What Is The Distinctive Narrative Voice In The Book Thief

The Book Thief by Markus Zusak, tells the story of Liesel Meminger, a young German girl of about ten years of age, who is fostered by the Hubermanns’, in a small town in Germany between 1939 and 1943. In the prologue, the reader is informed that ‘It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist fighter, and quite a lot of thievery’. It is however, much more. Despite the immense sadness and heartache of the overarching context, Zusak employs powerful techniques including; Death’s distinctive narrative voice, the symbolism of words and the inclusion of graphic stories to encourage the reader to feel enlivened throughout the story.

The distinctive narrative voice

Unbeknownst to Liesel, Max secretly writes two graphic stories for her, enshrining the power of words, rewarding her developing power of words and giving her strength to write her own words. The Standover Man; the first of the two complete illustrated stories, encapsulates Max’s feelings towards Liesel and their developing friendship. Within the context of the story, Max is depicted as a bird- like creature who fears ‘men standing over’ him. His fear may be associated with the events of his life that have left him vulnerable, for example, losing his father at a young age and losing a fist fight to a friend. As the story progresses, it becomes evident that Liesel’s presence provides comfort to Max, as he begins to realise that ‘the best standover man [he’s] ever known is not a man at all’, but is Liesel; a companion who is ultimately able to redefine Max’s preconceived notion of ‘the standover man’, as being someone associated with abandonment and antagonism to a compassionate figure that he need not fear. The second story, The Word Shaker, written by Max, and created with the assistance of the Hubermanns, juxtaposes a book of oppression and detestation into a story of hope and resilience, to impart optimism within the reader. The fact that the faint text of the Mein Kampf does not leak through the painted pages, as it did in The Standover Man, is symbolic of how the only way to obliterate the legacy of Hitler is through the union of Jews and Germans. This is utterly uplifting, as they elicit the realisation that even for Max, who is secluded from the world and tormented by the Nazi morals, is powerful enough to overcome his fear of Hitler’s