Tim Burton Breakdown

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The sharp gleam of light slicing through the air as it reflects from an array of smooth blades. A whiplash of a tail and the shimmer of iridescent scales before it slither into the murky waters. A bony hand threading delicate buttons onto a little doll’s eyes. Hundreds of dark, macabre, bittersweet chocolate wrapped with shiny and thin foil paper. These are the distinctive representative objects showing Tim Burton’s dark style. He is a Hollywood outsider-director who grew up under the influences of darkness. Tim Burton, the director of Charlie and the Chocolate Factory, Big Fish, and Edward Scissorhands, and various other movies, uses exaggeration in cinematic techniques and repetitive themes to show his unique and avant-garde style.
Director Burton uses exaggeration in cinematic techniques such as music to convey a certain theme to the audience, showing his unique style. For example, in the film Edward Scissorhands, Tim Burton purposely exaggerates the color of the townhouses contrasting with the dark castle to show how light and frivolous the town is. This is also shown through the apparent exaggeration of the housewives’ personalities. Throughout the entire story, the colors of the town are so stark that the audience winces as the camera pans over the town. This achieves the effect of grabbing the audience’s attention, enlightening them of the fact that Burton wants to convey: This town is simply shiny and pretty on the outside, with the nosy, despicable personalities of the housewives’ within. These cinematic techniques and characters reflect the cruel truth of society, where people only treat you well when they wish to take advantage of you. Tim Burton incorporates his own personal feelings about the world into this movie, ...

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...re families is portrayed as despicable, warning the audience to avoid education as such. Tim Burton extensively uses clothes, music, camera angles, and others to convey to the audience a theme of family, reflecting his personal, unique, avant-garde style.
Leading one of the newest and most sought-after genres of filmmaking, Tim Burton has created a collection of movies and films, all full to the brim with his avant-garde touch. Using exaggeration in cinematic techniques and repetition of particular themes, Burton shows how “Burton” he is to the rest of the world. Tim Burton is leading this macabre, unique, darkly humorous genre of filmmaking. The reason for analyzing his style is very simple. It is to follow up on a brand new idea, to have a better grasp on future movies, and to have a more in-depth understanding of this cultural phenomenon in filmmaking worldwide.

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