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Gender roles in boys and girls by alice munro
Gender roles in boys and girls by alice munro
Alice munro lives of girls and women
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Wenlock Edge by Alice Munro is a story from the collection ‘’Too Much Happiness’’, it follows a college student path; living in an attic of an old house with her roommate Nina, a young girl with an unfortunate past. The story was intriguing and atmospheric with subtle and gentle choice of words that demonstrated the nature of Mr. Purvis’s actions and the emotional abuse. The title of the entire story was Wenlock Edge, which is taken from a title of a poem by A.E Houseman, in which the unnamed narratrix read to Mr. Purvis at his house when she was invited for dinner. Munro did not go further beyond a title of a poem that is going to be dealt with in the story; a foreshadowing and an irony at the same time, perfect elements in literature and in constructing a title. The writer put forward two victims: one blaming herself and desperate to shift the blame onto another -the unnamed narratrix-, the other turned painfully …show more content…
Purvis. From reading Wenlock Edge, we can get this image of the narratrix as a perfect naïve girl, a saint who only cared about her studies and her essays, but once invited to Mr. Purvis’s house, she does what no one was waiting for: getting naked as a jay bird without being forced to do that, but willingly, she was not a saint after all, even if she did not engage in other practices. The narratrix was an essential part in the story, so she was doing both jobs; conveying information as if she was a reporter, and analyzing some details that caught her
Diane Urban, for instance, was one of the many people who were trapped inside this horror. She “was comforting a woman propped against a wall, her legs virtually amputated” (96). Flynn and Dwyer appeal to the reader’s ethical conscience and emotions by providing a story of a victim who went through many tragedies. Causing readers to feel empathy for the victims. In addition, you began to put yourself in their shoes and wonder what you would do.
The narrator is forbidden from work and confined to rest and leisure in the text because she is supposedly stricken with, "…temporary nervous depression - a slight hysterical tendency," that is diagnosed by both her husband and her brother, who is also a doctor (1).
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting.
...was a desperate act of a lonely, insane woman who could not bear to loose him. The structure of this story, however, is such that the important details are delivered in almost random order, without a clear road map that connects events. The ending comes as a morbid shock, until a second reading of the story reveals the carefully hidden details that foreshadow the logical conclusion.
In the small, desolate town of Starkfield, Massachusetts, Ethan Frome lives a life of poverty. Not only does he live hopelessly, but “he was a prisoner for life” to the economy (Ammons 2). A young engineer from outside of town narrates the beginning of the story. He develops a curiosity towards Ethan Frome and the smash-up that he hears about in bits and pieces. Later, due to a terrible winter storm that caused the snow itself to seem like “a part of the thickening darkness, to be the winter night itself descending on us layer by layer” (Wharton 20), the narrator is forced to stay the night at Frome’s. As he enters the unfamiliar house, the story flashes back twenty-four years to Ethan Frome’s young life. Living out his life with Zenobia Frome, his hypochondriac of a wife whom he does not love, Ethan has nowhere to turn for a glance at happiness. But when Zenobia’s, or Zeena’s, young cousin, Mattie Silver, comes to care for her, Ethan falls in love with the young aid. Mattie is Ethan’s sole light in life and “she is in contrast to everything in Starkfield; her feelings bubble near the surface” (Bernard 2). All through the novella, the two young lovers hide their feelings towards each other. When they finally let out their true emotions to each other in the end, the consequence is an unforeseen one. Throughout Ethan Frome, Edith Wharton portrays a twisted fairy tale similar to the story of Snow White with the traditional characters, but without a happy ending to show that in a bleak and stark reality, the beautiful and enchanting maiden could become the witch.
Edith Wharton’s brief, yet tragic novella, Ethan Frome, presents a crippled and lonely man – Ethan Frome – who is trapped in a loveless marriage with a hypochondriacal wife, Zenobia “Zeena” Frome. Set during a harsh, “sluggish” winter in Starkfield, Massachusetts, Ethan and his sickly wife live in a dilapidated and “unusually forlorn and stunted” New-England farmhouse (Wharton 18). Due to Zeena’s numerous complications, they employ her cousin to help around the house, a vivacious young girl – Mattie Silver. With Mattie’s presence, Starkfield seems to emerge from its desolateness, and Ethan’s vacant world seems to be awoken from his discontented life and empty marriage. And so begins Ethan’s love adventure – a desperate desire to have Mattie as his own; however, his morals along with his duty to Zeena and his natural streak of honesty hinder him in his ability to realize his own dreams. Throughout this suspenseful and disastrous novella, Ethan Frome, Edith Wharton effectively employs situational irony enabling readers to experience a sudden shock and an unexpected twist of events that ultimately lead to a final tragedy in a living nightmare.
Each one complimented the other and it was as if they were two halves of one whole. Like many things in life, they each secretly enjoyed the immediate surroundings of the other. As much as Nel regarded the neatness of her house with dread, Sula felt the house to be comfortable and relished the neatness. On the same token, Sula disliked the disarray and lack of privacy in her house, but Nel found it to be a welcome change and a taste of real life. Sula and Nel found friendship in each other, because they were both lonely people. When they were young girls, they would go to Edna Finch’s Mellow House together to purchase ice cream. The ice cream representing the end of one’s life, the real treat was on getting there. They looked forward to the looks and sly comments of the boys as they made their way to the ice cream parlor, and as most girls do, exhibited an air of indifference while secretly relishing in the attention they received. It was an ...
Renner, Stanley. “The Real Woman Inside the Fence in ‘The Chrysanthemums’.” Modern Fiction Studies. Vol. 31. No.2. (Summer 1985). 305-317. print; reprinted in Short Story Criticisms. Vol.37. eds. Anja Barnard and Anna Sheets Nesbitt (Farmington Hills: The Gale Group, 2000). 333-339. print.
Playing the victim in various situations is far from difficult. Victims have a tendency to sit back and watch their life fall to pieces. A victim is someone who blames others that predict defeat and also gives up. For example, in the article, “Do you think like a victim or a creator,” “what the first student had said – “it wasn’t my fault, it was the bookstore’s fault” – was, indeed, true. However, it was not helpful to her cause. At the end of the day, she did not achieve her goal (obtaining the book).” (David Marman) This person pertains to a victim because she gave a false statement that cannot achieve her goal. Being a creator can be tough also but enables you to change the direction in which your life is headed. A creator asks questions pertaining to how to accomplish their goals, which think positively, and look for a better choice. For example, in the article, “Do you think like a victim or a creator,” “the second student did not ask “Whose fault is it I don’t have the book?” but instead asked “What can I do to get the text I need?”. When her first answer did not lead her to her goal, she asked the question again, and again, until she finally achieved her goal.” (David Marman) This person pertained to a creator because she thought of ways to achieve her goal instead of blaming others for the situation. The idea of the creator and victim was coined by Dr. Skip Downing. If you think like a creator, you can succeed in anything. If I think like a creator, I can accomplish my goals of succeeding in college, along with succeeding in life as well.
“The Garden Lodge” takes the reader into the world of a once poor girl who found relief in a wealthy and successful man. Cather uses the point of view and characterization to help fully understand what the protagonist was thinking and why she chose the things she did. She makes this story understandable and a good read.
Center stage in Kaye Gibbons’ inspiring bildungsroman, Ellen Foster, is the spunky heroine Ellen Foster. At the start of the novel, Ellen is a fiery nine-year old girl. Her whole life, especially the three years depicted in Ellen Foster, Ellen is exposed to death, neglect, hunger and emotional and physical abuse. Despite the atrocities surrounding her, Ellen asks for nothing more than to find a “new mama” to love her. She avoids facing the harsh reality of strangers and her own family’s cruelty towards her by using different forms of escapism. Thrice Ellen is exposed to death (Gibbons 27). Each time, Ellen has a conversation with a magician to cope with the trauma (Gibbons 22-145). Many times Ellen’s actions and words cause it to be difficult to tell that she is still a child. However, in order to distract herself, Ellen will play meaningful games (Gibbons 26). These games become a fulcrum for Ellen’s inner child to express itself. Frequently, Ellen will lapse into a daydream (Gibbons 67). Usually, these daydreams are meant to protect herself from the harsh reality around her. Ellen Foster’s unique use of escapism resounds as the theme of Kaye Gibbon’s Ellen Foster.
That is not to say that nothing happens in Munro’s short-stories. Instead, multiple scenes take place in “Royal Beatings.” The narrator, Rose, tells us of her life as a child growing up in Hanratty, Ontario; of her stepmother, Flo’s, stories and work in the store the family owned, of her father’s habit of isolating himself in his furniture shed, of being beaten and then indulged. However, the plot is secondary to the story. The scenes created by Munro are not based in action, but emotion and character revelation.
Anne Sexton’s poem “Cinderella” is filled with literary elements that emphasize her overall purpose and meaning behind this satirical poem. Through the combination of enjambment stanzas, hyperboles, satire, and the overall mocking tone of the poem, Sexton brings to light the impractical nature of the story “Cinderella”. Not only does the author mock every aspect of this fairy tale, Sexton addresses the reader and adds dark, cynical elements throughout. Sexton’s manipulation of the well-known fairy tale “Cinderella” reminds readers that happily ever after’s are meant for storybooks and not real life.
Carscallen, James. The Other Country: Patterns in the Writing of Alice Munro. Toronto: ecw 1993
Since Nelly’s life was not personally haunted by regrets, like Catherine and Heathcliff’s, she is able to recite the past and present in a clear and rational way. Lockwood believes in her story and is so intrigued by all the dreadful events that took place across a lifetime on these Yorkshire moors. From the outside looking in it may appear that the Earnshaws and Lintons were just a private family living their lives, but nobody really knows what goes on behind closed doors, except for the help, our Nelly. This is why her narration is crucial and without it, the story of Wuthering Heights may still exist, but would not be as believable. Works Cited Bront, Emily.