Traveling Through The Dark Diction

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How Stafford’s use diction and syntax reinforces the theme in the poem. The ways the setting and imagery of “Traveling through the Dark” enhances the poem. In the first two lines of the poem, Stafford uses and enjambment that separates deer from dead, “Traveling through the dark I found a deer dead on the edge of the Wilson River Road”. This makes the first line that makes the poem seem like a description of nature and scenery that a person might see at night, and instantly makes the theme slightly dark and sad. The edge of the road can be connected with life and its many twist and turns, but here it signifies the end of a life. Later when the Speaker says, “It is usually best to roll them into the canyon”, the word “usually” implies that …show more content…

Stafford the puts “waiting” in line ten with a pause to state that its future depends on what the speaker does. The word adds tension and makes the reader slowly pace the next line. The speaker then describes the fawns situation with,” alive, still, never to be born”. It presents the reader with the sadness of the live fawn that is calm and motionless, that will not experience the world. Also, it adds the sad truth that it is doomed to die showing us how brief life can be. The fact that the fawn has not been born and is still attached to its dead mother hints at life being related to death. In the fourth stanza, the car then “aims its lowered parking light”, as if it is solemnly looking down. When the speaker hesitates in line twelve, it shows his shock of how complicated his objective has become. In line sixteen, Stafford uses the word “group” not only to represent the speaker, fawn, and doe, but also the nature that is also present around …show more content…

The first line sets the scene with,” Traveling through the Dark I found a deer dead on the edge of the Wilson River Road” presenting the setting as night-time in the woods away from cities. Already the poem has a creepy atmosphere. In line five,” By the glow of the tail-light” tells us the speaker is using light from the back of his car that does not give him the best vision in the night. When he stands near the doe, it is described as a “heap”, what is now a mound of flesh that used to be a living animal. The animal “had stiffened already, almost cold”, gives the reader a sensory detail of what was left and relates to how unforgiving death can be. In the second and third stanzas, it is almost like the gravity of the situation had drowned out all of the sound for the speaker. After the shock of examining the doe and finding out she was pregnant, he first starts to notice the sight of his cars lights. Then, he notices the soft humming of its engine that calls him back to the reality of what he has to do. He could then “hear the wilderness listen” as if it was waiting for an answer to what he was going to do, silently, and

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