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Frankenstein's critique of human nature
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The question of whether we are fundamentally rational or irrational beings is a fundamental philosophical one. Authors have taken different positions throughout history, with some arguing that it is ideal to embrace our passions and others espousing reason over everything. Mary Shelley, the author of Frankenstein, seems to argue that while we are capable of both extremes, reason is a far better ideal to follow. Her two main characters, Victor Frankenstein and the creature he creates, represent these opposite extremes. It is the creature who is more rational and, in the novel, seems to be more admirable. However, Dostoyevsky, the author of Notes from the Underground, argues to the contrary. Not only does he argue that humans are fundamentally …show more content…
There is one common thread throughout Victor Frankenstein’s behavior in the novel: he is ruled by his passions. From the beginning of the novel, he is unrestrained and unbalanced, and his major action in the novel is an expression of the fundamentally selfish and presumptuous desire to create life. As he says, “A new species would bless me as its creator and source...” (Shelley 55). He wants to be lauded by the world as the first and only man who could create life. This desire to be special and noticed stops him from contemplating that there might be a reason that no one else has created life before. Once the creature has come to life, Victor is overpowered by fear and unable to provide care for him, an action of fundamental irresponsibility that is almost as reckless as his initial creation. He does not even begin to contemplate the ramifications of his act of godlike creation until it has already been done. It is only after he has lost everything that he seems to develop a somewhat more accurate and much more critical view of himself and his actions. In Victor Frankenstein, Shelley shows the folly of allowing your desires to rule over …show more content…
Even as Victor’s mental state is deteriorating, his creature emerges on Mont Blanc to plead his case as a fully rational being. The creature has spent the interim between his creation and this meeting learning all he can through study with an unaware family. He then comes before Victor asking to be heard and have his requests considered, and proceeds to lay out a reasonable argument for why Victor should create a companion for him. The creature has been driven to murder because his kindness has been rejected by so many. “The feelings of kindness and gentleness, which I had entertained but a few moments before, gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind” (Shelley 143). He has realized that there is no place in humankind, and so he tells Victor that either he will give him the companion he desires, or the creature will destroy everything Victor loves. Victor refuses his request, leading to the inevitable death of all of Victor’s family. Still, the creature seems to be the more rational and controlled character in the novel. He even recognizes what Victor cannot: that Victor is the seat and cause of any passion and irrationality in their lives. “This passion is detrimental to me; for you do not reflect that you are the cause of its excess” (Shelley 148). The creature is much more reasonable than his creator, and
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
Volume II, Chapter II of Frankenstein is a key turning point as Victor and the Creature he created, finally met, however things do not go smoothly as Victor starts to hurl abuse at the Creature. In addition to this chapter we learn that Victor is very hard-hearted as he immediately takes a dislike to his own creation because he had a concept that the Creature he had created was beautiful and fine-looking. Victor also tries to play God just like God in Christianity. God created Adam and Eve - Adam first and Eve after because Adam demanded for another person - we see that later in the book the creature demands a lady creature just like Adam. However, in this later stage of the book, Victor says. He however failed at this because he abandons the Creature which then creates a harsh reality for him and the people around him.
When Frankenstein is at Ingolstadt, he “has a void of the soul'; so profound that he subverts Nature to fill it (qtd. in Renfroe, 2). He conceives, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me'; (Shelley, 32). Frankenstein decides to make a creature, to defy the powers of Nature and God -- a poor decision that ruins the rest of his life. When Victor finally succeeds in his quest to possess Nature, “horror and disgust'; fill his heart upon viewing his new creation (qtd. in Renfroe, 2). He sought companionship by capturing Nature and creating someone to honor him for giving them life; but it backfired and he sealed his fate to the wrath of his creature.
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
He created a life, and then spontaneously he quickly decided to run away from his creation. Victor’s actions after creating what he created were really irresponsible, and did not correctly took care of the circumstance’s he put himself in. The creation was never actually evil, but he felt abandoned by what could had been called his father. Frankenstein, the monster, was only a seeker for companionship. He strongly desired to feel loved, rather than abandoned. Society’s evil behavior toward the monster is what altered the monster’s conduct and followed to how he acted.
Shelley addresses Victor’s nature, first. He writes being born “a Genevese” with a family that is “one of the most distinguished of that republic” (Shelly) Victor describes his family with very powerful words including, honor and integrity. Shelly writes more about their place in society and the ability to lead. The Frankenstein family had a very rich history background. Victor could not help but become of his nature. Being in a family such as his, he must uphold a certain standard. Victor had much envy for power. However, the power that he received was too much for him to handle. “I had worked…for the sole purpose of infusing life into an inanimate body… I had desired it with ardor that far exceeded moderation,”(Shelly) Victor states. Shelley portrays the idea that Victor is overwhelmed by his newly gained power. The creature woke up something in him that was from is influenc...
Victor Frankenstein, the main character in Mary Shelley’s novel, is the creator of the monster. When Victor created the monster, he believed he created the monster for the betterment of humankind, but he actually created the monster because he desired to prove to the world that an average human can do Godly acts. The desire to create the monster goes back to Victor’s childhood. As a young kid, Victor’s passions always lied in science and chemistry and in college; he became obsessed with the idea of creating life out of inanimate objects. He then decided to specialize in Alchemy. Within Shelley’s book Frankenstein, Victor said:
Victor, at first sight of the Creature, abandons and leaves him to survive on his own. This is insignificant to the creature at the time, but later causes the Creature to have bitter feelings towards Victor. After the Creature discovers Victor’s notes, he becomes enraged, and incriminates Victor for the victimization that he faces; hence accusing him as a perpetrator of cruelty. Through the accusation of Victor one can see that the Creature believes that Victor should be held responsible, and owes the Creature a favor. Additionally, Victor double-crosses the Creature after obliging to create a mate for the Creature. These actions of betrayal demonstrate how Victor is a perpetrator of cruelty and how the Creature is his victim. Victor’s unintentional cruelty reveals how he only wanted what was best for himself and human kind. Victor’s betrayal is seen as an action of cruelty by the Creature, and consequently delivers the final blow that instigates the retaliation of the
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
Victor Frankenstein was the creator of the monster in the book. He was an ambitious man who had high hopes and dreams for himself, but this characteristic was the cause of his downfall. He had a ruthless desire to obtain forbidden knowledge- a knowledge that only God was worthy of having. This lead him to lock himself in his laboratory, disregarding his family, friends, and health. His one purpose was to create life. In his quest to create a human being and bestow the power of life, Victor eventually did create a creature, but this lead to a situation
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily, and this calls into question the influence the monstrous has on the human definition. The Oxford English Dictionary (OED) describes ‘human’ as being ‘Of, belonging to, or characteristic of mankind, distinguished from animals by superior mental development, power of articulate speech, and upright posture.’ (OED). The term ‘monstrous’ is described as ‘The condition or fact of being abnormally developed or grossly malformed.’