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Historical criticism essay examples
Mental illness and oppression in literature
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Using Biographical and Historical Criticism in Critiquing The Yellow Wallpaper
Charlotte Gilman was a renowned feminist author who published most of her work in the late 1800s and the early 1900s. Her works, of which "The Yellow Wallpaper" is most famous, reflect her feminist views. Gilman used her writings as a way of expressing these views to the public. At the time "The Yellow Wallpaper" was written, the attitude in colonial America towards feminists was not one of tolerance or acceptance. In the mid-1880s, Gilman suffered a nervous breakdown and eventually was referred to a specialist in neurological disorders. The doctor's diagnosis was such: Gilman was perfectly healthy. The doctor ordered Gilman to domesticate her life and to immediately stop her writings. Gilman went by the doctor's orders, and nearly went mad. Now although "Yellow Wallpaper" is a fictional story, it becomes clear that the story was significantly influenced by Gilman's life experiences. Gilman seems to be exploring the depths of mental illness through her writing.
Evidence of Gilman's life experiences can be seen all throughout the story. The main character in the story, a slightly neurotic woman, is married to a prominent physician. This husband refuses to believe anything is wrong with his wife's health simply because her physical health is intact. Thus, he prescribes for his wife nothing more than relaxation and cessation of her writings. This character clearly correlates to the doctor who "treated" Gilman for her nervous breakdown. The description of the room and the wallpaper is clearly crucial to the story as a whole. The room itself is described as large and airy, with windows facing towards a "delicious garden." The wallpaper does not fit the room at all. It is a repulsive, pale yellow color. The description of the wallpaper seems to function metaphorically. The wallpaper becomes much more detailed and much more of a fixture in the main characters life as the story progresses. The wallpaper essentially takes on a life of its own. This progression seems to represent mental illness itself. As mental illness progresses, it becomes much more whole and enveloping. Gilman attempts to represent the depth of mental illness through the wallpaper. For example, the woman in the story comes to the conclusion that there is a woman in the wallpaper behind the pattern.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
The main character (a sort of parallel to Gilman herself) experiences post-partem depression, and at this point in time, there was no knowledge of this condition. It was generally thought that the nervous condition suffered by women after birth was caused by a weak moral/mental state. The narrator's husband, John takes her to an old, gothic house, away from all the care and stress of the world. This is supposed to be for her own good. To get some rest and to heal her "weak" mind, she lies in bed, almost locked in her room, left to stare at this ugly, yellow wallpaper. The ugliness of the wallpaper begins to consume her mind as the room turns more into a prison than a place of healing. The main character's though processes become apparent as the story progresses. When she first talks of the pattern, she only describes the pattern and the color briefly: "I never saw a worse paper in my life. One of those sprawling, flamboyant pattern committing every artistic sin... The color is repellent, almost revolting..." But the pattern becomes more detailed-- in a sense, she has given the pattern life: "Looked at in one way, each breadth stands alone; the bloated curves and flourishes- a kind of 'debased Romanesque' with delirium tremens- go waddling up and down in isolated columns of fatuity." As she begins to pay more attention to detail, her mind starts becoming more and more unstable. However, with this deterioration comes her realization of the situation she is in. At the end of the story, it is evident that the woman trapped in the wallpaper represents the main character-- she has started to talk in first person: "'I've got out at last,' said I, 'in spite of you and Jane.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
...ooses the room to help her get better, which made him the person in control of what the wife is doing. By making his wife stay inside the room, his wife became insane by looking at the wallpaper and seeing herself like the trapped girl inside the wallpaper. Gilman uses the wallpaper to symbolize how the wife life is like. The wife had become insane and crawled around the room by listening to her husband.
Gilman’s main character can be simply read as a woman’s sanity dissipating, but there is substantial evidence for a deeper understanding of the narrator’s transition. Gilman works through the narrator to show how the woman slowly fades from the realistic world and into a new one by way of the yellow wallpaper. The room becomes her reality, and the world outside her window becomes the fantastical delusion. But as the narrator develops into a creature of the room itself, her physiology transforms according to the environment.
Gilman’s narration advocates the slow development into insanity and growing frustration that accompanies it. With each entry the woman writes, it was apparent as to how her mental pain she endured was taking over her mind and behavior as the days passed. “This wallpaper has a kind of sub-pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then. But in the places where it isn’t faded and where the sun is just so—I can see a stra...
Charlotte Perkins Gilman writes “The Yellow Wallpaper,” to show how women’s mental illness is addressed in the time. Women were treated as the lesser or weaker sex. Women’s mental illness was highly misunderstood and misdiagnosed. “The Yellow Wallpaper,” illustrates a feminist approach to mental disease. Gilman uses this work to reach out to others to help them understand a woman’s treacherous descent into depression and psychosis. There are many contributing factors to the narrator’s illness and it is easy to see the effect the men have on her. Women were treated very differently and often outcast if they did not meet a certain norm. Mental illness is one of the main factors men believe
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
These thoughts always seem to be optimistic and minimizing of her symptoms. This reflects the standard view of mental illness in the 19th century, which assumed the condition, was just a temporary state of over expressed emotions within a woman. (Gilman. 956) Gilman herself however, used imagery and symbolism to express her ideas concerning her mental illness and the patriarchal ideals that surrounded them. The yellow wallpaper in the story symbolized Gilman’s state of mind. At first, like her depression, the wallpaper was simply an eye sore. It was not disabling to the room however, made it not as appealing as before. As the story progresses, Gilman forms an obsession with the wallpaper. This represents the declining of her mental state and the obsession she developed with her life conditions. We can see the mental illness is now fixated in her like she is fixated on the wallpaper. The wallpaper’s distracting features controlled her mind like her husband controlled her. She was mostly alone when staring vastly into the wallpaper. She begins to see humanly images in the paper. This becomes her sense of social stimulation that her husband forbids her to have. She becomes disgusted with the wallpaper as she is likely disgusted at her disease for disabling her and her husband for limiting her freedom. The humanly image soon develops into “a woman
Gilman incorporates strong imagery throughout "The Yellow Wallpaper" to set the scene for the story and foreshadow the certain madness that is to come of the narrator. As the story progresses, so does the woman's declining mental status. An example of how imagery is used to display the inferiority of women is the fact that the woman in the story is confined to the old nursery room for most of her time. Gilman describes the room as "It was nursery first and then playroom and gymnasium...windows barred for little children" (Gilman 311). The woman focuses often on the wallpaper of the nursery. It is described as, "flamboyant patterns committing every artistic sin..the color is repellent...a smoldering unclean yellow, strangely faded by the slow-turning sunlight." The fact that she focuses so meticulously on the yellow wallpaper shows her crazed psyche. Later in the story, the narrator writes, "There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down...up and down and sideways they crawl...those absurd unblinking eyes everywhere" This makes the reader feel uneasy and explicitly details the madness of her neurosis.
Gilman creates a horrific tone that helps explore the idea of freedom and confinement within a certain place. The story is created to follow the situation of the narrator and how slowly she begins to deteriorate psychologically due to the wallpaper. The narrator is never assigned a name, therefore it can be assumed that the story is suppose to serve as a voice for the women who have been in a similar situation and have lost their freedom and say on their own lives. However, the narrator appears to come from a wealthy family with privilege so there cannot be this idea that all women who have been through this form of depression and inequalities have experienced it in the same form. Through the use of imagery, the reader was able to understand and clearly visualize the situation in which the narrator is in and see how she has begun to slowly deteriorate, even though she is finally freed in the end of the story, or at least that is what is assumed. “The Yellow Wallpaper” is indeed a very profound image of what it was like to be a female during the 19th century while emphasizing the themes of freedom and confinement. Even though it illustrates the impact that confinement can have on a person, it restricts the situation to fit only women who had similar social backgrounds as the narrator, which is
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
The narrator's declining mental health is reflected through the characteristics of the house she is trapped in and her husband, while trying to protect her, is actually destroying her. The narrator of the story goes with her doctor/husband to stay in a colonial mansion for the summer. The house is supposed to be a place where she can recover from sever postpartum depression. According to Jennifer Fleissner, "naturalist characters like the narrator of Gilman's "The Yellow Wallpaper" is shown obsessed with the details of an entrapping interiority. In such an example we see naturalism's clearest alteration of previous understandings of gender: its refiguration of domestic spaces, and hence, domestic identity according to the narrative of repetitive work and compulsion that had once served to distinguish public life from a sentimentary understood home" [Fleissner 59].
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
The Yellow Wallpaper is not just a short story. It was written from Gilman’s perspective with the purpose of telling people that being confined will only make a person more insane. But there’s got to be someone to blame, right? Well, seeing as Gilman was a feminist, it is only logical to blame the person that put her in the sanitarium, right? There’s a deeper meaning to The Yellow Wallpaper and she used symbolism, setting, and character to help the reader better understand this short piece.