Shakespeare’s Macbeth is a play well-known for the supernatural component to its plot; allusions to the three witches that lead Macbeth to his downfall are not uncommon in modern culture. These witches are capable of many abnormal feats, including the abilities to abruptly vanish and to foretell the future. However, amidst the impossible events within the work lies a rational explanation for causation and nature of the first apparitions that plague Macbeth when viewed through psychoanalytic criticism. While these disturbing visions appear to be otherworldly upon first glance, they are simply the results of Macbeth’s internal conflict between that which gives him morality, or the superego, and that which drives him to kill, or the id. Truly, …show more content…
With regards to this treacherous act, Macbeth states that he has “no spur to prick the sides of his intent, but only vaulting ambition,” (1.7.25-27); the ambition he speaks of is the dream of becoming king of Scotland, a possibility that was brought to him by the weird sisters during their first meeting with him. This ambition is an urge to better himself, which is an extension of the survival instinct, stemming from within his id. However, Macbeth is not without superego. He questions the morality of the killing of Duncan numerous times before executing the deed. First, immediately after receiving the ambition from the sisters, he notes the immense fear that he feels when he considers killing Duncan (1.3.138-141). Additionally, he even tries to prevent the murder after he promises to kill Duncan by asking Lady Macbeth “to proceed no further in this business” (1.7.32). However, with the help of Lady Macbeth’s corrupting influence, the ambitions of Macbeth’s id overcome his superego, and he commits to killing …show more content…
This strong will to ensure his dominance over Scotland is a continuation of his past ambition to attain the crown. Just as before, the urge to kill is a form of the survival instinct and originates from within the id. However, now the stakes for complying with this motivation are much higher; if anyone discovers that Macbeth killed Duncan, then Macbeth will lose all control over the people, and they will execute him for treason. Thus, in Macbeth’s mind, he must eliminate all possible threats that may find out the truth of Duncan’s
Macbeth, whom initially was a very reasonable and moral man, could not hold off the lure of ambition. This idea is stated in the following passage: "One of the most significant reasons for the enduring critical interest in Macbeth's character is that he represents humankind's universal propensity to temptation and sin. Macbeth's excessive ambition motivates him to murder Duncan, and once the evil act is accomplished, he sets into motion a series of sinister events that ultimately lead to his downfall." (Scott; 236). Macbeth is told by three witches, in a seemingly random and isolated area, that he will become Thank of Cawdor and eventually king. Only before his ambition overpowers his reasoning does he question their motives. One place this questioning takes place is in the following passage:
William Shakespeare’s Macbeth is a play centring around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a nobel and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very naïve, gullible, and vulnerable. He is vulnerable and willing to be persuaded by many characters throughout the play, his wife, the witches to name a few, this is the first sign that his mental state is not as sharp as others. One will see the deterioration of Macbeth and his mental state as the play progresses, from level headedness and undisturbed to hallucinogenic, psychopathic and narcissistic. The triggering event for his mental deterioration is caused by the greed created from the witches first prophecy, that Macbeth will become King of Scotland (I.iii.53). Because of the greed causing his mental deterioration, Macbeth’s psychosis is what caused his own demise by the end of the play. In Shakespeare’s play Macbeth, the tragic hero Macbeth’s demise is provoked by his hallucinogenic episodes, psychopathic actions and narcissistic behaviours.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Macbeth still has some good in him before he commits his first murder. His constant struggle to decide if he will kill the king shows he still has a conscious. He feels Duncan is a good leader, and as his kings men he is supposed to protect Duncan. Macbeth at this part of the play is too virtuous to betray him in such a manner. He also fears the...
Macbeth knows that Duncan must be killed if he wants to acquire the throne, and the thought of Duncan’s murder is very disturbing to him. Macbeth desires to become king, but his ambition is halted when he thinks of the consequences that follow if he were to get his wish. However, when Malcolm was chosen to become Prince of Cumberland, Macbeth knew that if he did not take any action then he wouldn’t be king. The reader can see that the ruthlessness that lies in Macbeth is coming out when he says “The Prince of Cumberland – that is a step on which I must fall down or else o’erleap, For in my way it lies. Despite the fact that Macbeth is a ruthless individual, Lady Macbeth makes him look like a saint.
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
This shows that he really didn't want to kill Duncan, but he did it in order to prove himself to Lady Macbeth, and to become the king. By the end he had no fear, and had killed not only Duncan but also many other people. He now had different views from which he had in the beginning of the play. Macbeth realizes that he is no longer afraid "no, nor more fearful. (Act V, scene vii, l 9). He is now considered a man, but he doesn't like the fact that he has killed all these people.
Macbeth is captured by his wild ambition at the opening of the play when he and Banqou meet the three witches. The witches tell Macbeth that he is the Thane of Cawdor, and later will be king. They tell Banquo that his sons will be kings. Instantly Macbeth started to fantasize how he is going to be king. He understood that in order for him to become king he has to kill Duncan. “My thought, whose murder yet is but fantastical”(Act 1 Sc. 3, p.23). He was pondering about the assassination until the moment that he could no longer control his emotions. “To prick the sides of my intent, but only vaulting ambition, which overleaps itself and falls on the other-“(Act 1 Sc. 7, p.41). Because of his “vaulting ambition” he killed Duncan.
To begin, Macbeth experiences an internal downfall due to his ambition where he battle between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [...] I have no spur/ To prick the sides of my intent, but only/ Valuing ambition, which o'erleaps itself/ And falls on th' other-" (1.7.8-28). At this moment, Macbeth contemplates on killing King Duncan as he visualizes the long term consequences of committing the crime. The reader can grasp his moral judgement as he understands that by proceeding with the murder, he is only causing his own demise and punishing himself. With that b...
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
I decided to analyze Act II, Scene II in MacBeth using Psychoanalysis. I have previously examined the passage using Marxism and Queer Theory, so I thought it might be beneficial to scrutinize the scene from yet another angle. However, I will also discuss another scenes, as well, in order to fully, yet briefly, demonstrate MacBeth’s two opposing psychological constructions.
In the play Macbeth, Macbeth's ambition was to become king. But the only that he saw fit to become king was to kill Duncan. Duncan and Macbeth were cousins, and Duncan was a kind person to Macbeth. But Macbeth was blinded by his ambition. Macbeth said, "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself and falls on the other," (Act I Scene VII). By this quote, Macbeth meant that the only reason he sees to kill Duncan was because he wanted to become king. He didn't think about the future consequences or repercussions. At first Macbeth was loyal, but his ambition overcame his morals a kind-heartedness and made him evil.
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
Ambition is an underlying theme throughout Macbeth, it is the tragic flaw in human kind, bound to lead to disaster. In Act 1 scene 7 this is one of the most interesting scenes of the play. This is the last time as we see Macbeth a freeman, he can still make the decision whether he wants to be good or evil. The choices that are preventing Macbeth are committing the murder, fear of the consequences on this earth, variety of feelings of kinship, loyalty, and hospitality he admires Duncan’s goodness as he is not the most moral character but hes power is what urges him on that are motives of good A soliloquy, which is found in Act 1, scene 7, in the lines 1-28, Macbeth debates whether he should kill Duncan. The imagery that is in this speech can be dark and moody for most people. Some examples we hear of imagery are “bloody instructions,” “deep damnation,” and a “poisoned chalice”—and suggests that Macbeth is aware of how the murder would open the door to a dark and sinful world. When the soliloquy ends, Macbeth goes to resolve to not kill Duncan but this only...
Sixth, Psychological Lens deals with the most important question of why. It looks into the work of literature as a fictional expression of the personality, state of mind, feelings, and desires of the author or character. Many readers want to know why a certain character did the things they did or why would the author write this work and Psychological Lens helps to explain this. For instance, Macbeth kills to gain power and keep it. The drama states,” Macbeth: ‘I have done the deed. Didst thou not hear a noise?’” (Shakespeare 25). Macbeth wants to be king so bad that he convinces himself to kill Duncan in order to rise to power. His conscience does not see the wrong in it therefore he is able to carry out the deed. Additionally, Lady Macbeth