Tin Pan Alley And The Brill Building

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When people think about rock and roll, they already have an opinion on whether they like it or not, and they don’t get past the surface biases. But has anybody taken the time to look back at the rich history of rock and roll? How did rock and roll get to its standings today and what has helped make rock and roll so different? Tin Pan Alley and the Brill Building are two aspects of rock and roll history that has influenced the beginning and end of this musical genre. This paper will help give you an understanding of rock and roll by giving an insight into the buildings of Tin Pan Alley and the Brill Building.
When rock and roll was first introduced into the music world, music was seen as a way to make money. Instead of performing music …show more content…

The Brill Building was built in 1931, at 1619 Broadway in New York City, and didn’t initially start out as a musical building. The Brill brothers, who owned the building, initially rented their office spaces to music publishers during the Great Depression in order to stay afloat in the tough times; in turn, the music publishers then encouraged composers to use the facilities the Brill Building offered. Though the Brill Building was only rented out for the Brill brothers to make a living during the Great Depression, it ended up to be one of the hottest places associated with rock and roll music; and by the early 1960s, the Brill Building held over 150 music-related businesses. Some famous composers who worked in the Brill Building, including Jerry Leiber and Mike Stoller, Jeff Barry, Ellie Greenwich, and Barry Mann. Mann described the room where he and Cynthia Weil worked as “a tiny cubicle, about the size of a closet, with just a piano and a chair; no window or anything” …show more content…

Since the Brill Building made use of young writers, women, and integrated songs for both black and white performers, it was able to revolutionize the rock and roll scene. Because the songwriters were aged 19-26, they were able to relate more than ever to the teenage consumers/fans they were writing for. Ian Inglis, the writer of “’Some Kind of Wonderful’: The Creative Legacy of the Brill Building”, stated that “the writers of the Brill Building authenticated ‘the lucid transmission of an emotion or state of mind that any kid could understand, because he or she had lived it’” (Inglis). The use of women songwriters and the integration of writing for black and white artists alike allowed rock and roll to explore new areas that hadn’t been considered or were previously ignored, which opened up a whole new section of consumers: African American females. The fourth aspect of the building, the unique “Brill Building” sound, can be argued against saying that the Brill Building didn’t have a specific sound to it, but it has been said that the complex melodies and innovative harmonic progressions was what gave the Brill Building its unique progressive sound. The fifth and sixth aspects of the Brill Building are the

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