a big part of him, and with his passion he created great works like “The Raven”. With Poe’s life story, poetic vision, and great poems, he has changed the literary world forever.
To that end, the overall structure of the poem has relied heavily on both enjambment and juxtaposition to establish and maintain the contrast. At first read, the impact of enjambment is easily lost, but upon closer inspection, the significant created through each interruption becomes evident. Notably, every usage of enjambment, which occurs at the end of nearly every line, emphasizes an idea, whether it be the person at fault for “your / mistakes” (1-2) or the truth that “the world / doesn’t need” (2-3) a poet’s misery. Another instance of enjambment serves to transition the poem’s focus from the first poet to the thrush, emphasizing how, even as the poet “[drips] with despair all afternoon,” the thrush, “still, / on a green branch… [sings] / of the perfect, stone-hard beauty of everything” (14-18). In this case, the effect created by the enjambment of “still” emphasizes the juxtaposition of the two scenes. The desired effect, of course, is to depict the songbird as the better of the two, and, to that end, the structure fulfills its purpose
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
He uses powerful imagery and onomatopoeia to achieve the desired effects that make the poem more realistic. All this combined together produces effective thought provoking ideas and with each read, I gradually get an improved understanding and appreciation of the poem.
“I look to poetry, with its built-in capacity for compressed and multivalent language, as a place where many senses can be made of the world. If this is true, and I’ve built a life around the notion that it is, poetry can get us closer to reality in all its fluidity and complexity.”
The rhythm of the poem is very fast and lively. Evidence for that is the onomatopoeia “clockwork fizz” which describes the insect’s movements as sudden and quick, comparing its legs to the hands of a clock too. It also illustrates its desperate attempts to escape the small palm of the boy described by the opening line of the first stanza “He cannot hold his hand huge enough.” Furthermore, not only the grasshopper’s movements are swift but the boy’s motions as well, shown by the run on line “He races back, how quick he is, look”. This line further emphasizes the rhythm of the poem and the energetic mood it creates.
For some individuals, poetry is a form of freedom and expression. It is one of the many creative ways to release feelings of anger and happiness from the human mind. The intensity of every rhythm and word, and style of each poem allows readers to uncover deeper significance to the context. The rich variety achieved by mixing a combination of human imagination and reality to tell a story with deeper meaning is remarkable. This concept of combining poems and human imagination together was popularized by Edgar Allan Poe. Living an impoverished life, Poe penned stories of horror and mystery into collections of poems and short stories. He expressed his thoughts on paper with great thrill and excitement. Known for his wild imagination that included suspenseful, dark tales, he posed as a literary figure and inspired many across the world.
walk in the ocean beach, he found himself lonely in front of a storm coming toward the land. Such an incident had a powerful impact on him.
When reading or listening to poetry, the main objective for me is to feel moved. Happiness, longing, sadness are some of the feelings that can be achieved just by listening to others’ words. It is within these words that creates another world, or separates us from our own. Words all have a certain kind of attachment to them, so if used properly an author can stimulate a reader beyond belief.
His poetry just like his beliefs relays a sense of feeling towards aspects of spiritual understanding.