Oscar Wilde’s The Picture of Dorian Gray (1890) follows the story of Dorian Gray; a man gifted with exquisite natural beauty, whose vanity and obsession with his own youth leads him astray in a life of sin. As Dorian slowly loses his innocence, with the obsession of living hedonistically, his portrait suffers the punishment for his sins and growing age. Dorian himself remains untouched in age; however, the portrait reflects the loss of innocence in his pursuit of atheistic and hedonistic lifestyle. The thematic overtones explored in Wilde’s book discuss many issues of value, ethics, and vice. Although Wilde writes about the downfall of Dorian Gray due to obsession of beauty, it is important to note that Dorian himself only dies when his human
Obsession in its nature is toxic; it turns people into gods, and leaves no room for their actual selves. Celebrities are the idols of the modern world, where ever they go, a fan follows them dying to get their attention. Dorian Gray, who was loved by nearly all of London for his charm and beauty, who’s biggest fan, Basil, worship of him lead to bitterness. The theme of obsession in The Picture of Dorian Gray is seen through both those who worship Dorian Gray, and the portrait, which is the object of Dorian's obsession. Although Wilde displays obsession through Basil's worship of Dorian, and even Dorian's obsession with himself and his youth, the modern day celebrity is a parallel to Dorian, who is worshipped by many at first for their beauty, wealth or fame, but the nature of the worship eventually leads to chaos.
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
The Picture of Dorian Gray: Dorian as Tragic Hero
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character.
In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past.
The Picture of Dorian Gray revolves around Dorian's dual nature. On the one hand, he is the young hero whose adventures the novel records; on the other, he is a painted image of "extraordinary personal beauty." When Lord Henry tells him that his exceptional looks will not last, the young man prays that he be allowed to remain as he is in Basil's portrait of him. Dorian wants to enjoy his youth for ever. His "mad wish" is a key to the archetypal factors which...
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Dorian Gray seems to be two different people, at the exact same time. He is beautiful externally, but hideous internally. He is good-natured externally, and at the same time, ill-natured internally. Dorian appears to be perfect externally, but is extremely flawed internally. Dorian’s private ethics oppose the public morals of the traditional Victorian society in which he is a part of (Gillespie). He possesses a dual-nature through his struggle between his inner and outer selves. Dorian seems to exhibit a duality of innocence and sin at the same time. He is publically good and innocent. He maintains his good social standing for a time, by appearing to be the same, moral man he once was before he became friends with Lord Henry. However, at the same time, he
Oscar Wilde's The Picture of Dorian Gray was written during the late nineteenth century England. The protogonist Dorian Gray is portrayed as a paragon of youth and beauty whose aristocracy and charisma inspire his surroundings, particularly an artist called Basil Hallward. Dorian poses for him and one day while again posing to Basil, he is introduced to a cycnical philosopher and orator William Henry. Dorian is easily seduced by his theories. Lord Henry corrupts this young boy by transforming into a hedonist. Through him, he faces the harsh realities that his physical appearance is fading and he becomes afraid of ageing. He envies the concrete and ever-to-survive masterpiece of Basil and longs for aging on his life without any sign of ageing and decay. Then his wish incredibly turns out to be real. And his sins begin to be appear in the pic...