Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” has opened many people’s eyes since it was first published in 1892. In the beginning readers only acknowledged Gilman’s story as showing how women with mental illnesses were treated by physicians during the 1800’s. They overlooked the deeper meaning the text contained, and it was not until later that readers discovered it. Eventually, “The Yellow Wallpaper” became known as feminist literature. Gilman does a great job showing how women suffered from inadequate medical treatment, but above that she depicts how nineteenth century women were trapped in their roles in society and yearned to escape from being controlled by males.
The narrator in “The Yellow Wallpaper” knows she is sick, but the men in her life do not think she is seriously ill. Her husband, John, and her brother are both physicians of high standing, so she does not know what to do when they diagnose her as being perfectly healthy. Even though she does not agree with their remedies she has no say over them. She admits with discomfort, “So I take phosphates or phosphites-whichever it is, and tonics, and journeys, and airs, and exercise, and am absolutely forbidden to “work” until I am well again”(Gilman 956). Although she would know if she was sick and what would make her feel better more than anyone else, she is forced to go along with her husband’s elaborate plan for her path to recovery. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself” (Ford). Although the narrator is a woman, she has a male discourse because her husband speaks for her.
The story teller does not like her room and desires to stay in one downstairs that opens o...
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...l. Men thought they knew what was best, and ignored the desires of the women. The women had no choice but to go along with the men’s choices. Nineteenth century women did not have much of a role in society, and it was meant to stay that way. “The Yellow Wallpaper” is classified as a feminist text because it portrays the desire for women to escape the society that has neglected them for so many years.
Works Cited
Ford, Karen. “The Yellow Wallpaper’ and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985):309-314. Rpt. in Short Story Criticism. Ed. Lawrence J. Trudeau. Vol. 182. Detroit: Gale, 2013. Literature Resource Center. Web. 18 Mar. 2014.
Gilman, Charlotte. The Yellow Wallpaper. Making Literature Matter: An Anthology for Readers and Writers. By John Schilb and John Clifford. 5th ed. Boston: Bedford/St. Martin’s, 2012. 954-967. Print.
“The Yellow Wallpaper” was a groundbreaking piece for its time. It not only expressed feministic views through the defiance of a male but also discussed mental illness and the inefficacy of medical treatment at the time. This fictional piece questioned and challenged the submissive role forced upon women of the 19th century and disclosed some of the mental struggles one might go through during this time of questing. Gilman shows however that even in the most horrific struggle to overcome male dominance, it is possible. She herself escapes which again shows a feminist empowerment to end the
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Ford, Karen. "'The Yellow Wallpaper' and Women's Discourse." Gale Virtual Reference Library. Gale Virtual Reference Library, 1985. Web. 23 Apr. 2014.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest of the cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender. When things are stretched too thin, they become less sturdy and less reliable; the same is true for arguments in writing.... ... middle of paper ...
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 1684-1695.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
The Yellow Wallpaper from the Point of View of a Doctor's Wife "The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes place in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature for Composition: Reading and Writing Arguments about Essays, Fiction, Poetry, and Drama. Ed. Sylvan Barnet, William Burto, and William E. Cain. 8th ed. New York: Pearson Longman, 2007. 765-75. Print.