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What is the gender role for taming of the shrew
Taming of the shrew analysis of kate
Role of woman in the taming of the shrew
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In William Shakespeare's comedy, The Taming of the Shrew, one follows an intricate play within a play of two sisters in a dilemma. The younger sister, Bianca cannot marry one of her many suitors until her older, brash sister Kate who is considered a shrew. Bianca's suitors then find a man to marry Kate, so that they may have a chance at Bianca. Throughout the play, one can see Kate undergo a change in her behavior and attitude, therefore making her a dynamic character. In the beginning of the play, Kate is shrewish, easily angered, and aggressive. In Act I, one of Bianca's suitor's, Gremio, told Kate no man wants to court her until she improves her temper, to which Kate replies, "But if it were, doubt not her care should be to comb your noddle …show more content…
In Act III, after the wedding, Petruchio wants to leave the feast, Kate firsts asks him to stay, then begs by saying, "Now, if you love me, stay" (Shakespeare 1570), then ranting and being defiant after that doesn't work. In this instance, Kate's first response was to ask politely. When that doesn't work, she then begs or bargains by saying Petruchio should stay, if he loves her. This demonstrates a change in Kate, as her initial response was not in anger or malice, nor was it her second, but it was in respect and politeness. Of course, she doesn't automatically change her ways because she gets married, so the shrewish behavior still makes an appearance when she doesn't get her way. However, the amount of time it took her to reach that level, especially compared to previous rages, is significant in showing how Kate slowly is becoming calm. In Act IV, Kate continues to reveal other emotions than anger, pride, and defiance. Petruchio strikes a servant for spilling water, so she says, "Patience, I pray you; 'twas a fault unwilling" (Shakespeare 1760). Kate has been violent in random anger as shown before with Bianca. When Kate saw Petruchio abuse a servant for a silly mistake, she asks him to relax because it was an accident. In this instance, she is empathetic and appalled at the violence. This is ironic as she was not appalled to the violence when she was
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
from the Gremio, a suitor of Bianca, right after her father's words. says: "To cart her, rather. " She is too rough for me." Act 1, Scene 1, 55. From here, Katherine is given the image of a turbulent, "curst and shrewd" character. She talks back to her father with total disrespect and shows her temper to the company around her.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
In the beginning, a lot of what we learn about Kate comes from what other people say about her. In Act I, she is only seen briefly and she speaks even less, but our picture of Kate is pretty clear. Shakespeare, sets up a teaching lesson, helping us to see the mistakes of our own judgment. When Baptista announces that Kate must marry before Bianca may take suitors, Gremio describes Kate by saying "She's too rough for me" (1.1.55). Later in the scene, Gremio reiterates his dislike for Kate, claiming she is a "fiend of hell" (88) and offering that "though her father may be very rich, any man is so very a fool to be married to hell" (124–126). He finishes by saying that to marry Kate is worse than to "take her dowry with this condition: to be whipped at the high cross every morning" (132–134). Hortensio, too, is quick to add to the situation, calling Kate a devil (66) and claiming that she is not likely to get a husband unless she is "of gentler, milder mold" (60). Tranio, Lucentio's servant, is perhaps the only man in this scene not to talk ugly about Kate, claiming she is either "stark mad or wonderful froward" (69).
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
Her personality is strong and she is independent, unlike most women. This makes her unattractive to most suitors and gains her the label of shrew. She demonstrates her personality in the beginning of the play: "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1 57-58). Shakespeare uses the characterization of Kate to demonstrate the defiance against traditional gender roles and how Kate almost immediately speaks out for herself, unlike her sister Bianca. In addition, Kate describes her future husband as a "mate," unlike how most women would describe their lovers. Moreover, Kate is educated: "I 'faith, sir, you shall never need to fear: I wis it is not half way to her heart; But if it were, doubt not her care should be to comb your noodle with a three-legg 'd stool and paint your face and use you like a fool." (1.1 61-65). Shakespeare uses the characterization of Kate to demonstrate how she defies traditional gender roles by being the only person to speak in iambic pentameter. This demonstrates her intelligence unlike many women. In addition, Kate doesn 't enjoy receiving orders from others. When her father leaves with Bianca and tells Kate she may stay, she gets angry. "Why, and I trust I may go too, may I not? What, shall I be appointed hours; as though, belike, I knew not what to take and what to leave, ha? (1.1 103-105). Shakespeare uses the characterization of Kate to
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
In Shakespeare’s ‘The Taming of the Shrew’, the character Kate is the ‘shrew’ of the play. A shrew is a bad-tempered or aggressively assertive woman. In Elizabethan times, being labelled a shrew may lead to punishments and public humiliation. Modern day readers may look at Kate being labelled as a shrew and disagree as society today has changed since then and women are not inferior to men as they were back then. Kate is often presented by Shakespeare more positively as a complex and vulnerable character due to the fact she receives abuse from other characters in the play, an example of this is: ‘”Mates”, maid?
In the taming of the shrew, the play focused on two women in particular, Baptista's daughters, Bianca and Katherine. These women lived in this environment that gave men power for all their lives...
...st play, it is not sexist and demeaning towards women. Petruchio, Hortensio, and Lucentio may have bet on their wives compliance in some eyes, but after further analysis, they were actually betting on the trust between the couple. The reader must also take into account the time period the play was written in which was the 16th century, where women were usually not even allowed to go to school to be educated, and Bianca was having private tutors for her education. Kate was changed by Petruchio’s “taming” from the beginning to the end of the play, but at the end of the novel when Kate was called upon and made her speech, she was the happiest she had been in the entire story. There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
Bianca and Lucentio are considered stock characters in this play for many reasons. On the surface of things, Bianca is a sweet, mild-tempered young woman. She shows obedience towards her father and fosters his favoritism for herself by playing the part of a noble victim who cannot marry until her shrewish sister is wed. "Bianca is the epitome of a stock character. She is the sweet, innocent girl that all the g...
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what