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Principle symbols of buddhism
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Artistic expression and the interpretation as it relates to religion are often misunderstood and constantly changing. For example, in Christianity, the cross a prominent symbol in the Christian religion was understood within the confines of Jewish culture and Christendom as an object of suffering and pain. Nailing a criminal to a cross was the preferred method of execution for the Romans in ancient times. Today this same symbol is proudly displayed on numerous art pieces, jewelry, and clothing. Unfortunately this symbol that once was widely understood to signify suffering, now represents a fad among numerous modernized cultures. Symbols specifically related to Buddhism unfortunately have also been affected by the modernization of society and the secularization of its religious culture. This paper will discuss 3 “auspicious” symbols found within Buddhist art; I will attempt to accurately explain each piece as it relates to the ancient religion of Buddhism.
The first symbol we will discuss is the Conch Shell. The Buddhist conch serves a variety of purposes; in Tibetan Buddhism it can b...
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
The main subject of focus in both the pieces of art is the ‘Tara’. Tara is a female bodhisattva or a female version of buddha. She is one of the most popular female deities in Tibetan culture and is associated with protection of a group of calamities known as the Eight fears.
Yu, Han. “Memorial on Buddhism”. Making of the Modern World 12: Classical & Medieval Tradition. Trans. Richard F. Burton. Ed. Janet Smarr. La Jolla: University Readers, 2012. 111-112. Print.
The Warka Vase is a uniquely large piece that was laboriously built, and carefully decorated. The images on the Warka Vase are significant and have iconographic meanings unique to the Uruk people and the cult of Inana. The images reference common practices in cuneiform and iconography of the time and place the Warka Vase was made and can be cross compared with other pieces from the time to understand the symbolism of this brilliant piece of art. To understand who is in the images, what they are doing and how they relate to one another may bring unique insight to the practices of the cult of Inana.
Image that is recognized all around the world, name that does not take time remembering when that image is seen, a half naked man sitting in a meditative pose - some god, as seen by most people, Buddha is a messenger of internal peace that has as much of a story behind him as Jesus or Allah. Religions iconography and gods represented in sculptures always have a great deal of symbolism involved in them. Nothing ordinary person would look into these days until the topic is confronted unavoidably through a class or a show in a museum, which I was lucky enough to take a part of recently.
This paper is a comparison between two very different religions. Specifically Christianity and Buddhism. Coming from opposite sides of the globe these two religions could not be any farther apart in any aspect. I will discuss who Christ is for Christians and who Buddha is for Buddhists. I will also get into the aspects of charity, love, and compassion in both religions and I will be looking at the individual self and how christians see resurrection where the buddhists feel about the afterlife. One thing to keep in mind is that the two religions are very different but they seem to have a very similar underlying pattern. Both believe that there was a savior of their people, Buddha and Christ, and both believe that there is something good that happens to us when our time is done here on earth. This is a very generalized summarization but in order to go in to depth I need to explain the two religions more to fully convey this theory.
"Heilbrunn Timeline of Art History." Altarpiece Dedicated to Buddha Maitreya (Mile) [China] (38.158.1a-n). N.p., n.d. Web. 15 May 2014.
The image of Jesus nailed to a wooden cross by the palms of his hands and with a crown of thorns wrapped around his head is one that has transcended all time barriers. It has inclusive been replicated into figure form that is utilized in various ways but whose primary function is to serve as a constant reminder of the physical suffering endured by Jesus. In The Dream of the Rood however, the perception of Jesus Christ as not only the son of God and savior of mankind but also as a human with the capacity to feel pain, is subverted when through the perspective of a personified cross he is conveyed as a warrior in the midst of combat. The portrayal of Jesus in this way immediately evokes the image of an ideal stereotypical hero who is strong, courageous, and unrelenting in appearance. Nevertheless, it can be said that this type of hero is more inclined towards fantasy than it is based on reality because these idealized heroic figures have only ever truly existed in a fictional universe. The depiction of Jesus as a warrior thus, undermines forms of heroism that stem from explicit suffering that is not concealed but rather expressed by the individual.
Birth, Death, and Rebirth: Sky Burial and the Cyclical Cosmos of Tibetan Buddhism. n.d. University of Missouri. Web. 2014 February 2014.
The use of symbolic hand gestures, known as “mudras”, help convey ideas. Buddha in Figure 2 of the Appendices is using mudras much like in the piece Shiva as Lord of Dance (Nataraja). The right hands of both sculptures in Figure 1 and 2 display the “abhayamudra”, which signifies, "do not fear" (Doyle, Goodman. "Lesson Plan: Buddhist and Hindu Art from India-A Comparative Look."). This type of mudra is formed by raising the right hand to shoulder height, with the palm of the hand facing out, and the fingertips pointing upward. Mudras in Buddhist and Hindu art are essential to both religions to honor the teachings of their gods or
The study of Buddhism over the past century or so has resembled the encounter of the blind men and the elephant in many ways. Students of Buddhism have tended to fasten onto a small part of the tradition and assume their conclusions held true about the whole. Often the parts they have seized on have been a little like the elephant's tusks a striking, but unrepresentative, part of the whole animal. As a result, many erroneous and sweeping generalizations about Buddhism have been made, such as that it is 'negative', 'world-denying', 'pessimistic', and so forth.
The individuals of my paintings appear in an isolated state; alone with their thoughts of a coming time. The painted subjects piously hold fast to their hallowed flamingos with gloved hands usually reserved for sacred artifacts, fine works of art, and the like. My subjects are members of the Western cargo cult clutching to their precious religious objects (i.e. fantastic personal dreams) with the same religious reverence that the Melanesian natives for their own physical Western objects.
After the visitation at the temple, I noticed that the Buddhist people did not only idolized Buddha spiritually but physically too. Buddhist their god and inspiration is Buddha, which is bald male. The temple had different statues of Buddha everywhere, such the craved in walls, shelves, posters, and statues. The interesting thing I noticed was that the Buddhist people wore robs which was very similar to the rob Buddha wears. But, there was a hierarchy difference among the Buddhist people because the monks wore orange with gold robs and the main monk wore red with gold robs, whereas, others wore brown robs. Other than, dressing up like Buddha there was another example of idolizing Buddha, which was that all the monks there had shaved their head just like how Buddha was bald. When any Buddhist entered the holy room where the ceremony was held, they would bow down to the five statues that displayed in the room. They would also sit on the ground with their legs crossed as Buddha had the same po...
The artistic style of sculptures during this time and the Indian arts started taking a different approach when Buddhism had come along. The monks brought new perspectives into the artwork and how they viewed artworks. The people during the Gupta era had started to use copper to make figures of the Buddha and use different techniques inspired by the monks . The artwork had a big impact on India during the Gupta era. It was considered very popular at the time because of the Buddhists love for the arts. It even had its own style that was called the “International Style”. This style was popular throughout India because of Buddhism .
When the religious art leaks out of the religious community and into the broader world of culture, it is one of the ways the meaning of the art can evolve. This is also an opportunity for the art to draw the world to religion. Moreover, artistic reinterpretation of sacred imagery can help keep religion honest. The church has always been enriched by the tension that comes with diversity in art. Art is communication and effective art communicates effectively to any group at any level.