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Themes in the cask of amontillado
Concept of revenge in the cask of amontillado
Themes in the cask of amontillado
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“When one door closes, another opens” by Alexander Graham is a common phrase and Mrs.Mallard experiences the phrase as the news of the death of her husband forced her upon this path. Mrs.Mallard knows that the death of her husband is saddening but looks forward to the life she will live for herself where she will need to only look out for herself and no one else. Mrs. Mallard opens the windows as a sign of the new door and the freedom she will experience living for herself. Mrs.Mallard for the first time experiences freedom and see the world in a new perspective that she did not see before her husband 's supposed death. Mrs.Mallard see the world with more life and takes in the atmosphere of life around her and as the narrator describes Mrs …show more content…
Montressor uses the false cask of amontillado to lure Fortunato who sees himself as a wine enthusiast. Physical and emotional points of conflict are easily seen when Fortunato is slain by Montressor and Fortunato uses the last of his emotion to beg himself free Morality is also major point of conflict for Montressor who often suppresses his morality because Montressor has grown up to slay those who wrong him but feels pity for Fortunato and says “In pace requiescat”(Poe 1). The latin face standing rest in peace is often something one would not say after killing those who wrong them but Montressor …show more content…
Montressor 's family used murder to extract their revenge as their motto states “Nemo me impune lacessit”(Poe 1). Revenge is finally achieved when Fortunato is murdered and Montressor lays the final brick in the wall when it comes to the life of Fortunato. The symbols in “Cask of Amontillado” begins with the title as the cask of amontillado is Fortunato as this caused his death. Fortunato 's outfit is that of a fool and being lured and unaware of his surroundings can be seen as Fortunato being a
In “The Cask of Amontillado”, Montresor made up in his mind that he would carry out his act of revenge on Fortunato. Whatever offense Fortunato committed against Montresor drove him to the brink. The hatred inside was somewhat poetic. Montresor schemed to every detail how to carry out his revenge. The setting of the story is a dark, gloomy night at a celebration during carnival season. Montresor would be detailed in describing the monetary status of his enemy, his wardrobe or costume he wore to the celebration. He would set the mood as cheerful. Despite the ill feelings he has towards the now drunken Fortunato, Montresor pretends to care for his company to lure him towards his cunning plan. He strokes Fortunato’s ego and his love for wine to draw him towards the cellar. The dark, damp halls, the claustrophobia, and the human skeletons lying about the earth were all a foreshadowing of Motresor’s plan for the drunken Fortunato. It enhanced suspense to the story, building up to the climax which would be Fortunato entering into his grave. As they further enter the hal...
In Edger Allen Poe’s The Cask of Amontillado the narrator, Montresor, seeks revenge against his friend Fortunato who he claims had cause him many injuries. The story takes place during carnival time and many are celebrating even Fortunato who was dressed as a clown and wore a colorful hat with bells. Fortunato had been drinking which made him even less aware of any sort of plot against him. Montresor lures him into his wine vaults and easily chains him to a wall deep inside a small crypt. Fortunato is too drunk to even comprehend what is happening or even resist. Finally Montresor builds a stone wall confining Fortunato inside to die. In the story we can distinguish many notable characteristics of Montresor. He may be perceived as heatless or even bit psychotic. We can learn about his personality through his motives and actions as the story progresses.
For example, Montresor expresses concern about Fortunato and says, "Come, I said, with this decision, we will go back; your health is precious. Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with societal prominence. Fortunato is a man of stature who is “rich, respected, admired” (Baym).
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
“The Cask of Amontillado” by Edgar Allan Poe is a story of revenge on the outside, but when on the inside, it is something deeper. His stories are dark and sometimes, like in “The Cask of Amontillado,” deadly. Poe’s main focus in “The Cask of Amontillado” is revenge, but if examined more closely, the irony that is present foreshadows the end result for Fortunato. In “The Cask of Amontillado” the Montresor is planning to seek revenge on Fortunato for “the thousand injuries.” The revenge results in the live burial of Fortunato, the actual reasoning is left a mystery, but this story goes to prove that things that one does can always come back ...
Horror themed stories frighten, scare, or startle the reader by inducing feelings of terror and dread. In The Cask of Amontillado, Edgar Allen Poe tells the tale of Montresor, a disgruntled noble man who plots revenge on his adversary. Montresor declares that another noble man named Fortunato that has constantly battered him and insulted him. Montresor has plotted his revenge over time and has carefully constructed a plan to blatantly and consciously destroy Fortunato right before his very eyes. The most terrifying aspect of Montresor’s plan is the methodical nature in which he leads Fortunato to his doom. Poe continually builds terror in The Cask of Amontillado, masterfully utilizing plot, setting and symbolism to develop horror in his classic
Poe’s fantastic use of imagery holds an idea to the questioning of his character's motives. In “The Cask of Amontillado”, Montresor's face was covered by a black mask, he not only represents blind righteousness but also revenge. In contrast to Montresor's apparel, Fortunato wears a colorful jester costume, and gets precisely and dreadfully fooled by Montresor’s underco...
Montressor gave Fortunato multiple chances to escape his death but Fortunato was too prideful. We are told from Elena V. Barban that Montressor did not commit the perfect murder because he had pity on Fortunato. The reader is baffled to find no motive for revenge. There is no logical explanation for Montressor’s hatred toward Fortunato, so the reader must conclude that Montressor is insane (Barban). “The Cask of Amontillado” is clearly another example of Poe’s stories with characters having disturbed
Montresor shows remorse by offering Fortunato foresight. In “The Cask of Amontillado,” there is a slight contradicting factor to White’s claim of Montresor’s loyalty to the motto and his lack of remorse. After having planned his revengeful murder, Montresor shows that he is reluctant and unfaithful to the motto by suggesting opportunities to abandon its declaration. Just moments after Montresor begin his scheme, he attempted to persuade Fortunato out of his plan as if he instantly regretted it. Montresor twice urged Fortunato “My friend, no…” (Poe, 2), as if there was something deeper he wanted to say but couldn’t. He couldn’t for the reason of pride. He was pressured as being a part of the Montresor lineage to act on the motto. Afraid of being condemned by his family if he was to forsake it. Even after Montresor tried to save his friend from himself, he still mentally battled the pressure that his family puts on the values, and the morals of taking a human life. Once the plot was nearly carried out, and
In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
The Cask of Amontillado, one of Edgar Allen Poe’s most celebrated works, paints a very sinister and dark tale of revenge. It is riddled with symbolism of what is in store for Fortunato who has betrayed Montresor in what Montresor perceives to warrant a grievous end. Throughout their the interaction, there are subtleties in which one might think there is a way out, but ultimately greed takes over which leads to Fortunato 's undoing.
Edgar Allen Poe uses irony and poetic justice all throughout “The Cask of the Amontillado”. The places where irony and poetic justice hold the most significance are the scenes where, Montresor speaks of the wronging done to him by Fortunato, where Montresor and fortunato speak of the coat of arms, and where at the very end when Montresor traps Fortunato in the catacombs and leaves him to die. These scenes clearly show the use of these two tools that Poe used to tell the story of Montresor and
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
For instance, Montresor’s family crest is a serpent biting into an ankle treading upon it. The emblem is symbolic of Montresor’s response to being bitten by Fortunato’s foolish pride. The snake on the crest and the family’s motto, “No one wounds me with immunity,” both address Montresor’s seemingly inherited nature to retaliate. Another instance of symbolism in the story, is the reference to the secret society, the Freemasons. As a sign to prove his fellowship, Montresor pulls out a trowel to show his brotherhood. Ironically, this is the same trowel that will seal Fortunato’s tomb. The final major symbol in “The Cask of Amontillado,” is the Amontillado wine. The way the wine is created is through the deprivation of oxygen, the same way Fortunato is killed. The thought put into the murder portrays Montresor as a genius, but also shows the regard he has for his victim. Montresor sees his victim like a cheap bottle of sherry instead of the fine Amontillado that is revered and mature. Taking it upon himself, Montresor decides to mature Fortunato and views it as a masterpiece. The death of Fortunato is Montresor’s art (Lewis
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...