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Carlos and his mother met for the DD Intake at the Laburnum office. Carlos is a 7 year- old who attends Radcliff Elementary School. Carlos doesn't use his words to communicate. Yesterday he received a communication device paid for by Medicaid and he receives ABA Therapy 3x a week provided by Family Insight. Carlos's mother seemed disappointed in Carlos performance on the VIDES worksheet; as she shook her head and sighed. He pointed randomly at the objects on the worksheet and used his communication device twice to say, "Stop". Carlos was asleep during the beginning of the intake. His mother explained that his medication makes him sleepy. She reports that at school his behavior is fine, but by the time he gets home he is hyper. In his free
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
Entering the work, along with the reader, is Blanche. The fact that the reader is essentially carried into the story is important as the character with the most emotion is Blanche. She enters the play covered in white, which at this point can be taken in one of two ways. White, obviously, signifies purity. A woman who was still a virgin would dress in white to show off to possible suitors. The description also says “suit"; a suit is generally wore by a man; a suit wore by a woman would be seen as a sign of power, that she was equitable to any man. It could, however, be taken another way; the same reason women wear makeup; a façade. Blanche is a fake woman, someone who is “50% illusion” and in love with “magic.” With white gloves she attempts to sheath herself from the dirt that is society, like a fine woman would do. She is also, at the same time, hiding her true self from view; age shows in the hands. Her expression is that of disbelief, something that will repeat throughout the play and the film version, like many tiny revelations that truth lies behind the make-believe.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
Authors Kate Chopin and Tennessee Williams were both writers who both relied on symbolism within their novels. The purpose of symbolism within the literary world is to represent or depict something by using analogies, objects, or even animals in order to give a deeper or different meaning of what is trying to be described. As described in Literary Devices, symbolism gives writers the opportunity to evoke interests in their readers in order to ‘draw’ them into the story.
Streetcar Named Desire Tennessee Williams's play A Streetcar Named Desire contains more within its characters, situations, and story than appears on its surface. Joseph Krutch, author of Twentieth Century Interpretations of A Streetcar Named Desire wrote, “The author’s perceptions remain subtle and delicate. The final impression left is, surprisingly enough, not of sensationalism but of subtlety” (38). As in many of Williams's plays, deeper meanings are understood only through close examination of each scene.
In A Streetcar Named Desire, written by Tennessee Williams, the characters presented represent Williams' own view of society. In Streetcar, Williams has created a medium to observe and reflect upon the darkest aspects of society and the result of these societal downfalls.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
In the opening chapter of the play, the several attributes of Stella Kowalski are made familiar to us and overall, depict her as a kind-natured, considerate and young woman. Stella’s persona also provides us with a dichotomy to Blanche.
In Tennessee William’s story, A Streetcar Named Desire, the characteristics of two main characters’ clash leading to pain and sorrow for many. Stanley, portrayed as an attractive man, acts differently than the normal male. Throughout the play, he comes across as a rude gentleman who lacks respect for women. Throughout William’s story, Stanley continuously presents animalistic features through the way he handles anger, treats women, and talks to others.
Tennessee Williams wrote A Streetcar Named Desire to set place in New Orleans, Louisiana in 1947. The play shows how desire can control and affect someone’s life. What one desire is different from others people’s desires. In the play, desire affects Stanley and Blanche lives differently. Their desires causes them to dislike and crash against each other. Other characters in the play are affected by desire but is shown more in Stanley and Blanche lives. Stanley demonstrates his desire of being the one in control while Blanche is trying to live in fantasy to get away from her past and seem to have a better life.
First, suspense one of the most annoying yet amazing part of a narrative/movie. Suspense is a state or feeling of excited or anxious uncertainty about what may happen “I will not lose my nerve. I will not.” (32). Suspense plays a huge part in this story. Throughout the whole story suspense is everywhere, it’s in a tree and on the ground and in the air and just all around. One scene Rainsford is in a tree while Zaroff was right next to him about to be alerted by Zaroff. “If you are within the sound of my voice I congratulate you” (33). Rainsford made a trap to distract/kill Zaroff and it ended up wounding him causing him to say what he said. Not one person has made it that far according to Zaroff.
The play A Streetcar Named Desire is considered to be one of playwright, Tennessee Williams’ best work. However, this production is of high importance because it took place at the Ethel Barrymore Theatre which is on Broadway. This specific theater named after Ethel Barrymore, was built by the Shubert Organization and opened in 1928. It is special because it is the only theatre that the Shubert’s built that is still used today. It is interesting to note that producer, Irene Selznick, and director, Elia Kazan, ended up choosing a final cast that consisted of unknown performers filling large roles. This can be considered a pretty large risk but it ended up working out in their favor and the play was a huge success. Marlo Brando became a huge well-known star after his time spent working for Elia Kazan as character, Stanley Kowalski. Brando received a lot of praise from the public, including a nomination for an Academy Award. In a review of the first night of the performance written by Brooks Atkinson, Tennessee Williams’ work is described as “one of the most perfect marriages of acting and playwriting. For the acting and playwriting are perfectly blended
Blanche has a traumatic dark past. She pretends to be someone that she wasn't to escape reality and mask her true colours. She has been through life changing experiences that emotionally and mentally effected her and shaped who she is in the present time.
The play A Streetcar Named Desire by Tennessee Williams is an intriguing play about a clash between two class groups. Blanche Dubois portrays herself as a high economic citizen where her sister and her husband are contrasted as lower class. Class is significant throughout the play because it provokes negative relationships and negative feelings amongst the main characters.
In mid-20th century western society, preconceptions of male behavior remained inert. Stanley from A Streetcar Named Desire exemplifies rigid stereotypes of an alpha male within American society and Gallimard from M Butterfly juxtaposes with a deep, but thus far unfulfilled, desire for complete dominance over a woman. Society expected men to be exclusive figures of authority within the home, and more generally patriarchal dominants.