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Anti racism in Othello and other Shakespearen works
Brief analysis of OTHELLO
Anti racism in Othello and other Shakespearen works
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Shakespeare created this drama based on the story Un Capitano Moro. This tragedy is a drama filled play about deceit, jealousy and many other things. But most importantly race and racism which in the title Shakespeare makes sure that he incorporates the word moor. “Moor” referring to darker skinned people in general. When reading this play one may not understand what is going on. But this plays reacts so much that deals with these particular themes. Shakespeare does a great job in demonstrating these different themes that are in this play. The story of Othello, the Moor of Venice is derived by feelings of very intense jealousy. All the things and consequences that happens in this particular play are the result of jealousy. Iago is jealous of Cassio’s because Othello chose Cassio as the lieutenant over him. Iago is a very jealous person, he is jealous about any and everything. He also believes that Othello has had an affair with his wife Emilia, the wife that he disrespects and doesn’t really love. With all this jealousy …show more content…
And everyone knows that most people with a darker complexion has bigger and thicker lips. And most people do not like that they have thicker lips. Othello’s insecurities surrounding his race ultimately lead to his belief that Desdemona is having an affair with Cassio. Being that Othello is a man of darker color, he doesn’t feel he is worthy of his wife Desdemona’s attention. He doesn’t even feel that he has been embraced by Venetian society. Brabanzio is very much so unhappy about his daughter’s choice of a husband, due to his race. Brabanzio likes Othello as a hero but when it comes to his daughter, Othello is not good enough. Brabanzio is convinced that Othello has tricked his daughter to marry him. Othello’s race is an issue for Iago and Brabanzio. Neither one of them thinks that Othello is
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
Another reason Iago has massive jealously is he has a suspicion that Othello slept with his wife. Iago says, "I hate the moor: and it is thought abroad, that 'twixt my sheets, he has done my office: I know not if't be true; but I, for mere suspicion in that kind, will do as if for surety." (1.3.12). Even though he is uncertain that Othello and Igao's wif...
In the light of the various descriptions of an unstable person, Iago is a psychopath with his manipulative choice of words. He tells people things that they want to hear and he says it in a manner that makes him appear exceptional. “ I humbly do beseech you of your pardon, For too much loving you.” (3.3.106) In act three, Iago pretends to be Othello’s confidant, and he wants Othello to suspect his wife is having an affair. Iago has a pseudo relationship with Othello the entire duration of the play.
The early modern definition of race very much differs from the current usage and definition of race today, according to Margo Hendricks, “the word race referred not to the linking of character with physical appearance, but to family and lineage” in addition to cultural customs. In Shakespeare’s Othello, Othello is esteemed for his military power; he is welcomed by Barbantio, and invited into his homes to tell of his adventures. Yet, in many instances the fact that he is a moor takes precedence over any military prowess he may possess. As a general in the Venetian Army, it is expected that utmost respect be shown at all times, yet this is not the case for Othello. Regardless of his acclaimed position of general in the Venetian military, the prejudices held by Iago and Barbantio outweigh his credentials as a civilized human being. His ally Barbantio questions his methods of getting Desdemona to marry him, and concludes that it had to be of some sort of Moorish witch craft or drug. Othello is also disrespected by Iago, a trusted confidant; his very essence is degraded and compared to that of a wild animal while Desdemona is seen as a pure white lamb, whom Othello has corrupted. Iago purposely uses the preconceived notions about Moors to convince others that his culture represents chaos, sexual immorality, and corruption. Iago also preys on Othello's jealousy to twist Othello’s emotions and convince him that Desdemona has been unfaithful.
William Shakespeare’s Othello is a tragedy about revenge through jealousy and deception. Throughout the play, Iago is constantly pitting characters against each other in order to satiate his anger from being denied the promotion to lieutenant that Cassio was granted. As a catalyst for all the conflicts that arise during the play, Iago merely uncovers the underlying insecurities characters such as Othello, a notable war general in Venice, are struggling with. Animal imagery as well as the use of light and dark to differentiate between race is very prominent and is used to drive a wedge between the newlyweds, Othello and Desdemona. Although Othello is a highly accomplished and well respected war hero, the notion that Venetians, including Desdemona, are a superior race, prevents him from ever feeling truly secure in his marriage, ultimately leading to the demise of several people close to him, and finally himself.
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
At the beginning of the play, the audience is made aware that Othello is a Moor working in the service of Venice. During the time the play was written, racism was strong. Despite Othello’s carefully built up life in which he managed to rise from being very poor to a powerful general, he still experienced racism from characters such as Roderigo and Brabantio. In Act One Scene One, Brabantio is appalled at the idea of his delicate daughter Desdemona secretly marrying a black man without his consent. He openly insults Othello, oblivious to Othello’s power: “That thou hast practiced on her with foul charms, Abused her delicate youth with drugs or minerals.” Brabantio is accusing Othello of witchcraft and trickery, and suggesting that no one could ever love him without the influence of his evil witchcraft. The audience feels pity for Othello because they know that Othello loves Desdemona and that he is a kind man, and is receiving these insults because of his race. The audience realises that he is already at a ...
Bartels, Emily C. “Making more of the Moor: Aaron, Othello, and Renaissance Refashionings of Race.” Shakespeare Quarterly 41.4 (1990): 433-54. JSTOR. Web. 17 Feb. 2014.
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
The director uses specific language and tone to stress the issue of race in Othello. The controversy of racial relationships is expressed through Brabantio's negative attitudes and words. He refers Othello to a 'foul thief, implying that his daughter could never love a man of a different colour, and that therefore Othello has stolen her from him. Brabantio compares Othello to someone that no one would want and he is disgusted that Desdemona would "run from her guardage to the sooty bosom". Thus implying that Othello is dirty and undesirable. The choice of language from the director highlights the other characters pessimistic and disrespectful attitudes towards Othello due to his skin colour.
One of the major issues in Shakespeare's Othello is the impact of the race of the main character, Othello. His skin color is non-white, usually portrayed as African although some productions portray him as an Arabian. Othello is referred to by his name only seventeen times in the play. He is referred to as "The Moor" fifty-eight times. Webster's Revised Unabridged Dictionary (1913) states that a Moor is "Any individual of the swarthy races of Africa or Asia which have adopted the Mohammedan religion. In Spanish history the terms Moo, Saracens, and Arabs are synonymous." This indicates that Othello is constantly being degraded and set up as an evil person throughout the play. What this really means is that Othello is being judged by his skin color rather than the person under the skin. The view that whites and non-whites are equal is a relatively new concept in our society. In institutionalized racism, such as American slavery, those of a different color were often viewed as inferior. As Shakespeare wrote Othello, this idea was becoming quite prominent as England entered the African slave trade. One can look at the racial issues from the perspective of color, slavery, and society.
Iago’s initial jealousy of Cassio led him to seek revenge, thus moving the entire plot. He also fuels his hatred of Othello by convincing himself that Othello slept with his wife. His jealousy initiated many of the other characters’ jealousy, which resulted in multiple negative consequences. This included the death of Brabantio, Roderigo, Desdemona, his wife Emilia, and finally Othello. He was also punished for his jealousy. He is arrested and it is implied in the passage that he not be killed, but instead, tortured until he talks.
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Firstly, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona was a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage wasn’t allowed. While Brabantio was sleeping, Iago and Roderigo woke him up out of his sleep saying that Othello was having sex with his daughter Desdemona at that very moment.